Frankenstein is a masterpiece of nineteenth-century Gothicism and the prototype of the twentieth-century science-fiction novel.
It was conceived in the Swiss Alps in mid-June 1816 after a conversation about bringing corpses to life provoked a nightmare, and was written over the next eleven months in largely morbid circumstances. Death and the terrors of childbirth--as much as Romanticism, a burgeoning awareness of unconscious drives, and contemporary ideas of atheism, the collapse of the social contract, and the corrupting influence of society on human nature--inform this story of a man (or monster) built by Dr. Victor Frankenstein and brought to life by electricity.
The monster's culpability for various horrific acts, his powerlessness in the face of his complete ostracism from society, and Dr. Frankenstein's lies, abdication of responsibility, and the pain he inflicts on his creation raised chilling questions that made the novel an immediate bestseller.
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Library Bookwatch
Frankenstein's new look tailors a play for performance and provides a strong plot suitable for contemporary drama.
James Hynes
. . .[T]he novel Frankenstein is quite a read. . . .It's highly Romantic, in the literary sense. . .[there is] a good deal of attractive torment and self-doubt, from both Victor Frankenstein and his creation. . . .If ever a book needed to be placed in context, it's Frankenstein. The New York Times Book Review
Children's Literature
Children may know of the monster Frankenstein, the giant creature made from the body parts of dead people and brought to life by a mad scientist. But they may not know that this horrible monster wanted more than anything to find his family and friends and receive their love. In this "Stepping Stone Classic," Mary Shelly's well-loved horror story has been adapted into modern language for beginning readers. The short, illustrated chapters will enchant young people with the tale of Victor Frankenstein, his quest for the secret of life, and the terrible monster that haunted him until his death. Readers will sympathize with and understand Frankenstein's remorse for bringing life from the dead when they learn of the pain and sadness he feels upon discovering that it is his own face that frightens innocent people. As always, this great story is filled with excitement. 2000, Random House, $3.99. Ages 7 to 10. Reviewer: Jessica Becker
From the Publisher
Mary Shelley's Frankenstein is one of the masterpieces of nineteenth-century Gothicism. While stay-ing in the Swiss Alps in 1816 with her lover Percy Shelley, Lord Byron, and others, Mary, then eighteen, began to concoct the story of Dr. Victor Frankenstein and the monster he brings to life by electricity. Written in a time of great personal tragedy, it is a subversive and morbid story warning against the dehumanization of art and the corrupting influence of science. Packed with allusions and literary references, it is also one of the best thrillers ever written. Frankenstein; Or, the Modern Prometheus was an instant bestseller on publication in 1818. The prototype of the science fiction novel, it has spawned countless imitations and adaptations but retains its original power.
This Modern Library edition includes a new Introduction by Wendy Steiner, the chair of the English department at the University of Pennsylvania and author of The Scandal of Pleasure. Mary Shelley was born Mary Wollstonecraft Godwin in 1797 in London. She eloped to France with Shelley, whom she married in 1816. After Frankenstein, she wrote several novels, including Valperga and Falkner, and edited editions of the poetry of Shelley, who had died in 1822. Mary Shelley died in London in 1851.
Children's Literature - Toni Jourdan
In 1816 Mary Shelley dreamt up the story of a doctor that tampered with electricity to bring back the dead. This doctor successfully reanimates a hand that he obtained from a cemetery and then attempts to play Godpiecing together an entire man out of body parts that he stitches together. He forms a creature that horrifies even the good doctor himself. The creature escapes the lab, as does the doctor, who returns to his studio in Switzerland. There he learns of a death in his family, whereupon he immediately suspects the monster of this murder. Meanwhile, his creature has wandered around until he finds a shed to live in. It’s here that he learns to both speak and read by listening into a nearby family’s home each day. Conversely though, he would always be a gruesome monster of a man, never fitting in, always on the run. The creature confronts Dr. Frankenstein, requesting that the doctor create a woman for him so he will not always be alone. This dark story is brought to life as a graphic novel with rich vibrantly colored illustrations, in a retelling that plucks the highlights of an experiment gone awry. True to Mary Shelley’s vision and put together using the author’s history, the illustrations help the story jump off the page. This is a reimagining of a well-known story, successfully stitching together the pieces to give it new look. A glossary and Common Core questions round out this entry in the “Graphic Resolve: Common Core Editions” series. Reviewer: Toni Jourdan; Ages 10 to 14.
Library Journal
This classic tale of horror and obsession features an appropriately overwrought reading by three talented British actors. Dr. Victor Frankenstein becomes enslaved to the idea of reanimating the dead, spending years in a manic frenzy of scientific study and creation. But once his monster lives, Frankenstein is so horrified by the ugliness of "the demoniacal corpse" that he abandons it, never imagining that they will meet again in murderous circumstances. Daniel Philpott does most of the narration, employing a Germanic accent when he voices the good doctor's dialog. Roger May does a superb job as Capt. Robert Walton. The best performance, though, is by Jonathan Oliver as the Daemon. He makes listeners feel pity and compassion for this creature who longs only for love and intellectual stimulation; instead, he cannot help but be the personification of evil in his own mania for vengeance. VERDICT The reading is well paced, and the narrators are not afraid to sound overwrought when appropriate.—B. Allison Gray, Santa Barbara P.L., Goleta Branch, CA
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