David Mikics is the Moores Distinguished Professor of English at the University of Houston. He is the author, most recently, of Slow Reading in a Hurried Age, and his writing has appeared in Tablet, the New Republic, and the New York Times.
Bellow's People: How Saul Bellow Made Life Into Art
by David Mikics
eBook
-
ISBN-13:
9780393246889
- Publisher: Norton, W. W. & Company, Inc.
- Publication date: 05/24/2016
- Sold by: Barnes & Noble
- Format: eBook
- Pages: 240
- File size: 273 KB
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A leading literary critic’s innovative study of how the Nobel Prize–winning author turned life into art.
Saul Bellow was the most lauded American writer of the twentieth century—the winner of the Nobel Prize in Literature and the Pulitzer Prize in Fiction, and the only novelist to be awarded the National Book Award in Fiction three times. Preeminently a novelist of personality in all its wrinkles, its glories and shortcomings, Bellow filled his work with vibrant, garrulous, particular people—people who are somehow exceptionally alive on the page.
In Bellow’s People, literary historian and critic David Mikics explores Bellow’s life and work through the real-life relationships and friendships that Bellow transmuted into the genius of his art. Mikics covers ten of the extraordinary people who mattered most to Bellow, such as his irascible older brother, Morrie, a key inspiration for The Adventures of Augie March; the writer Delmore Schwartz and the philosopher Allan Bloom, who were the originals for the protagonists of Humboldt’s Gift and Ravelstein; the novelist Ralph Ellison, with whom he shared a house every summer in the late 1950s, when Ellison was coming off the mammoth success of Invisible Man and Bellow was trying to write Herzog; and Bellow’s wife, Sondra Tschacbasov, and his best friend, Jack Ludwig, whose love affair Bellow fictionalized in Herzog.
A perfect introduction to Bellow’s life and work, Bellow’s People is an incisive critical study of the novelist and a memorable account of a vibrant and tempestuous circle of midcentury American intellectuals.
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In this novel approach to author Saul Bellow’s work, Mikics (Slow Reading in a Hurried Age) centers his study of influence and literary criticism around some of the key figures in the Nobel laureate’s life. The story begins with Morrie Bellow, Saul’s volatile older brother and father figure. Morrie effectively abandons Saul, but Saul cannot resist trying to make sense of his brother through fiction. Mikics illuminates Bellow’s sometimes misunderstood relationship with Ralph Ellison and uses textual examples to show how each writer encouraged and influenced the other. Likewise, Bellow’s transformation of poet Delmore Schwartz into the character Von Humboldt Fleisher of Humboldt’s Gift relies on Schwartz’s writing as much as his forceful personality. Bellow used aspects of his close friend Edward Shils in his works, most prominently in Mr. Sammler’s Planet, but perhaps the clearest case of a character stepping from reality into fiction is Allen Bloom becoming the eponymous protagonist of Ravelstein. In this final novel, Bellow “ennobled Bloom,” and Mikics shows how Bellow turned Bloom’s combination of high-culture ideas and rumpled, professorial attitudes into one of the most memorable literary characters of the past 50 years. Mikics’s larger thesis is that Bellow’s writing exalts personality, and the sheer variety and depth of the real personalities he studies in this book deftly support that framework. Agent: Chris Calhoun, Chris Calhoun Agency. (May)
Mikics (Moores Distinguished Professor of English, Univ. of Houston; Slow Reading in a Hurried Age) adds a new and different approach to the vast body of research on author Saul Bellow. He examines in depth many of Bellow's major novels (The Adventures of Augie March, Humboldt's Gift, Ravelstein, etc.), but from the perspective of the persons he knew (friends, family, his spouses, fellow writers) and how he used their personalities and idiosyncrasies to create their fictional counterparts. Among the real-life individuals examined are Bellow's brother, Morrie, his wife, Sondra, and her love affair with his best friend Jack Ludwig, and writers such as Ralph Ellison and Delmore Schwartz. Mikics acknowledges his debt to other biographies of Bellow (such as those by Zachary Leader and James Atlas), as well as collections of Bellow's letters and essays. In addition, he has interviewed colleagues and relatives, such as Alexandra Ionescu Tulcea Bellow, the author's second wife. All in all, this is a compact but densely researched literary study that may not provide many fresh insights but does make clear where Bellow found the models for his most fascinating characters. VERDICT Recommended for anyone interested in 20th-century American fiction and in the achievements of Bellow. For all collections.—Morris Hounion, New York City Coll. of Technology, Brooklyn
How to access the novels of Saul Bellow (1915-2005) via the people he knew and loved. Looking over the titles of Bellow's novels, one notices how many include the names of their main characters: Augie March, Henderson, Herzog, Sammler, Humboldt, and Ravelstein. He was a character-driven novelist. As Mikics (English/Univ. of Houston; Slow Reading in a Hurried Age, 2013, etc.) notes in this "personal" approach to Bellow's novels, he stayed true to what he saw as the "novelist's highest purpose: to make people he had known and loved even more real, and more lasting." Sure, every novelist draws upon real-life people for characters, but, Mikics argues, few "have ever given us such a wealth of…funny, passionate, overwrought people." He feels Bellow rivals even Dickens in his "power to locate us through observation, to explain how appearances tell who we are." Mikics selects 10 people who were important in Bellow's life—friends, family, wives, sworn enemies—to show how each influenced his portrayals of some of his "pungent, unforgettable personalities." Morrie, his older brother, shows up as Simon in that "explosive, shaggy picaresque" that is The Adventures of Augie March. Bellow made him a "rough apostle of life" instead of the "thwarted ogre that Morrie actually was." Two of Bellow's best friends make appearances in Henderson the Rain King. The African King Dahfu is Isaac Rosenfeld, who died young, while Chanler Chapman, who was also for a while his landlord, is Eugene Henderson. Chapman "lived in the present with gusto, never plagued by the shadows of failure that clung to Rosenfeld." Mikics also shows how in Herzog, Bellow fictionally dealt with his wife Sondra's affair with his good friend Jack Ludwig. Such literary lights of the time as Delmore Schwartz and Allan Bloom make appearances as Humboldt and Ravelstein. Mikics has done a fine job uncovering how Bellow made art out of life, and he has given us a new way to approach that art.