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Publishers Weekly - Publisher's Weekly
Like Charles Lamb's edition of Shakespeare, Hastings's loose prose translation of seven of Chaucer's tales is more faithful to the work's plot than to the poet's language. This is not a prudish retelling (even the bawdy Miller's tale is included here) but the vigor of Chaucer's text is considerably tamed. In the original, the pilgrims possess unique voices, but here the tone is uniformly bookish. The colloquial speech of the storyteller is replaced by formal prose; for example, while Cohen (see review above) directly translates Chaucer's ``domb as a stoon'' as ``silent as stones,'' Hastings writes ``in solemn silence.'' Cartwright's startling paintings skillfully suggest the stylized flatness of a medieval canvas, but often without the accompanying richness of detail. Like Punch and Judy puppets, the faces and voices of these pilgrims are generally representative but lack the life and charm of the original text. Ages 10-up. (Oct.)
Selected Canterbury Tales
eBook
$2.00
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ISBN-13:
9780486110790
- Publisher: Dover Publications
- Publication date: 02/01/2012
- Sold by: Barnes & Noble
- Format: eBook
- Pages: 144
- Sales rank: 306,871
- File size: 724 KB
- Age Range: 14 Years
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At the Tabard Inn in Southwark, in the London of the late 1300s, a band of men and women from all walks of life have gathered to begin a pilgrimage to the shrine of Thomas à Becket at Canterbury. To relieve the tedium of the journey, the host of the inn proposes that each of the pilgrims tell a favorite story, promising that the best storyteller will be treated to a fi ne dinner on the group's return to Southwark.
So begins one of the earliest masterpieces of English literature, a collection of stories as much prized for the portraits of its story tellers as for the stories they tell — portraits that reveal much of the rich social fabric of 14th-century England. Now three of the most popular tales — along with the charming General Prologue have been selected for this edition: The Knight's Tale, The Miller's Prologue and Tale, and The Wife of Bath's Prologue and Tale.
Animated by Chaucer's sly humor, flair for characterization and wise humanity, the stories have been recast into modern verse that captures the lively spirit of the originals. Highly entertaining, they represent an excellent entree to the rest of The Canterbury Tales and to the pleasures of medieval poetry in general. A selection of the Common Core State Standards Initiative.
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Library Journal
The old standby here gets its first facelift in more than 50 years. Librarian/author Ecker and scholar Crook translated Chaucer's Middle English into a more modern, more accesssible form. Large English literature collections should consider.
School Library Journal
Gr 5-9 These 13 rollicking interpretations take their inspiration from Chaucer but are freely adapted for young readers. Students will have to get the feel of original text elsewhere: the excellent A Taste of Chaucer (HBJ, 1964; o.p.) by Malcolmson, Farjeon's Tales from Chaucer (Branford, 1948; o.p.) and even the Hieatts' adapted selections from Canterbury Tales (Golden, 1961; o.p.), are long out of print. The emphasis here is on the pilgrims and their stories, and these, despite some shifts to avoid bawdiness, come off as rousingly good. In colorful style and language, McCaughrean creatively reconstructs and adds conversation, event and detail, in keeping with the medieval times, to stitch the tales together. ``Death's Murderers,'' McCaughrean's version of ``How the Three Found Death,'' is exceptionally stark and good. The collection is rounded off by having the pilgrims reach Canterbury, with a look to the return trip. A brief historical note is given on the endpapers. Ambrus' handsome portrait of Chaucer gives a nod to that of the Ellesmere manuscript, but his colorful paintings showing the other pilgrims and their tales are his exuberant own. This attractive volume is a good introduction to medieval stories for reluctant but able junior high readers. Ruth M. McConnell, San Antonio Pub . Lib .