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    The Caveman's Valentine

    The Caveman's Valentine

    4.3 9

    by George Dawes Green


    eBook

    $9.99
    $9.99

    Customer Reviews

      ISBN-13: 9780759521742
    • Publisher: Grand Central Publishing
    • Publication date: 03/01/2001
    • Sold by: Hachette Digital, Inc.
    • Format: eBook
    • Pages: 323
    • Sales rank: 28,388
    • File size: 712 KB

    George Dawes Green is a higly acclaimed novelist and poet. He currently divides his time between Georgia and New York.

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    Excerpt


    Y-RAYS


    You figure now you got me in your clutches, you going to read me, like a book, right? — going to look right into my brain and you going to read it page by page, like I was some cheap-jack midnight entertainment to make you forget the mess you're in — right? Get you chuckling, get your greasy thumbprints all over my thoughts, get you through another miserable lonely night, right, Stuyvesant?"

    "Who's Stuyvesant?"

    "You're Stuyvesant."

    "I'm not Stuyvesant."

    "No, you're a zit on Stuyvesant's ass. But you're Stuyvesant just the same. You're all Stuyvesant."

    "I just want to take you to the shelter, Mr. Ledbetter."

    "But watch out when you're in my skull, because I got legions of angels in there, and they're going to beat the shit out of you with their little wings, and pick your limbs apart and spin you around and slide you on out of there. Oh, I'm going to crap you out and be free of you. You hear me? I'M GOING TO CRAP YOU OUT, STUYVESANT!"

    "It's the coldest night of the year, Mr. Ledbetter."

    "It is cold."

    "If you stay in this cave, you'll freeze. You'll die out here."

    "I might. The world turns, it takes some of us with it. But if I swallow your con, if I go to your damn smelter—"

    "Shelter, Mr. Ledbetter."

    "Then I would die for sure."

    "Oh, the shelter's ... well, it's not a hundred percent safe, but ... at least it's warm."

    "Damn right it's warm. You know why it's warm? Because you burn the bodies in the furnace! That's why it's warm. Our livers you serve for breakfast, and our hearts you sacrifice to Stuyvesant, and the rest you cook up in the furnace! To keep everybody toasty."

    "Mr. Ledbetter, I'm freezing out here."

    "Then go."

    "Your daughter asked me to come looking for you."

    Romulus Ledbetter glared at his visitor.

    Then he sloughed off his blankets and came out of his cave and rose up to his full height. Rose up before the social worker the way in a nightmare a grizzly will rise on its hind legs and it's too late to run. His hat was a Teflon saucepan lined with the furs of squirrels killed on the Henry Hudson Parkway. His stink was enormous. For a scarf he wore the "Week in Review" section of the Sunday New York Times.

    "My daughter."

    There was a wheeze in his voice, and the big eyes in his black face looked off somewhere.

    "She's worried about you. She says tomorrow's Valentine's Day. She says how's her old man going to be her valentine if he freezes to death?"

    "Well, you tell her not to worry. You tell her for me, tell her maybe I'm low, maybe they knocked me low, but I'm still a free man."

    He stood there and simply loomed. Until at last the social worker shrugged and went away.

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    Romulus Ledbetter wasn't always homeless. He once was a devoted husband, father, and musician with a bright future. He now forages for food in the trash cans of the city's better neighborhoods and wages a strenuous one-man war against Cornelius Gould Stuyvesant, an evil -- and imaginary -- power broker who is responsible for society's ills, as well as the sinister Y- and Z-rays that are corrupting humankind. Then one wintry night, Rom finds a corpse at the mouth of his cave that rouses his well-defined sense of ethics and launches him on an obsessive quest for answers. Forced to reconnect with society, Rom leaves his world and journeys through a spiraling web of clues and hunches, straight into a sinister den of money, temptation, and murder--otherwise known as the "civilized" world.

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    Publishers Weekly - Publisher's Weekly
    In this remarkable first novel, the caveman is Romulus Ledbetter, a Juilliard graduate, husband and father, former mental patient and current resident of a cave in Manhattan's Inwood Park. His valentine is the naked body of Scotty Gales, a homeless former photographer's model. The police say Gales simply froze to death, but Romulus knows that he was killed by agents of the evil Cornelius Gould Stuyvesant, who rules the world from his offices in the Chrysler Building. Sometimes aided--and sometimes humored--by everyone from his daughter Lulu (a police officer) to people he meets on the street, Romulus tracks Scotty's murderer, doggedly following his twisted vision of reality into a world of money and violence where things and people are never what they seem. Although Green's plotting is solid, the narrative draws its power from the superbly realized protagonist. Romulus is that rarity, a truly original character whose fits and rantings retain a dangerous edge and never become lovable tics. Green makes a wonderful debut with this gripping, well-written portrait of modern dislocation and homelessness--although Romulus would object to the latter term: he has a home; it just happens to be in a cave. (Jan.)
    Library Journal
    Romulus Ledbetter has seen better times. Once a gifted Juilliard student of jazz piano, he fell in love, married, and fathered a daughter who grew up to be a New York City cop. At some point, however, Romulus succumbed to the gremlin voices in his mind, dissolved his home life to inhabit a cave in Inwood Park, and was labeled a paranoid schizophrenic. An unlikely character to turn detective, he feels compelled to do so when the corpse of a beautiful, young homeless man named Scotty Gates lands at his front door. Early leads point suspiciously to the affluent art photographer David Leppenraub, who had adopted Scotty as a teenager and used him as his model. The meanderings of the plot collide and coincide with those of Romulus's confused mind, adding complexity and depth to a suspenseful, quirky, and well-written murder mystery. A first novel, this is recommended for mystery/thriller collections.-- Sheila Riley, Smithsonian Inst. Libs., Washington, D.C.

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