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    Confessions of an Imaginary Friend: A Memoir by Jacques Papier

    Confessions of an Imaginary Friend: A Memoir by Jacques Papier

    5.0 1

    by Michelle Cuevas


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      ISBN-13: 9780698177833
    • Publisher: Penguin Young Readers Group
    • Publication date: 09/08/2015
    • Sold by: Penguin Group
    • Format: eBook
    • Pages: 176
    • Lexile: 700L (what's this?)
    • File size: 5 MB
    • Age Range: 9 - 12 Years

    Michelle Cuevas graduated from Williams College and holds a master of fine arts degree in creative writing from the University of Virginia. She lives in Massachusetts.


    From the Hardcover edition.

    Read an Excerpt

     

    Chapter One

    Yes, world, I am writing my memoir, and I have titled the first chapter simply this:

    EVERYONE HATES JACQUES PAPIER

    I think it captures the exact drama of my first eight years in the world rather poetically. Soon I’ll move on to chapter two. This is where I’ll confess that the first chapter was, in fact, the truth stretched, much like the accordion body of my wiener dog, François. The stretch would be the word everyone. There are three exceptions to this word. They are:

    My mother.

    My father.

    My twin sister, Fleur.

    If you are observant, you’ll notice that I did not include François the wiener dog on this list.

     

     

    Chapter Two

    A boy and his dog are, quite possibly, the most classic of all classic duos.

    Like peanut butter and jelly.

    Like a left and right foot.

    Like salt and pepper.

    And yet.

    My relationship with François more closely resembles peanut butter on a knuckle sandwich. A left foot in a bear trap. Salt and a fresh paper cut. You get the picture.

    In the interest of truth, it is not entirely François’ fault; the cards of life have been stacked rather steeply against him. For starters, I do not believe the person in charge of making dogs was paying attention when they attached François’ stumpy legs to his banana-shaped body. Perhaps we’d all be ill-tempered if our stomachs cleaned the floor whenever we went for a walk.

    The day we brought him home as a puppy, François sniffed my sister and grinned. He sniffed me and began barking—a barking that has never ceased in the eight years I’ve been within range of his villainous nose.

     

     

    Chapter Three

    It is true that Papier is the French word for paper. However, my family does not make or sell paper. No, my family is in the imagination business.

    “Are there really that many people who need puppets?” Fleur asked our father. To be honest, I had often wondered the very same thing about our parents’ puppet shop.

    “Dear girl,” our father answered. “I think the real question is, who doesn’t need a puppet?”

    “Florists,” Fleur answered. “Musicians. Chefs. Newscasters . . .”

    “Oh hello,” Father said. “I’m a florist. They say talking to plants helps them grow, and now the puppet and I are chatting and our flowers are thriving.” He spun around. “Why, look at me, the piano player, with a puppet on each hand, so now I have four arms instead of just two. I’m a chef, but instead of an oven mitt, I have a puppet to pretend with. Oh look, I’m a newscaster who once delivered the news alone, but now have a puppet for witty banter.”

    “Fine,” Fleur said. “Lonely people without anyone to talk to need puppets. Luckily Jacques and I have each other, and we are going outside to play.”

    I smiled, waved to our father, and followed Fleur out the door. The bell rang as we left the cool gaze of puppets and greeted the sunshine, winking at us through afternoon clouds.

     

     

    Chapter Four

    School. Who thought of this cruel place? Perhaps it is the same person who matches together the various pieces of wiener dogs. School is a great example of a place where everyone (and I mean everyone) hates me. Allow me to illustrate with examples from this very week:

    On Monday, our class played kickball. The captains chose players for their team one by one. When they got to me, they just went and started the game. I wasn’t picked last; I wasn’t picked at all.

    On Tuesday, I was the only person who knew the capital of Idaho. I had my arm in the air, even waving it around like a hand puppet on the high sea. But the teacher just said, “Really? Nobody knows the answer? Nobody?”

    On Wednesday, at lunch, a very husky boy nearly sat on me, and I had to scramble from my seat to avoid certain death.

    On Thursday, I waited in line for the bus, and before I could get on, the driver shut the door. Right in my face. “Oh, COME ON!” I shouted, but the words disappeared in a cloud of exhaust. Fleur made the driver stop, got off, and walked home beside me.

    And so, on Friday morning, I begged my parents to let me stay home from school. They didn’t even say no. They just gave me the silent treatment.

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    A TIME magazine Top 10 Children's Book of 2015

    The whimsical "autobiography" of an imaginary friend who doesn't know he's imaginary--perfect for fans of The Miraculous Journey of Edward Tulane and Toy Story

    Jaques Papier has the sneaking suspicion that everyone except his sister Fleur hates him. Teachers ignore him when his hand is raised in class, he is never chosen for sports teams, and his parents often need to be reminded to set a place for him at the dinner table. But he is shocked when he finally learns the truth: He is Fleur's imaginary friend! When he convinces Fleur to set him free, he begins a surprising and touching, and always funny quest to find himself--to figure out who Jacques Papier truly is, and where he belongs.

    Readers will fall in love with Jacque's sweet, quirky voice as he gives them a look at life from an incredible new perspective




    From the Hardcover edition.

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    From the Publisher
    Praise for Confessions of an Imaginary Friend

    * “Cuevas’s novel—brimming with metaphors, gorgeous imagery, and beautiful turns of phrase—considers the fate of devoted but invisible companions. Have tissues on hand for the bittersweet ending.”—Publishers Weekly, starred review

    "Alternately amusing and philosophical, this quirky read will get kids thinking about love, loss, and life."—Booklist

    Children's Literature - Tiffany Torbeck
    Jacques Papier is going through a bit of an identity crisis, having just found out that he is the imaginary friend to Fleur. After meeting with some other imaginary friends, he learns that he could be free; so he asks Fleur to imagine him free, even though she is not ready for him to leave. Instead of true freedom, Jacques bounces from child to child in one form or another, always at the will of their imaginations and never in control himself, until finally he finds a home. On the surface, this is a story about imaginary friends and growing up, but it oddly alludes to larger questions about identity. The writing is lovely and accessible at the same time; and Jacques, no matter what form, is always lovable. He seeks to help the children who conjure him up in the most unique ways and learns from each new experience. Short chapters and gentle adventure make this a wonderful read aloud. Keep this book from going invisible by talking it up with patrons or students and it will truly touch readers. Reviewer: Tiffany Torbeck; Ages 9 to 12.
    School Library Journal
    07/01/2015
    Gr 3–5—Reminiscent of Carlo Collodi's classic The Adventures of Pinocchio, this novel from the author of Beyond the Laughing Sky (Dial, 2014) and The Masterwork of a Painting Elephant (Farrar, 2011) is an offbeat and unique chronicle of the life of an imaginary friend. Constantly ignored by his classmates, teachers, and even his parents, Jacques Papier feels like everyone hates him, except for his sister Fleur. When he learns the devastating truth–that he is actually Fleur's imaginary friend–Jacques goes on a soul-searching journey to discover himself in the hopes to one day become real. Written as a fictional "autobiography," the first-person narration helps readers better understand and sympathize with Jacques and his unusual plight. Despite being imaginary, Jacques is still a fully realized character, with his own fears, hopes, and quirks, and is an engaging protagonist. Cuevas includes several clever and humorous touches to Jacques' story, including "Imaginaries Anonymous," a support group for imaginary friends once they learn that they are imaginary, and "The Office of Reassignment," a bureaucratic agency where imaginary friends go to be reassigned to new children when their old ones outgrow them. Jacques encounters a fun and eccentric cast of imaginaries on his quest to become real and also impacts the lives of several real children whom he meets. Cuevas's line drawings are sprinkled throughout, depicting some of her more inventive imaginaries. While some children might be disappointed that Jacques doesn't get the exact happy ending he originally wants, in the end his story does come full circle, providing a satisfying, albeit bittersweet, conclusion. VERDICT A lovely and unique tale. Recommended.—Laura J. Giunta, Garden City Public Library, NY
    Kirkus Reviews
    2015-05-18
    An imaginary friend who yearns to be real learns about life along with the children who conjure him up in a variety of guises. Cuevas' episodic story features childlike black-and-white drawings that contrast oddly with the decidedly adult tone of her main character's musings. Jacques Papier is ostensibly 8 years old when he discovers that he is merely a figment of his "twin sister" Fleur's imagination. When her parents take her to a psychiatrist, Jacques is stuck in the waiting room, where he meets Mr. Pitiful, Stinky Sock, and a variety of other oddball characters who invite him to the next meeting of Imaginaries Anonymous. With information gleaned there, he sets out on a series of new incarnations, from prisoner/co-conspirator/damsel in distress through perfect pet to best friend and magician's assistant. New placements are made by the "reassignment office." The description of this hilariously inefficient bureaucracy would make most adults chuckle knowingly, but it seems unlikely that young readers will get the joke. Between assignments, Jacques exists in a dark limbo, remembering bits and pieces of his previous lives and wondering about the nature of reality. Though the writing is clever and there are plenty of amusing incidents included, life lessons and existential truths overwhelm everything, suggesting that the audience for this uneasy amalgam of whimsy and wisdom will be small. (Fiction. 8-10)

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