Michael Harvey is the creator, writer, and executive producer of the television series Cold Case Files, as well as an Academy Award-nominee for his documentary Eyewitness, and is a former investigative reporter for CBS. He earned a law degree at Duke and a masters in journalism from Northwestern. He alsoowns a bar in Chicago.
The Chicago Way (Michael Kelly Series #1)
Paperback
(Reprint)
$14.95
- ISBN-13: 9780307386281
- Publisher: Knopf Doubleday Publishing Group
- Publication date: 07/08/2008
- Series: Michael Kelly Series , #1
- Edition description: Reprint
- Pages: 320
- Sales rank: 154,752
- Product dimensions: 5.17(w) x 8.00(h) x 0.70(d)
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Private detective Michael Kelly is hired by his former partner to solve an eight-year old rape and battery case long gone cold. But when the partner turns up dead, Kelly enlists a team of his savviest colleagues to connect the dots between the recent murder and the cold case it revived: a television reporter whose relationship with Kelly is not strictly professional; his best friend from childhood, a forensic DNA expert; and an old ally from the DA's office. To close the case, Kelly will have to face the mob, a serial killer, his own double-crossing friends, and the mean streets of the city he loves.
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From the Publisher
A magnificent debut that should be read by all.” —John Grisham“An intricate, fast-paced crime thriller.” —The Chicago Sun-Times“ A smart, stylish debut.” —The Boston Globe“This book harkens the arrival of a major new voice.” —Michael Connelly“Gritty and witty, The Chicago Way is done the classic Raymond Chandler Way.” —Kathy ReichsPatrick Anderson
It is a measure of the ambition of Michael Harvey's first novel, The Chicago Way, that we start it thinking about Dashiell Hammett and end it pondering Aeschylus…With its fast pace, sharp dialogue, vivid characters and horrific crimes, The Chicago Way is hugely readable, even though we remain baffled about what's happening. The plot stays several jumps ahead of us; only at the end, after some startling leaps, do we see how the pieces fit together.The Washington Post
Publishers Weekly
Writer and TV producer Harvey's debut novel, in which Chicago PI Michael Kelley seeks the solution to an eight-year-old rape and battery case, is so old-school hard-boiled it should have "caper" in the title. The first-person narrative comes complete with such standard ingredients as a murdered former partner, several sultry babes, mobsters, tough cops and characters from high society as well as low. The last thing this moderately engrossing example of Raymond Chandler lite needs is a reader determined to call attention to its weaknesses. Unfortunately, Stephen Hoye's idea of noir coolspeak is an exaggerated emphasis on certain key words in a sentence ("Three questions buzzedthrough the early morning fogI call my brain...."). The result is an annoying singsong that pushes the tough prose into parody and, in the case of Hoye's absurdly breathy, insinuating female voices, beyond. Simultaneous release with the Knopf hardcover (Reviews, June 25). (Aug.)Copyright 2007 Reed Business Information
Library Journal
The latest incarnation of Raymond Chandler's Philip Marlowe is ex-Chicago cop Michael Kelly, who narrates his tale in crisp staccato prose. Kelly is drawn into an eight-year-old rape case after his former partner is found dead on Navy Pier. The rape victim becomes Kelly's latest client, a woman whose story intrigues a DNA analyst and a TV anchorwoman. Kelly's investigation soon takes him into deep, dangerous waters, with connections to the mob, a cover-up, and a serial killer. Debut author Harvey borrows elements from Chandler and Robert B. Parker's Spenser to create an appealing, crusading sleuth. Despite a certain lack of originality in the serial killer, who resembles notorious murderer John Wayne Gacy, this is recommended for all public libraries. Harvey is the cocreator of television's Cold Case Files, and that may add patron appeal.Lesa M. Holstine
Kirkus Reviews
Nine years after the Chicago Police Department let a rapist slip between their fingers, people involved in the case are dying by the dozen in this heartfelt, ambitious, highly derivative debut. The first victim-at least the first one private eye Michael Kelly finds out about-is John Gibbons, his old partner on the Chicago force, shot to death the day after he asks Kelly's help in the case of Elaine Remington, who's just reappeared after miraculously surviving a murderous assault in 1997. After the cops arrested a suspect that night, he mysteriously disappeared from the precinct house and the case was discreetly buried. Now a remarkably similar rapist seems to be at work again, leaving behind a trail of cut throats and bullet wounds. It's all "just like in the movies," muses Kelly, and he couldn't be more right. Not only is his author boldly stealing dialogue tags from The Big Sleep, The Godfather and The Silence of the Lambs, Kelly himself, a wisecracking Irish scrapper who slings metaphors like Philip Marlowe and reads Homer and Aeschylus in Greek, is right out of Central Casting. But when Kelly's oldest friend is murdered-bad for her, good for the story-and the DNA evidence implicates a convict who's spent the last ten years on Death Row, Kelly shakes off the shades of those genre classics and gets down to business. If you can shrug off the mannered narration, ex-TV producer Harvey ends up delivering the goods.