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    Comfort and Joy

    Comfort and Joy

    3.9 14

    by Jim Grimsley


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      ISBN-13: 9781565127180
    • Publisher: Algonquin Books of Chapel Hill
    • Publication date: 10/16/2003
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 304
    • File size: 2 MB

    Jim Grimsley is the author of four previous novels, among them Winter Birds, a finalist for the PEN/Hemingway Award; Dream Boy, winner of the GLBTF Book Award for literature; My Drowning, a Lila-Wallace-Reader's Digest Writer's Award winner; and Comfort and Joy. He lives in Atlanta and teaches at Emory University.

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    The psychotherapist, a friendly woman with wire-screwy hair that wafted in a cloud around her face, offered her hand at their first session, introduced herself as Shaun Gould, and asked, "Why are you here?"

    "My dog died and now I'm so lonely it's driving me crazy."

    His directness brought her forward in the chair, and she said, "I'm very sorry you lost your dog. That must have hurt you."

    "Yes."

    "Did you know you were lonely before the dog died?"

    "No. But I know now."

    "What do you know about it?" Shaun asked, and the question bore just exactly the right ring of interest, nothing feigned or enacted.

    As she listened to his answer, he studied her comforting body, its thick waist and generous curves lounging in the black leather chair. He told her about breaking up with his current girlfriend, and he told about breaking up with the previous girlfriends. Each time he described one of the girlfriends, he got a sick feeling in the pit of his stomach, and finally he said, "But that's not what I want to talk about."

    "I didn't think it was," Shaun said.

    "I want to tell you about Allen," Ford said. "And then I want to tell you about McKenzie."

    He expected to tell the story with detachment, but failed. He stopped talking and waited, shivering. Shaun listened with occasional changes of expression, small nods, and careful encouragements for him to continue. He told about [the dog] and McKenzie, and those months in Chapel Hill when he had been with them both. He trembled, but Shaun sat calmly, hands folded in her lap. When he said, "But he never came back to get the dog, and so I kept him," and then fell silent, Shaun sat motionless. Finally nodding once.

    "Why did you tell me that?" she asked.

    "To tell you something about me."

    "What are you telling me?"

    "That I must have cared about him a lot."

    "That you must have?"

    He thought carefully. "That I did. I cared about him. More than I cared about anybody else that I can think of."

    Ford visited Shaun once a week for a period of several months. While he declined to discuss these sessions with his parents, they were relieved to note he had regained his weight and color. He slept well, after the first few weeks. Returning to the empty house no longer paralyzed him. Abandoning the image of himself floating above himself, he caressed the physical objects around him, the exquisite antiques that had belonged to his Great-grandmother Bondurant, the Waterford vase full of silk daisies, the stainless frame of the Matisse print over the Victorian sofa.

    At the hospital, he proved himself to be a better prospect as a pediatrician than many would have guessed, moving with authority from nursing unit to clinic exam room, charismatic, with a knack for getting along with nurses and ancillary staff. Even after thirty-six- and forty-eight-hour shifts, Ford remained even-tempered and clear-headed, proving his value repeatedly.

    "Why do you want to be a doctor?" Shaun asked, in

    Table of Contents

    What People are Saying About This

    Dorothy Allison

    I have rarely read anything as powerful as Winter Birds. I wanted to steal it and pretend it was mine, or go on tour reading it out loud...This man got it right, he got it perfectly right.

    Max Steele

    I think I will not read another novel this year. Nothing else can be as vivid, as awful and awesome as this enormously powerful book.

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    Ford McKinney leads a charmed life: he's a young doctor possessing good looks, good breeding, and money. He comes from an old Savannah family where his parents, attentive to his future, focus their energies on finding their son--their golden boy--a girl to marry. But how charmed is this life when Ford's own heart suspects that he is not meant to spend his life with a woman? His suspicions are confirmed when he meets Dan Crell.

    Dan is a quiet man with a great voice. Behind the tempered facade of the shy hospital administrator is a singer who can transform a room with his soaring voice, leaving his listeners in awe and reverence. Ford catches one such Christmas concert and his life is never quite the same; he is touched in a place he keeps hidden, forbidden. When Ford and Dan begin to explore the limits of their relationship, Dan's own secrets are exposed--and his mysterious and painful childhood returns to haunt him.

    In Comfort and Joy Jim Grimsley finds a marriage between the stark and stunning pain of his prize-winning Winter Birds and the passion of critically acclaimed Dream Boy. In this, his fourth novel, he considers pressing questions. How does a man reconcile the child he was raised to be with the man that he truly is? What happens when an adult has to choose between his parents and a lover?

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    New Yorker
    Southern landscape viewed from a gay perspective with the bitterness of memory but also with the unwavering, unsentimental love--all this, of course, is Dorothy Allison territory. I can't think of a soldier tribute.
    Clifford Chase
    Comfort and Joy is something of an old fashion page turner.
    Bookforum
    Publishers Weekly - Publisher's Weekly
    Continuing to follow the life of Danny Crell, introduced in his debut, Winter Birds, Grimsley has written his fullest and most humane novel yet, a work whose commendable restraint does not impede its emotional impact. Opening with Danny's plans to visit his family over Christmas holidays with his lover, charismatic pediatrician Ford McKinney, the narrative flashes back to the first meeting between the two men, three Christmases earlier, and evokes the difficulties of their relationship as well as the bonds between them. Both men are survivors who hide their true emotions behind an air of detachment. The novel chronicles their efforts to break through their protective facades, as each slowly realizes that the only way their relationship will endure is through a courageous decision to risk rejection. One source of tension is their vastly different backgrounds. Home for Danny is a trailer in the pungently evoked backwoods of eastern North Carolina. Dan and his mother retain their wounding memories of Dan's father, an abusive alcoholic, and of Dan's dead brother, Grove. Native ground for Ford is patrician Savannah, where his handsome, chilly parents are hardly pleased to find their accomplished son indifferent to the woman they have picked out for him to marry. Further flashbacks show Ford's slow coming-out process and the pair's cautious courtship. But deeper issues intrude. Danny is a hemophiliac and HIV+, and Ford, as a physician, is well aware of the implications of Danny's disease. Scenes where Danny injects a blood-clotting mixture to prevent internal bleeding are bone-chilling and heartbreaking, as Danny rejects Ford's help because he doesn't want his lover to see the messy circumstances of his life. In the strong and moving denouement, Ford finally gains the courage to bring Danny to meet his family--to disastrous effect, although the novel ends hopefully. Grimsley's survivor's tales are always compelling; this book promises to be his breakthrough to a wider audience. Author tour. (Oct.) Copyright 1999 Cahners Business Information.
    William Stevenson
    Grimsley writes lyrically, and the multiple flashback structure allows him to gradually bring tensions to a boil...anyone who's ever brought a signinficant other home to meet the folks should relate to this affecting story.
    Entertainment Weekly
    Hero
    In the hands of a lesser-skilled writer this could have been a Harlequin romance, but Jim Grimsley's Comfort and Joy turns out to be one of the most satisfying and touching reads of the year, and was nominated for a Lambda Literary award...The honesty and beauty in Grimsley's writing keeps this novel real and beautiful.
    Kirkus Reviews
    A rather pale and bloodless coming-out story by Grimsley (My Drowning, 1996, etc.) in which a nice southern boy falls for a boy from the wrong side of the tracks. The McKinneys are the sort of family Europeans usually have in mind when they think of Americans from the Old South. Long-established, genteel, and, above all, rich, the McKinney line is crowded with Confederate officers, gentleman farmers, distinguished jurists, and, lately, respected physicians. Ford McKinney, heir to the family name and wealth, is the third generation to practice medicine. He does so happily and well at a hospital in Atlanta where he meets Danny Crell, one of the hospital administrators. Danny is also from the South, but the Crells are unlikely to have had any dealings with the McKinneys down the years unless one of them happened to be caught poaching on a McKinney estate. But this is still the 20th century, after all, and Danny and Ford fall for each other in a big way. After a long while together, they feel that they should take the plunge and visit each other's family over the Christmas holidays. For Danny, the angst is driven more by class than sex: his family is made up of simple country folk from the backwoods of North Carolina who know all about the odd things that boys can get up to, but who are uneasy around rich kids. All the same, they take to Ford right away. The real hurdle is Ford's Savannah family, who have been pressuring him to marry for years and are already lining up the perfect girl. This is a case of deep denial, intensified by inheritance rights. Can they learn to let go of their little boy? What was it Christ said about the rich man and the Kingdom of Heaven? A melodramatic andsomewhat rambling story that lacks much in the way of a focus—let alone a climax—and unravels into a ball of self-absorption in short order.

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