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    The Best American Travel Writing 2011: The Best American Series

    The Best American Travel Writing 2011: The Best American Series

    5.0 2

    by Sloane Crosley (Editor), Jason Wilson (Editor)


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    Customer Reviews

    Sloane Crosley is the author I Was Told There'd Be Cake, which was a finalist for the Thurber Prize for American Humor. Her second collection, How Did You Get This Number, finds her riffing on European vacation disasters and doing bridesmaid duty in Alaska. 

    Jason Wilson is the author of Boozehound: On the Trail of the Rare, the Obscure, and the Overrated in Spirits. His next book, Godforsaken Grapes, will be published by Abrams Press in spring 2018. Wilson has been the series editor of The Best American Travel Writing since its inception in 2000. He lives in New Jersey.

    What People are Saying About This

    From the Publisher

    "[Crosley's] selections succeed in piquing the armchair traveler’s wanderlust."
    Booklist

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    The Best American Series®
    First, Best, and Best-Selling

    The Best American series is the premier annual showcase for the country’s finest short fiction and nonfiction. Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites . A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected—and most popular—of its kind.

    The Best American Travel Writing 2011 includes

    André Aciman, Christopher Buckley, Maureen Dowd,
    Verlyn Klinkenborg, Ariel Levy, Téa Obreht, Annie Proulx,
    Gary Shteyngart, William T. Vollmann,
    Emily Witt, and others

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    From the Publisher
    "[Crosley's] selections succeed in piquing the armchair traveler’s wanderlust."
    Booklist
    Kirkus Reviews

    An eclectic but not particularly strong collection of pieces involving travel around the globe and around the yard.

    Independent columnist Crosley (How Did You Get This Number, 2010, etc.) presents a wide variety of pieces, including André Aciman's search for Monet sites in Bordighera, Christopher Buckley's brief account of a year on a tramp freighter, Keith Gessen's grousings about Moscow traffic and Emily Witt's sophomoric snippets about her drinking and partying in Miami. At times, Crosley seems bent on juxtaposing pieces to see what light may emerge from the collision, say, between Téa Obreht's peregrinations in the Balkans hearing vampire stories and Annie Proulx's quiet walks around her Wyoming ranch observing the wildlife. At other times, the editor places shorter pieces (Gary Shteyngart's cryptic ruminations about Russians in Israel) before longer ones (William T. Vollmann's six visits to Kirkuk to learn about the Kurds and the explosive politics in the region). There are essays by writers who went to geographical extremes (Justin Nobel to Arctic Quebec, Verlyn Klinkenborg to a remote area of Australia, Maureen Dowd to Saudi Arabia) and those who stuck closer to home (Ariel Levy to the Hamptons for an enlightening piece about Indian casinos, Jessica McCaughey on a local hike where she tried to cure her inept internal GPS). Some pieces have moments that are downright harrowing: Mischa Berlinski's views of earthquake devastation in Haiti, Tom Ireland's time in Mumbai while terrorists were killing people.

    Although these writers invariably have something novel to say, there aren't a lot of moments that will make armchair travelers race out to renew their passports.

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