Sasha Sokolov is the author of the novels A School for Fools (1976), Between Dog and Wolf (1980), and Astrophobia (1985) and the essay collection In the House of the Hanged (2011).
Alexander Boguslawski is professor of Russian at Rollins College and the translator of Sasha Sokolov’s A School for Fools (2015) and In the House of the Hanged (2011).
Between Dog and Wolf
eBook
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ISBN-13:
9780231543729
- Publisher: Columbia University Press
- Publication date: 12/06/2016
- Sold by: Barnes & Noble
- Format: eBook
- Pages: 224
- Sales rank: 178,865
- File size: 1 MB
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Sasha Sokolov is one of few writers to have been praised by Vladimir Nabokov, who called his first novel, A School for Fools, an enchanting, tragic, and touching book.” Sokolov’s second novel, Between Dog and Wolf, written in 1980, has long intimidated translators because of its complex puns, rhymes, and neologisms. Language rather than plot motivates the storythe novel is often compared to James Joyce’s Finnegans Wakeand time, characters, and death all prove unstable. The one constant is the Russian landscape, where the Volga is a more-crossable River Styx, especially when it freezes in winter. Sokolov’s fiction has hugely influenced contemporary Russian writers. Now, thanks to Alexander Boguslawski’s bold and superb translation, English readers can access what many consider to be his best work.
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Sokolov’s language-driven novel, long considered untranslatable, finally makes it into English 36 years after its publication in Russia. Sokolov, best known for 1976’s A School for Fools, here adds narrative to his linguistic pyrotechnics and creates a unique, challenging read. The non-chronological action centers on the Volga River and is told in three forms. The lead, Ilya Petrikeich Zynzyrela, is a one-legged knife-sharpener whose chapters are told in colloquial, heavily accented dialect, in which Boguslawski departs from the original Russian, using his own puns and neologisms to varying effect. Ilya’s sections are contrasted by the overly erudite, floral chapters depicting the warden Yakov Ilyich Palamakhterov. Yakov’s poems, many of which are lovely, are interspersed throughout and expand on the book’s themes. The plot fluctuates, but some facts are clear: after a wake for a drowned man, Ilya kills the warden’s dog, thinking it’s a wolf. After Ilya’s crutches are stolen by the vengeful warden, the story heads toward an inevitable conclusion. There are occasional difficulties that feel like impositions: for example, readers will be confused by the decision to provide endnotes but not place endnote numerals within the text, especially because Sokolov uses unattributed quotes from over a dozen Russian authors. However, even at peak moments of inscrutability, one feels the caliber and creativity of the original. This is a riot of language, invaluable for scholars and fascinating to the curious. (Dec.)