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    Brown Girl Dreaming

    4.5 21

    by Jacqueline Woodson


    Hardcover

    $17.99
    $17.99

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    • ISBN-13: 9780399252518
    • Publisher: Penguin Young Readers Group
    • Publication date: 08/28/2014
    • Pages: 336
    • Sales rank: 17,556
    • Product dimensions: 5.60(w) x 8.30(h) x 1.30(d)
    • Lexile: 990L (what's this?)
    • Age Range: 10 - 14 Years

    Jacqueline Woodson (www.jacquelinewoodson.com) is the 2018-2019 National Ambassador for Young People’s Literature. She is the 2014 National Book Award Winner for her New York Times bestselling memoir BROWN GIRL DREAMING, which was also a recipient of the Coretta Scott King Award, a Newbery Honor Award, the NAACP Image Award and the Sibert Honor Award. Woodson was recently named the Young People’s Poet Laureate by the Poetry Foundation. Her recent adult book, Another Brooklyn, was a National Book Award finalist. Born on February 12th in Columbus, Ohio, Jacqueline Woodson grew up in Greenville, South Carolina, and Brooklyn, New York and graduated from college with a B.A. in English. She is the author of more than two dozen award-winning books for young adults, middle graders and children; among her many accolades, she is a four-time Newbery Honor winner, a four-time National Book Award finalist, and a two-time Coretta Scott King Award winner. Her books  include THE OTHER SIDE, EACH KINDNESS, Caldecott Honor Book COMING ON HOME SOON; Newbery Honor winners FEATHERS, SHOW WAY, and AFTER TUPAC AND D FOSTER, and MIRACLE'S BOYS—which received the LA Times Book Prize and the Coretta Scott King Award and was adapted into a miniseries directed by Spike Lee. Jacqueline is also the recipient of the Margaret A. Edwards Award for lifetime achievement for her contributions to young adult literature, the winner of the Jane Addams Children’s Book Award, and was the 2013 United States nominee for the Hans Christian Andersen Award. She lives with her family in Brooklyn, New York.

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    Read an Excerpt

    february 12, 1963

    I am born on a Tuesday at the University Hospital
    Columbus, Ohio
    USA—
    a country caught

    between Black and White.

    I am born not long from the time or far from the place where my great, great grandparents worked the deep rich land unfree dawn till dusk unpaid drank cool water from scooped out gourds looked up and followed the sky’s mirrored constellation to freedom.

    I am born as the south explodes,
    too many people too many years enslaved then emancipated but not free, the people who look like me keep fighting and marching and getting killed so that today—
    February 12, 1963
    and every day from this moment on,
    brown children, like me, can grow up free. Can grow up learning and voting and walking and riding wherever we want.

    I am born in Ohio but the stories of South Carolina already run like rivers through my veins.

    second daughter’s second day on earth
     
    My birth certificate says: Female Negro
    Mother: Mary Anne Irby, 22, Negro
    Father: Jack Austin Woodson, 25, Negro
     
    In Birmingham, Alabama, Martin Luther King Jr.
    is planning a march on Washington, where
    John F. Kennedy is president.
    In Harlem, Malcolm X is standing on a soapbox talking about a revolution.
     
    Outside the window of University Hospital,
    snow is slowly falling. So much already
    covers this vast Ohio ground.
     
    In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus.
     
    I am born brown-skinned, black-haired
    and wide-eyed.
    I am born Negro here and Colored there
     
    and somewhere else,
    the Freedom Singers have linked arms,
    their protests rising into song:
    Deep in my heart, I do believe
    that we shall overcome someday.
     
    and somewhere else, James Baldwin is writing about injustice, each novel,
    each essay, changing the world.
     
    I do not yet know who I’ll be
    what I’ll say
    how I’ll say it . . .
     
    Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school.
    Armed guards surrounded her while hundreds of white people spat and called her names.
     
    She was six years old.
     
    I do not know if I’ll be strong like Ruby.
    I do not know what the world will look like
    when I am finally able to walk, speak, write . . .
    Another Buckeye!
    the nurse says to my mother.
    Already, I am being named for this place.
    Ohio. The Buckeye State.
    My fingers curl into fists, automatically
    This is the way, my mother said,
    of every baby’s hand.
    I do not know if these hands will become
    Malcolm’s—raised and fisted
    or Martin’s—open and asking
    or James’s—curled around a pen.
    I do not know if these hands will be
    Rosa’s
    or Ruby’s
    gently gloved
    and fiercely folded
    calmly in a lap,
    on a desk,
    around a book,
    ready
    to change the world . . .
     
     
     
    it’ll be scary sometimes
     
    My great-great-grandfather on my father’s side was born free in Ohio,
     
    1832.
     
    Built his home and farmed his land,
    then dug for coal when the farming wasn’t enough. Fought hard in the war. His name in stone now on the Civil War Memorial:
     
    William J. Woodson
    United States Colored Troops,
    Union, Company B 5th Regt.
     
    A long time dead but living still among the other soldiers on that monument in Washington, D.C.
     
    His son was sent to Nelsonville lived with an aunt
     
    William Woodson the only brown boy in an all-white school.
     
    You’ll face this in your life someday,
    my mother will tell us over and over again.
    A moment when you walk into a room and
     
    no one there is like you.
     
    It’ll be scary sometimes. But think of William Woodson
    and you’ll be all right.
     
     
     
    the beginning
     
    I cannot write a word yet but at three,
    I now know the letter J
    love the way it curves into a hook that I carefully top with a straight hat the way my sister has taught me to do. Love the sound of the letter and the promise that one day this will be connected to a full name,
     
    my own
     
    that I will be able to write
     
    by myself.
     
    Without my sister’s hand over mine,
    making it do what I cannot yet do.
     
    How amazing these words are that slowly come to me.
    How wonderfully on and on they go.
     
    Will the words end, I ask whenever I remember to.
     
    Nope, my sister says, all of five years old now,
    and promising me
     
    infinity.
     
     
     
    hair night
     
    Saturday night smells of biscuits and burning hair.
    Supper done and my grandmother has transformed the kitchen into a beauty shop. Laid across the table is the hot comb, Dixie Peach hair grease,
    horsehair brush, parting stick and one girl at a time.
    Jackie first, my sister says,
    our freshly washed hair damp and spiraling over toweled shoulders and pale cotton nightgowns.
    She opens her book to the marked page,
    curls up in a chair pulled close to the wood-burning stove, bowl of peanuts in her lap.
    The words in her books are so small, I have to squint to see the letters. Hans Brinker or The Silver Skates.
    The House at Pooh Corner. Swiss Family Robinson.
    Thick books dog-eared from the handing down from neighbor to neighbor. My sister handles them gently,
    marks the pages with torn brown pieces of paper bag, wipes her hands before going beyond the hardbound covers.
    Read to me, I say, my eyes and scalp already stinging from the tug of the brush through my hair.
    And while my grandmother sets the hot comb on the flame, heats it just enough to pull my tight curls straighter, my sister’s voice wafts over the kitchen,
    past the smell of hair and oil and flame, settles like a hand on my shoulder and holds me there.
    I want silver skates like Hans’s, a place on a desert island. I have never seen the ocean but this, too, I can imagine—blue water pouring over red dirt.
    As my sister reads, the pictures begin forming as though someone has turned on a television,
    lowered the sound,
    pulled it up close.
    Grainy black-and-white pictures come slowly at me
    Deep. Infinite. Remembered
     
    On a bright December morning long ago . . .
     
    My sister’s clear soft voice opens up the world to me.
    I lean in so hungry for it.
     
    Hold still now, my grandmother warns.
    So I sit on my hands to keep my mind off my hurting head, and my whole body still.
    But the rest of me is already leaving,
    the rest of me is already gone.
     
     
     
    the butterfly poems
     
    No one believes me when I tell them
    I am writing a book about butterflies,
    even though they see me with the Childcraft encyclopedia heavy on my lap opened to the pages where the monarch, painted lady, giant swallowtail and queen butterflies live. Even one called a buckeye.
     
    When I write the first words
    Wings of a butterfly whisper . . .
     
    no one believes a whole book could ever come from something as simple as butterflies that don’t even, my brother says,
    live that long.
     
    But on paper, things can live forever.
    On paper, a butterfly never dies.

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    A New York Times Bestseller and National Book Award Winner

    Jacqueline Woodson, the acclaimed author of
    Another Brooklyn, tells the moving story of her childhood in mesmerizing verse.
     
    Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.
     
    A National Book Award Winner
    A Newbery Honor Book

    A Coretta Scott King Award Winner

    Praise for Jacqueline Woodson:
    Ms. Woodson writes with a sure understanding of the thoughts of young people, offering a poetic, eloquent narrative that is not simply a story . . . but a mature exploration of grown-up issues and self-discovery.”—The New York Times Book Review

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    The New York Times Book Review - Veronica Chambers
    …I suspect this book will be to a generation of girls what [Nikki] Giovanni's [Cotton Candy on a Rainy Day] was to mine: a history lesson, a mash note passed in class, a book to read burrowed underneath the bed covers and a life raft during long car rides when you want to float far from wherever you are, and wherever you're going, toward the person you feel destined to be…Woodson's writing can seem so spare, so effortless, that it is easy to overlook the wonder and magic of her words. The triumph of Brown Girl Dreaming is not just in how well Woodson tells us the story of her life, but in how elegantly she writes words that make us want to hold those carefully crafted poems close, apply them to our lives, reach into the mirror she holds up and make the words and the worlds she explores our own. This is a book full of poems that cry out to be learned by heart. These are poems that will, for years to come, be stored in our bloodstream.
    Publishers Weekly
    ★ 05/26/2014
    Written in verse, Woodson’s collection of childhood memories provides insight into the Newbery Honor author’s perspective of America, “a country caught/ between Black and White,” during the turbulent 1960s. Jacqueline was born in Ohio, but spent much of her early years with her grandparents in South Carolina, where she learned about segregation and was made to follow the strict rules of Jehovah’s Witnesses, her grandmother’s religion. Wrapped in the cocoon of family love and appreciative of the beauty around her, Jacqueline experiences joy and the security of home. Her move to Brooklyn leads to additional freedoms, but also a sense of loss: “Who could love/ this place—where/ no pine trees grow, no porch swings move/ with the weight of/ your grandmother on them.” The writer’s passion for stories and storytelling permeates the memoir, explicitly addressed in her early attempts to write books and implicitly conveyed through her sharp images and poignant observations seen through the eyes of a child. Woodson’s ability to listen and glean meaning from what she hears lead to an astute understanding of her surroundings, friends, and family. Ages 10–up. Agent: Charlotte Sheedy Literary Agency. (Aug.)
    From the Publisher
    * “The writer’s passion for stories and storytelling permeates the memoir, explicitly addressed in her early attempts to write books and implicitly conveyed through her sharp images and poignant observations seen through the eyes of a child. Woodson’s ability to listen and glean meaning from what she hears lead to an astute understanding of her surroundings, friends, and family.” — Publishers Weekly, STARRED REVIEW

    * “Mesmerizing journey through [Woodson’s] early years. . . . Her perspective on the volatile era in which she grew up is thoughtfully expressed in powerfully effective verse. . . . With exquisite metaphorical verse Woodson weaves a patchwork of her life experience . . . that covers readers with a warmth and sensitivity no child should miss. This should be on every library shelf.” — School Library Journal, STARRED REVIEW

    * “Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned. For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.” — Kirkus Reviews, STARRED REVIEW

    * “[Woodson’s] memoir in verse is a marvel, as it turns deeply felt remembrances of Woodson’s preadolescent life into art. . . . Her mother cautions her not to write about her family but, happily, many years later, she has and the result is both elegant and eloquent, a haunting book about memory that is itself altogether memorable. — Booklist, STARRED REVIEW

    * “A memoir-in-verse so immediate that readers will feel they are experiencing the author’s childhood right along with her. . . . Most notably of all, perhaps, we trace her development as a nascent writer, from her early, overarching love of stories through her struggles to learn to read through the thrill of her first blank composition book to her realization that ‘words are [her] brilliance.’ The poetry here sings: specific, lyrical, and full of imagery. An extraordinary—indeed brilliant—portrait of a writer as a young girl.” — The Horn Book, STARRED REVIEW

    * “The effect of this confiding and rhythmic memoir is cumulative, as casual references blossom into motifs and characters evolve from quick references to main players. . . . Revealing slices of life, redolent in sight, sound, and emotion. . . . Woodson subtly layers her focus, with history and geography the background, family the middle distance, and her younger self the foreground. . . . Eager readers and budding writers will particularly see themselves in the young protagonist and recognize her reveling in the luxury of the library and unfettered delight in words. . . . A story of the ongoing weaving of a family tapestry, the following of an individual thread through a gorgeous larger fabric, with the tacit implication that we’re all traversing such rich landscapes. It will make young readers consider where their own threads are taking them.” — The Bulletin of the Center for Children's Books, STARRED REVIEW

    * “Woodson uses clear, evocative language. . . . A beautifully crafted work.” — Library Media Connection, STARRED REVIEW

    Library Media Connection
    * “Woodson uses clear, evocative language. . . . A beautifully crafted work.
    The Bulletin of the Center for Children's Books
    * “The effect of this confiding and rhythmic memoir is cumulative, as casual references blossom into motifs and characters evolve from quick references to main players. . . . Revealing slices of life, redolent in sight, sound, and emotion. . . . Woodson subtly layers her focus, with history and geography the background, family the middle distance, and her younger self the foreground. . . . Eager readers and budding writers will particularly see themselves in the young protagonist and recognize her reveling in the luxury of the library and unfettered delight in words. . . . A story of the ongoing weaving of a family tapestry, the following of an individual thread through a gorgeous larger fabric, with the tacit implication that we’re all traversing such rich landscapes. It will make young readers consider where their own threads are taking them.
    The Horn Book
    * “A memoir-in-verse so immediate that readers will feel they are experiencing the author’s childhood right along with her. . . . Most notably of all, perhaps, we trace her development as a nascent writer, from her early, overarching love of stories through her struggles to learn to read through the thrill of her first blank composition book to her realization that ‘words are [her] brilliance.’ The poetry here sings: specific, lyrical, and full of imagery. An extraordinary—indeed brilliant—portrait of a writer as a young girl.
    STARRED REVIEW Booklist
    * “[Woodson’s] memoir in verse is a marvel, as it turns deeply felt remembrances of Woodson’s preadolescent life into art. . . . Her mother cautions her not to write about her family but, happily, many years later, she has and the result is both elegant and eloquent, a haunting book about memory that is itself altogether memorable.
    Children's Literature - Sarah G. Deering
    In this autobiography in verse, Woodson explains that she was a girl whose life was defined by navigating great divides. She was an African-American born in 1963, during the turbulence of the Civil Rights movement. The pull of her mother’s southern roots proved so strong that she took one year-old Woodson and her older siblings to South Carolina, separating them from their father and their Ohio home. In her grandparents’ home, Woodson learned the South’s slow pace, to enjoy the food that fed her soul, and to swing away the hours in the lazy night air listening to the crickets’ lullaby. She came to realize that her family provided a haven from the racial problems that happened around them. Her childhood was happy. However, her mother soon moved the family north to New York City, again separating Jacqueline from the family she loved and the only home that she knew. Yet Woodson was resilient and experienced a new way of living among steel and concrete. She found new friends, and discovered the excitement of living in a city where diversity was acknowledged and accepted. Woodson paints a vivid tapestry of her memories from growing up in these distinctly different environments, divided by distance as well as by culture. Her prose is powerful yet accessible and reflects moments that evoke the tastes, sights, sounds, and smells of her surroundings. Her collection of memories is skillfully tied together to convey her unique journey of self-realization and finding her voice. Reviewer: Sarah G. Deering; Ages 10 to 14.
    Children's Literature - Carey Shofner
    This is Jacqueline Woodson’s memoir, beginning with her birth in the 1960s and following her on her path to self-discovery. Her journey takes us from her family’s home in Ohio, to South Carolina where her grandparents live, and finally to New York, where she and her siblings go to live with their mother once again. Woodson provides insight into the inner workings of family dynamics and the roles that religion, individual beliefs, and even geographic location played in her upbringing. Spending her summers with her grandparents and siblings in South Carolina and the rest of the year in New York shaped Woodson into a dynamic and well-rounded person. Her experiences from both worlds gave sincere voice to her two, sometimes conflicting, worlds. Woodson shares her personal struggles as a child to fall in line with southern culture while raising her fist high in New York and supporting the fight for equality. Woodson also shows the reader her personal history as a developing writer. Her struggle to stand out for her talent is familiar, authentic, and relatable. Written in verse, this memoir moves quickly and easily, yet its content is profound enough to stir any reader’s emotions. Woodson employs a personal tone and allows us to experience her struggles and successes. This memoir proves that sometimes the most beautiful stories are told from the perspective of a child. Reviewer: Carey Shofner; Ages 10 up.
    Children's Literature - Jacquelyn Moore
    Written in verse, Jacqueline Woodson’s memoire describes her preadolescent life and allows readers to feel present in her journey and story. She explains her different senses of home in Ohio, New York, North Carolina, and South Carolina. Woodson embraces the importance of the relationships within her family that encouraged her to find herself. Woodson takes pride in her family history, the formation of her beliefs, and her memories. Woodson’s poetic word choice establishes a connection between herself and readers, detailing moving from place to place, coping with separated parents, and facing racial prejudice. Her words create movement to enhance her quest as a writer. She challenges readers to use their own histories and memories to discover who they are and who they will be. Woodson’s journey enabled her to find her voice and purpose, and this journey is richly told throughout the contents of this amazing book. Reviewer: Jacquelyn Moore; Ages 10 up.
    VOYA, October 2014 (Vol. 37, No. 4) - Deborah L. Dubois
    Woodson tells the story of her life against the backdrop of the civil rights movement of the 1960s and 1970s in this fictionalized memoir. Beautifully written in verse, it shows the difficulty of not feeling at home in any one place. Jacqueline was born in Ohio but moves to South Carolina with her mother, brother, and sister at age one, when her parents split. Her grandparents become like mom and dad, especially when her mother moves to New York looking for work. Just as she feels she has found her place in Greenville, her mother moves them to New York with her, where she feels she does not quite belong. When she goes back to South Carolina for the summer, she does not feel quite at home there anymore either. As she grows, Jacqueline finds her purpose in the telling of stories, despite her early difficulty with reading. Her proudest moment is when a teacher identifies her as a “writer.” Poetry is an excellent vehicle for illustrating her emotions while she tries to make sense of the world that is changing so rapidly around her. She conveys a genuine feel for the experience of African Americans in the era where they are moving from the back of the bus to being accepted everywhere, especially from a child’s point of view. This would be a great addition to a history lesson on race in America during the civil rights era. Reviewer: Deborah L. Dubois; Ages 12 to 18.
    School Library Journal
    ★ 07/01/2014
    Gr 4–7—"I am born in Ohio but the stories of South Carolina already run like rivers through my veins" writes Woodson as she begins her mesmerizing journey through her early years. She was born in Columbus, Ohio in 1963, "as the South explodes" into a war for civil rights and was raised in South Carolina and then New York. Her perspective on the volatile era in which she grew up is thoughtfully expressed in powerfully effective verse, (Martin Luther King is ready to march on Washington; Malcom X speaks about revolution; Rosa Parks refuses to give up her seat only seven years earlier and three years have passed since Ruby Bridges walks into an all-white school). She experienced firsthand the acute differences in how the "colored" were treated in the North and South. "After the night falls and it is safe for brown people to leave the South without getting stopped and sometimes beaten and always questioned; We board the Greyhound bus bound for Ohio." She related her difficulties with reading as a child and living in the shadow of her brilliant older sister, she never abandoned her dream of becoming a writer. With exquisite metaphorical verse Woodson weaves a patchwork of her life experience, from her supportive, loving maternal grandparents, her mother's insistence on good grammar, to the lifetime friend she meets in New York, that covers readers with a warmth and sensitivity no child should miss. This should be on every library shelf.—D. Maria LaRocco, Cuyahoga Public Library, Strongsville, OH
    Kirkus Reviews
    ★ 2014-06-25
    A multiaward-winning author recalls her childhood and the joy of becoming a writer.Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is "a country caught / / between Black and White." But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father's people in Ohio and her mother's people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah's Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe's Stevie and Langston Hughes' poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that "[W]ords are my brilliance." Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

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