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    This Is Where It Ends

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    $10.99
    $10.99

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    • ISBN-13: 9781492671114
    • Publisher: Sourcebooks
    • Publication date: 05/07/2019
    • Pages: 336
    • Product dimensions: 5.50(w) x 8.20(h) x 1.00(d)
    • Lexile: HL630L (what's this?)
    • Age Range: 14 - 17 Years

    Marieke Nijkamp is a storyteller, dreamer, globe-trotter, geek. She holds degrees in philosophy, history, and medieval studies, and is an executive member of We Need Diverse Books, the founder of DiversifYA, and a founding contributor to YA Misfits. She lives in the Netherlands. Visit her at mariekenijkamp.com.

    Read an Excerpt

    Chapter One

    10:01—10:02 A.M.

    CLAIRE

    The starter gun shatters the silence, releasing the runners from their blocks.

    Track season starts in a couple weeks, but no one has told Coach Lindt about winter. He's convinced that the only way to get us into shape is to practice-even when my breath freezes right in front of me.

    This is Opportunity, Alabama. Sane people don't leave their homes when it's white and frosty outside. We stock up on canned food, drink hot chocolate until we succumb to sugar comas, and pray to be saved from the cold.

    Still, Coach Lindt's start-of-season training beats Principal Trenton's long and arduous start-of-semester speech-virtue, hard work, and the proper behavior of young ladies and gentlemen. After almost four years at Opportunity High, I can recite her words from memory, which is exactly what I did for Matt at breakfast this morning-responsibility, opportunity ("no pun intended"), and her favorite, our school motto: We Shape the Future.

    It sounds glorious, but with months left until graduation, I have no clue what the future looks like. If Opportunity shaped me, I didn't notice. Running, I know. This track, I know. One step after another after another. It doesn't matter what comes next as long as I keep moving forward.

    My foot slips, and I stumble.

    From his position on the field, Coach curses. "Claire, attention! One misstep's the difference between success and failure."

    Straightening, I refocus.

    A familiar laugh colors the still morning. "Did you freeze up over holiday break, Sarge? A snail could catch up with you floundering like that." On the straightaway of the track, Chris falls into step with me.

    I suck in a breath before I answer him. "Oh, shut up."

    My best friend only laughs louder. The even rhythm of his footsteps and his breathing challenge me to find my pace. His presence steadies me like it always does. At six-foot-five and with sun-touched hair and blue eyes, Chris is not just our best runner but also Opportunity's poster-boy athlete. On uniform days, the freshman girls fawn over him.

    With Chris by my side, my stride shortens. The other two runners on our varsity team are far behind us, on the other side of the field. Chris and I move in perfect synchrony, and the very air parts before us.

    Nothing can touch us. Not snow. Not even time.

    • • •

    TOMÁS

    Time's up. The small clock on the bookshelf strikes ten with an annoying little tune, and I thumb through the tabs in front of me at supersonic speed. C'mon, c'mon, c'mon.

    It only took superglue-strategically squirted on the desk drawers of my favorite Spanish teacher, Mr. Look-At-Me-Strutting-My-Stuff-Like-A-Walking-Midlife-Crisis-for Far and me to find our way to the administrative office. But it took both our student IDs before we managed to jiggle the lock on Principal Trenton's door. And it'll all be for nothing if I can't find the file I'm looking for. I scan the folders in the filing cabinet. When an elbow pokes my side, I startle. "Dammit, Far. What the hell?"

    Fareed rolls his eyes and gestures for me to keep quiet. Someone's in the hallway, he mouths. He tiptoes back to the door.

    Crap.

    How do I explain this? "No, ma'am, I'm not doing anything, just breaking into school records"?

    Whatever. I'm sure I have a legal right to see my own permanent record, so I can always use that as my excuse. The fact that these folders just happened to be "Last Names, A—C" instead of "Last Names, M—N" is nothing more than a coincidence. No one knows whose file I'm looking for, except Far. And even he doesn't know the whole reason.

    If anything, I can always "find" Al-Sahar, Fareed as a cover. The school administration can't even file his name right.

    Still.

    A door opens and closes. A lock clicks.

    Footsteps squeak on the linoleum outside the administrative office.

    Footsteps that pause before the principal's door-our door.

    I quietly push the file drawer shut. Better not to stir up trouble-more trouble-if I get caught red-handed.

    Far and I both hold our breath.

    After what feels like forever, the footsteps move on. Whomever it was, they're not out to get us. Not today.

    • • •

    AUTUMN

    "...it's all a matter of the decisions you make, today and every day. Your behavior reflects not only on yourself but also on your parents, your family, and your school.

    "Here at Opportunity, we pride ourselves on shaping the doctors, lawyers, and politicians of tomorrow. And it's the choices you make now that will determine your future. You have to ask yourself how you can become the best you can be. Ask not what your school can do for you but what you can do for you."

    Trenton holds the microphone loosely while she scans the crowd, as if memorizing every single face. So many students come and go, leaving nothing but the faintest impression, names scratched into desks and graffitied onto bathroom stalls, yet she knows us all.

    All our hopes. All our heartbreaks. All our sleepless nights.

    Her eyes linger on me, and my neck burns. I reach for the chair to my right, but it remains as it was when the assembly started. Empty.

    To my left, Sylv groans. "After all these years, you'd think she'd come up with something more original."

    "Don't you want to be the best you can be?" The words come out harsher than I intend.

    She grumbles.

    In truth, Sylv will have plenty of colleges to choose from. She's a shoo-in for all her dream schools. And I should be happy for her. I am happy for her.

    But for me, college is the only way out of this misery, and Dad sure as hell isn't going to pay my ride. Not to study dance. "Look what happened to your mother," he'd say, as if I haven't counted the days, hours, minutes since Mom's accident. "Dance took everything from her. No daughter of mine is going into that business. Not if I can stop it."

    So he tries to stop me-every day. And with Mom gone, there's no one to stop him. Not from drinking. Not from hitting me. There's no one to keep our family from falling apart.

    I grip my crumpled coffee cup, grab the threadbare denim messenger bag from under my seat, and block out Ty's voice in the back of my mind. My brother would tell me that Principal Trenton's words are truer than I think, that the world is at my fingertips and it's up to me to make my future the best it can be.

    I tried that and I lost. Now I'd rather escape.

    • • •

    SYLV

    I sink deep into my seat and glance at the empty place next to Autumn. He's not coming after all. He'd have been here by now. He won't come. I'm safe here.

    He won't come.

    The knot in my stomach unfurls and recoils with every twist and turn of my mind. I could ask Autumn about Tyler, but she's lost in memories. Today is two years since the accident. She refuses to share her grief with me-or anyone. Even when she smiles, she isn't the girl she used to be.

    And I miss her.

    Some days, when she thinks no one is watching, she still moves across the floor as if she's flying. La golondrina, Mamá used to call her. The swallow. All grace and beauty. When Autumn dances, all her worry falls away and she shines.

    I wish she could dance forever.

    Madre de Dios, how I wish I could watch her dance forever.

    Instead, it is another Monday. Life goes on. The assembly is over, and Autumn holds herself ramrod straight. I'm the only one who knows she'll fly out of this cage and leave us all behind as soon as she can.

    Meanwhile, next period is the last review for my AP U.S. History midterm, and I haven't even touched my books. Mamá had another one of her bad spells over break. We were supposed to go into town together last Saturday, but when Abuelo brought the car around, she barely recognized him. She didn't want to leave the house. She didn't understand where we were going. I sat with her for hours, talked to her-listen, Mamá-told her the stories that wove our family around her. She was disoriented for days afterward, and I can't shake the feeling that with every day that passes, she slips away like starlight at dawn.

    At least history suits me. You already know if those stories will end happily.

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    Choose Expedited Delivery at checkout for delivery by. Thursday, November 21

    This #1 New York Times Bestseller chronicles the 54 harrowing minutes of a school shooting and follows four students who must confront their greatest hopes, and darkest fears, as they come face-to-face with the boy with the gun.

    10:00 a.m.
    The principal of Opportunity, Alabama's high school finishes her speech, welcoming the entire student body to a new semester and encouraging them to excel and achieve.

    10:02 a.m.
    The students get up to leave the auditorium for their next class.

    10:03
    The auditorium doors won't open.

    10:05
    Someone starts shooting.

    A Buzzfeed Best YA Book
    A Bustle.com Most-Anticipated YA Novel
    A Goodreads YA Best Books Pick
    A Goodreads Choice Award Finalist for Young Adult Fiction
    Kids Indie Next List Pick

    "Marieke Nijkamp's brutal, powerful fictional account of a school shooting is important in its timeliness." —Bustle.com

    "A gritty, emotional, and suspenseful read and although fictionalized, it reflects on a problematic and harrowing issue across the nation." —Buzzfeed

    "A compelling, brutal story of an unfortunately all-too familiar situation: a school shooting. Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss." —BookRiot

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    Publishers Weekly
    11/02/2015
    Sometimes the most terrifying horrors are not those involving monsters out of fantasy but those taken straight from today’s headlines. Nijkamp’s debut follows four high school students on their first day of the spring semester in Opportunity, Ala. Over the course of 54 minutes—the amount of time a gunman holds their school hostage—their lives collide. Each of the four has an intimate connection to the shooter, and all must find a way to face the unfolding tragedy. While Claire views the event from outside the school, Autumn, Sylv, and Tomás are on the front lines. Love, loyalty, bravery, and loss meld into a chaotic, heart-wrenching mélange of issues that unite some and divide others. A highly diverse cast of characters, paired with vivid imagery and close attention to detail, set the stage for an engrossing, unrelenting tale. The starkly chilling realism and themes of abuse, death, and assault, among others, may prove too much for younger or sensitive readers, but the story unquestionably leaves an indelible mark. Ages 14–up. Agent: Jennifer Udden, Donald Maass Literary Agency. (Jan.)
    From the Publisher
    "[A] compelling story of terror, betrayal, and heroism... This brutal, emotionally charged novel will grip readers and leave them brokenhearted." - Kirkus

    "Love, loyalty, bravery, and loss meld into a chaotic, heart-wrenching mélange of issues that unite some and divide others. A highly diverse cast of characters, paired with vivid imagery and close attention to detail, set the stage for an engrossing, unrelenting tale." - Publishers Weekly

    "With narration firmly rooted in the moment and smooth transitions in and out of flashbacks, each first-person account reveals an intricate web of betrayal and pain that connects the four to Tyler and the horror he has unleashed." - The Horn Book Magazine

    "A gritty, emotional, and suspenseful read and although fictionalized, it reflects on a problematic and harrowing issue across the nation." - Buzzfeed

    "Marieke Nijkamp's brutal, powerful fictional account of a school shooting is important in its timeliness." - Bustle.com

    "A compelling, brutal story of an unfortunately all-too familiar situation: a school shooting. Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss." - BookRiot

    "The core message and potential to open thoughtful discussion make this a solid choice for teen readers." - VOYA Magazine

    "Harrowing first-person narrations reveal the way characters try to understand what is happening, where they are in relation to the emergency, and what they can do to save those they love... readable, gripping, and well balanced." - The Bulletin of the Center for Children's Books

    "You'll finish this book in a single evening, guaranteed." - Paste Magazine

    "Nijkamp's emotional, powerful debut fictionalizes an all-too-frequent occurrence in today's world. Her strong storytelling pulls readers into a school shooting, leaving them amongst the gunman's victims in Opportunity High's auditorium." - RT Book Reviews, 4 Stars

    "Intense and compelling, this debut novel balances the senseless violence of a school shooting with uncommon acts of courage and compassion by a diverse cast of characters." - Common Sense Media

    "With an ending that will leave readers rocked with fear, grief, chills and tears, this outstanding debut will hit close to home and is best suited for older teens." - BookPage

    Children's Literature - Kristi Bernard
    Welcome to Opportunity High School. Meet Claire, a senior and member of the track team. Tomas is in the principal’s office looking for a file. Autumn’s family is falling apart since the death of her mother. Her father drinks and has become abusive, and all she wants to do is escape. Sylv has a crush on Autumn, but it’s her secret. The principal has finally finished her speech welcoming students and promising hope. And then it happens: the quiet hallways crack with the sound of gunshots. In just 54 minutes, these four students, along with everyone else, will go through a life changing experience. A fellow student, who is obviously broken, brings a gun to school and aims to shoot those he felt had wronged him. This Is Where It Ends reveals how this experience affects each of the four main characters and provides insight on their back-stories. Marieke Nijkamp invites readers into the tragic world of shots fired in a school setting. Young readers must decide how they would survive such an event. This is a subject that should be shared with teachers, parents, and students alike. Reviewer: Kristi Bernard; Ages 12 up.
    VOYA, February 2016 (Vol. 38, No. 6) - Stacey Hayman
    Opportunity, Alabama, could be described as a small town, a place where most graduating teens want to leave in order to try their luck elsewhere. Returning from break, the students of Opportunity High have gathered in the auditorium, ready to listen to Principal Trenton’s standard start-of-the-semester speech, but nothing about this school day will turn out as expected. Knowing his peers would be together, one angry student locks the auditorium doors from the outside and begins to enact his plan for revenge against those who wronged him in the past. When the shooting begins, no one is safe. Told through multiple characters who have a direct relationship to the shooter, the book gives readers the chance to come to their own conclusions about who, what, and why. Alternating between the viewpoints in short time bursts builds tension as the list of victims continues to grow and it becomes clear anyone could be next. The narrators are given complex backstories, including a same-sex couple, and a number of the casualties are placed in context. It is a challenge to establish an understanding of some characters and their relationships due to the swift changes in voice, but the core message and potential to open thoughtful discussion make this a solid choice for teen readers. Reviewer: Stacey Hayman; Ages 12 to 18.
    School Library Journal
    11/01/2015
    Gr 8 Up—It's the start of the spring semester at Opportunity High School in Opportunity, AL, and the school day is progressing as normal—until one revenge-minded student brings violence to this sleepy, close-knit community. This novel takes place over the course of 54 tense minutes, as four main characters (all of whom also conveniently have siblings affected by the shooting) narrate their harrowing experiences and consider their relationships with the shooter. Nijkamp populates Opportunity High School with a diverse representation of students, enriching the book with their varied experiences and reactions to the horrifying turn of events. The four main narratives are joined by text messages, tweets, and blog entries interspersed throughout, allowing for more viewpoints and commentary without narrative clutter. Although the work is devastating, it offers a small moment of optimism and closure at the end without resorting to an incongruous tidy ending. VERDICT With a thrilling narrative, topical subject matter, and diverse characters, this is a first purchase for libraries serving teens.—Susannah Goldstein, Convent of the Sacred Heart, New York City
    Kirkus Reviews
    2015-10-06
    A minute-by-minute account of mass murder at a high school by a former student. Four students from a range of different backgrounds at Alabama's Opportunity High, all of whom have a history with Tyler, the gunman, take turns telling this harrowing story in the first person. They include his sister, Autumn, and her clandestine girlfriend, Sylv, who have only each other for solace as the home lives of both are in upheaval. Tomás, Sylv's brother, recounts his and his friend Fareed's desperate efforts to help from outside the school's auditorium, where their fellow students and teachers are locked in with Tyler as he picks them off one by one. Finally, Claire, Tyler's ex-girlfriend, realistically agonizes over what to do when she and a few others outside running track realize that the gunshots they hear are coming from inside the school. Grounded in the present, the story makes effective use of flashbacks that lay bare the pain and deception that have led up to the day's horror. The language can occasionally feel a bit melodramatic, with lines like "we're fighting for hope and a thousand tomorrows," but this is a minor side note to this compelling story of terror, betrayal, and heroism. This brutal, emotionally charged novel will grip readers and leave them brokenhearted. (Fiction. 14-18)

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