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    The Awakening and Selected Short Stories

    The Awakening and Selected Short Stories

    4.0 2

    by Kate Chopin


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      ISBN-13: 9783736801264
    • Publisher: BookRix
    • Publication date: 06/23/2017
    • Sold by: Readbox
    • Format: eBook
    • Pages: 257
    • File size: 764 KB

    Kate Chopin, born Katherine O'Flaherty (February 8, 1850 - August 22, 1904), was an American author of short stories and novels.

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    Chapter 1

    A green and yellow parrot, which hung in a cage outside the door, kept repeating over and over:

    "Allez vous-en! Allez vous-en! Sapristi! That's all right!"

    He could speak a little Spanish, and also a language which nobody understood, unless it was the mockingbird that hung on the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence.

    Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust. He walked down the gallery and across the narrow "bridges" which connected the Lebrun cottages one with the other. He had been seated before the door of the main house. The parrot and the mockingbird were the property of Madame Lebrun, and they had the right to make all the noise they wished. Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining.

    He stopped before the door of his own cottage, which was the fourth one from the main building and next to the last. Seating himself in a wicker rocker which was there, he once more applied himself to the task of reading the newspaper. The day was Sunday, the paper was a day old. The Sunday papers had not yet reached Grand Isle. He was already acquainted with the market reports, and he glanced restlessly over the editorials and bits of news which he had not had time to read before quitting New Orleans the day before.

    Mr. Pontellier wore eye-glasses. He was a man of forty, of medium height and rather slender build; he stooped a little. His hair was brown and straight, parted on one side. His beard was neatly and closely trimmed.

    Once in a while he withdrew his gorch, facing each other, each leaning against a supporting post.

    "What folly! to bathe at such an hour in such heat!" exclaimed Mr. Pontellier. He himself had taken a plunge at daylight. That was why the morning seemed long to him.

    "You are burnt beyond recognition," he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her lawn' sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile.

    "What is it?" asked Pontellier, looking lazily and amused from one to the other. It was some utter nonsense; some adventure out there in the water, and they both tried to relate it at once. It did not seem half so amusing when told. They realized this, and so did Mr. Pontellier. He yawned and stretched himself. Then he got up, saying he had half a mind to go over to Klein's hotel and play a game of billiards.

    "Come go along, Lebrun," he proposed to Robert. But Robert admitted quite frankly that he preferred to stay where he was and talk to Mrs. Pontellier.

    "Well, send him about his business when he bores you, Edna," instructed her husband as he prepared to leave.

    "Here, take the umbrella," she exclaimed, holding it out to him. He accepted the sunshade, and lifting it over his head de scended the steps and walked away.

    "Coming back to dinner?" his wife called after him. He halted a moment and shrugged his shoulders. He felt in his vest pocket; there was a ten-dollar bill there. He did not know; perhaps he would return for the early dinner and perhaps he would not. It all depended upon the company which he found over at Klein's and the size of "the game." He did not say this, but she understood it, and laughed, nodding good-by to him.

    Both children wanted to follow their father when they saw him starting out. He kissed them and promised to bring them back bonbons and peanuts.

    Copyright © 1998 by Simon & Schuster

    Table of Contents

    The awakening — Beyond the Bayou — Maáme Pélagle — Désirée's baby — A respectable woman — The kiss — A pair of silk stockings — The locket — A reflection.

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    The Awakening is a novel by Kate Chopin. Set in New Orleans and the Southern Louisiana coast at the end of the nineteenth century, the plot centers on Edna Pontellier and her struggle to reconcile her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating mixed reaction from contemporary readers and criticism.

    The novel's blend of realistic narrative, incisive social commentary, and psychological complexity makes The Awakening a precursor of American modernist literature; it prefigures the works of American novelists such as William Faulkner and Ernest Hemingway and echoes the works of contemporaries such as Edith Wharton and Henry James. It can also be considered among the first Southern works in a tradition that would culminate with the modern masterpieces of Faulkner, Flannery O'Connor, Eudora Welty, Katherine Anne Porter, and Tennessee Williams.

    Kate Chopin's narrative style in The Awakening can be categorized as naturalism. Chopin's novel bears the hallmarks of Maupassant's style: a perceptive focus on human behavior and the complexities of social structures. This demonstrates Chopin's admiration for the French short story writer Guy de Maupassant, yet another example of the enormous influence Maupassant exercised on nineteenth-century literary realism. However, Chopin's style could more accurately be described as a hybrid that captures contemporary narrative currents and looks forward to various trends in Southern and European literature. Mixed into Chopin's overarching nineteenth-century realism is an incisive and often humorous skewering of upper-class pretension, reminiscent of direct contemporaries such as Oscar Wilde, Henry James, Edith Wharton, and George Bernard Shaw.

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    Publishers Weekly - Publisher's Weekly
    Chopin's (1850-1904) The Awakening , whose heroine rejects her husband and children as she indulges in solitude and in an adulterous infatuation, was embraced by the women's movement 70 years after its publication. Although they pale in comparison to the novel, these stories, which comprise Chopin's third and last short-fiction collection, serve to flesh out the Chopin oeuvre and deserve a place on women's studies syllabi. As in The Awakening , the author's social critiques here demythologize women, marriage, religion and family. A women escapes ``the incessant chatter'' of other females at a party and retires to the male domain of the smoking room, where she puffs on hashish and dreams of a love affair torn asunder. The perverse Mrs. Mallard revels in her newfound freedom when informed that her husband is a casualty of a train accident and dies of a heart attack when he shows up alive. Her fiance is wasted by illness and reeks death, and a repulsed Dorothea bolts; elsewhere, a monk is lured by the voice of a woman, a former intimate. And in a twist on the plot of The Awakening , a husband, plagued by suspicions of his late wife's infidelity, casts himself in the river. Toth wrote the biography Kate Chopin. (Jan.)
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