Richard Bausch is the author of twelve novels and eight volumes of short stories. He is a recipient of many awards, including the PEN/Malamud Award, a Guggenheim Fellowship, the Lila Wallace–Reader’s Digest Writers’ Award, the Literature Award from the American Academy of Arts and Letters, the Dayton Literary Peace Prize, and, in 2012, the Rea Award for the Short Story. He is currently professor of English at Chapman University in Orange, California.
Before, During, After
eBook
-
ISBN-13:
9780385351614
- Publisher: Knopf Doubleday Publishing Group
- Publication date: 08/12/2014
- Series: Vintage Contemporaries
- Sold by: Random House
- Format: eBook
- Pages: 352
- File size: 2 MB
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From the recipient of the PEN/Malamud Award, the Literature Award from the American Academy of Arts and Letters, and the Rea Award for the Short Story: a gorgeously rendered, passionate account of a relationship threatened by secrets, set against the backdrop of national tragedy.
When Natasha, a talented young artist working as a congressional aide, meets Michael Faulk, an Episcopalian priest struggling with his faith, the stars seem to align. Although he is nearly two decades older, they discover in each other the happy yearning and exhilaration of lovers, and within months they are engaged. Shortly before their wedding, while Natasha is vacationing in Jamaica and Faulk is in New York attending the wedding of a family friend, the terrorist attacks of September 11 shatter the tranquillity of the nation’s summer. Alone in a state of abject terror, cut off from America and convinced that Faulk is dead, Natasha makes an error in judgment that leads to a private trauma of her own on the Caribbean shore. A few days later, she and Faulk are reunited, but the horror of that day and Natasha’s inability to speak of it inexorably divide their relationship into “before” and “after.” They move to Memphis and begin their new life together, but their marriage quickly descends into repression, anxiety, and suspicion.
In prose that is direct, exact, and lyrical, Richard Bausch plumbs the complexities of public and personal trauma, and the courage with which we learn to face them. Above all, Before, During, After is a love story, offering a penetrating and exquisite portrait of intimacy, of spiritual and physical longing, and of the secrets we convince ourselves to keep even as they threaten to destroy us. An unforgettable tour de force from one of America’s most distinguished storytellers.
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Set amid the chaos of 9/11, this novel from Bausch (Peace) is an adequate addition to the author’s oeuvre. After meeting at a fundraiser, D.C. congressional aide Natasha Barrett and disillusioned Episcopalian priest Michael Faulk fall into a whirlwind romance. Engaged, and intending to relocate to Memphis, the couple find themselves separated when the 2001 terrorist attacks occur: Michael is in New York City at a wedding; Natasha is in Jamaica, vacationing with a friend. As Michael frantically tries to escape the city, Natasha, fearing that her fiancé is dead, wanders the beach heavily intoxicated and is raped by a fellow vacationer. Once home in Memphis, Natasha keeps the assault to herself, and Michael grows frustrated with her new emotional distance as their wedding day nears. He suspects Natasha has been unfaithful, but is afraid to ask. A tale of trust and loss, the novel strives to fit Natasha and Michael’s personal problems into the greater story of America’s turmoil. Bausch excels at capturing the mood of Americans in the days and weeks following 9/11—equal parts camaraderie and suspicion—but only rarely engages the reader emotionally. (Aug.)
“Elegantly constructed. . . . One of Richard Bausch’s many talents is the forthright ease with which he delivers his characters—and readers—to the gravest questions of love, faith and ultimately God, even as he nimbly hides the answers in plain sight.” —The New York Times Book Review
“Intimate. . . . Bausch explores the way private tragedy is distorted and subsumed by national disaster.” —The Washington Post
“An intensely personal drama. . . . As he empathetically investigates his characters, Bausch uncovers thoughts and feelings as tangled and troubled as the world around them.” —The Boston Globe
“[A] terrific novel. . . . Bausch has found a way to connect the optimism that died [on 9/11] with the hopes and dreams that we take into our intimate relationships. They can collapse, too. And often we don’t even see it coming. . . . [He is] a master storyteller who appreciates subtleties most of us can’t see, much less write.” —The Seattle Times
“Masterful prose, in the service of a masterfully told story. . . . [Before, During, After] would have been over-reach for a lesser writer, but Bausch pulls it off by displaying the utmost care for his characters, employing the highest form of authorial omnipotence to show how external horrors reverberate in internal spaces.” —The Daily Beast
“A quietly lovely book, well-written and sad, but with the possibility of triumph.” —The Post and Courier (Charleston)
“Gripping.” —Toronto Star
“Skillfully crafted. . . . Taut and restrained. . . . Bausch is a powerful evocator. . . . [He] courageously tackles a difficult conundrum in fiction: how to fictionalize—that is how to make art—out of unspeakable evil taken from life.” —New York Journal of Books
“Sublimely probing what it means to lose trust in one’s self and in those one loves, the masterful Bausch delicately ponders the consequences of devastating loss on both a grand and personal scale. A luscious, sweeping heartbreak of a novel.” —Booklist (starred review)
“Bausch offers a twentieth work of fiction that blends private and public trauma to devastating effect.” —Library Journal
Winner of everything from a PEN/Malamud Award to the Literature Award from the American Academy of Arts and Letters, Bausch offers a 20th work of fiction that blends private and public trauma to devastating effect. Disaffected congressional aide Natasha and faith-challenged Episcopal priest Michael Faulk fall in love instantly, but shortly before their wedding, while Natasha is vacationing in Jamaica, Michael appears to have been lost to 9/11. Though they are reunited, the pain they've endured—Natasha had her own awful experience in Jamaica—splinters their life together. With a reading group guide; West Coast tour.
Thehorror of 9/11 intersects with the horror of rape in this latest from Bausch (SomethingIs Out There, 2010, etc.).Natasha Barrett and Michael Faulk meet at a dinner party in the Washington,D.C., suburbs. She's the top aide to a Republican senator; he's an Episcopalpriest in Memphis. Natasha's still recovering from the messy end of an affair;Faulk's been bruised by a divorce. There's an age gap (she's 32, he's 48), butlove leaps across it; they will marry and leave their professions. Natashaisn't credible as a political animal; Faulk has lost "something unnameable" incarrying out his pastoral duties. The future looks rosy (Faulk's trust fundwill cushion them), but hard times are coming for this pleasant, fuzzilydefined couple. It's September 2001. Faulk is in New York for a friend'swedding and has mentioned visiting the twin towers. Natasha is vacationing inJamaica with Constance, an older woman, when the news breaks. Is Faulk safe? Thephones are down; Natasha is frantic. She starts drinking heavily, as do theother hotel guests. On the beach at night, she allows a handsome Cuban-Americana kiss. Things get out of hand; he rapes her. She can't confide in the cynicalConstance, who's seen that consensual kiss but not the aftermath. By the timeshe reunites with Faulk in Memphis, she's a nervous wreck. Bausch faithfullyreproduces the high anxiety of the time, having us ponder the irony thatstrangers, rubbed raw, confide in each other while Natasha, consumed byirrational guilt, cannot confide in her darling Faulk, who knows something isterribly wrong. As the situation drags on, it's hard not to become impatientwith Bausch's failure to force a resolution.Disappointing; the 9/11 material is a distraction from Bausch's core story: theplight of the rape victim.