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    Copper River (Cork O'Connor Series #6)

    4.8 44

    by William Kent Krueger


    Paperback

    (Reprint)

    $18.99
    $18.99

    Customer Reviews

    • ISBN-13: 9781439157817
    • Publisher: Atria Books
    • Publication date: 08/11/2009
    • Series: Cork O'Connor Series , #6
    • Edition description: Reprint
    • Pages: 336
    • Product dimensions: 5.20(w) x 8.10(h) x 1.10(d)

    William Kent Krueger is the New York Times bestselling author of fourteen mysteries in the Cork O’Connor series, including Trickster’s Point and Tamarack County, as well as the novel Ordinary Grace, which won the 2014 Edgar Award for Best Novel. He lives in the Twin Cities with his family. Visit his website at WilliamKentKrueger.com.

    Read an Excerpt

    Copper River

    A Cork O'Connor Mystery
    By William Kent Krueger

    Atria

    Copyright © 2006 William Kent Krueger
    All right reserved.

    ISBN: 0743278402

    Chapter 1

    Henry Meloux, the old Ojibwe Mide, might tell the story this way.

    He might begin by saying that the earth is alive, that all things on it -- water, air, plants, rocks, even dead trees -- have spirit. In the absence of wind, the grass still trembles. On days when the clouds are dense as gray wool, flowers still understand how to track the sun. Trees, when they bend, whisper to one another. In such a community of spirits, nothing goes unnoticed. Would not the forest, therefore, know that a child is about to die?

    She is fourteen years, nine months, twenty-seven days old. She has never had a period, never had a boyfriend, never even had a real date. She has never eaten in a restaurant more formal than McDonald's. She has never seen a city larger than Marquette, Michigan.

    She cannot remember a night when she wasn't awakened by nightmares, some dreamed, many horribly real. She cannot remember a day she was happy, although she has always been hopeful that she might find happiness, discover it like a diamond in the dust at her feet. Through all the horror of her life, she has, miraculously, held to that hope.

    Until now.

    Now, though she is only fourteen, she is about to die. And she knows it.

    Somewhere among the trees below her, the man she calls Scorpio is coming for her.

    She cringes behind a pile of brush in the middle of a clear-cut hillside studded with stumps like gravestones. The morning sun has just climbed above the tops of the poplar trees that outline the clearing. The chill bite of autumn is in the air. From where she crouches high on the hill, she can see the gleam of Lake Superior miles to the north. The great inland sea beckons, and she imagines sailing away on all that empty blue, alone on a boat taking her toward a place where someone waits for her and worries, a place she has never been.

    She shivers violently. Before fleeing, she grabbed a thin brown blanket, which she wrapped around her shoulders. Her feet are bare, gone numb in the long, cold night. They bleed, wounded during her flight through the woods, but she no longer feels any pain. They've become stones at the end of her ankles.

    In the trees far below, a dog barks, cracking the morning calm. The girl focuses on a place two hundred yards distant where, half an hour earlier, she'd emerged from the forest and started to climb the logged-over hillside. An hour after dawn, Scorpio's dog had begun baying. When she heard the hungry sound, she knew he'd got hold of her scent. What little hope she'd held to melted instantly. After that, it was a frantic run trying to stay ahead.

    Scorpio steps from the shadow of the trees. He's like a whip, thin and cruel and electric in the sunlight. She can see the glint off the blue barrel of the rifle he cradles. Snatch, his black and tan German shepherd, pads before him, nose to the earth, tracking her through the graveyard of stumps. Scorpio scans the hillside above. She thinks she can see him smile, a gash of white.

    There is no sense in hiding now. In a few minutes, Scorpio will be on her. Grasshopper quick, she pops from the blind of brush and sprints toward the hilltop. Her senseless feet thud against the hard earth. She lets the blanket fall to the ground, leaves it behind her. Starved for sunlight, the skin of her face and arms looks bleached. Beneath her thin, dirty T-shirt her breasts are barely formed, but the small, fleshy mounds rise and fall dramatically as she sucks air in desperate gasps. Behind her, the dog begins a furious barking. He has seen the prey.

    She crests the hill and comes to a dead end. Before her the ground falls away, a sheer drop two hundred feet to a river that's a rush of white water between jagged rocks. There is no place left to run. She casts a frenzied eye back. Scorpio lopes toward her with Snatch in the lead. To her left and right, there is only the ragged lip of the cut across the hill.

    Only one way for her to go now: down.

    The face of the cliff below is a rugged profile offering handholds and small ledges. There are also tufts of brush that cling tenaciously to the stone, rooted in tiny fissures. She spies a shelf ten feet below, barely wider than her foot, but it is enough. She kneels and lowers herself over the edge. Clinging to the brush and the rough knobs of stone that punctuate the cliff, she begins her descent.

    The rock scrapes her skin, leaves her arms bleeding. Her toes stretch for a foothold but, numbed, feel almost nothing. Weakened by an ordeal that has gone on longer than she can remember, her strength threatens to fail her, but she does not give up. She has never given up. Whatever the horror in front of her, she has always faced it and pushed ahead. This moment is no different. She wills a place to stand. Her feet find support, a few inches of flat rock on which she eases herself down.

    "Come on, sweet thing. Come on back up."

    Scorpio's voice is reasonable, almost comforting. She lifts her face. He's smiling, bone-white teeth between thin, bloodless lips. Beside him, the dog snarls and snaps, foam dripping from his purple gums.

    "Hush!" Scorpio orders. "Sit."

    Snatch obeys.

    "Come on, now. Time to end this foolishness."

    He lays down his rifle, bends low, and offers his hand.

    In the quiet while she considers, she presses herself to the cliff where the stone still holds the cold of night. She can hear far below the hiss and roiling of the white water.

    "We'll go back to the cabin," Scorpio says. "Have a little breakfast. Bet you're hungry. Now, doesn't that sound better than running over these woods, ruining those pretty little feet, freezing your ass off?"

    He bends lower. His outstretched hand pushes nearer, a hand that has offered only humiliation and pain. On his wrist is a tattoo, a large black scorpion, the reason for the name she has given him in her thinking. She eyes his hairy knuckles, then looks into his face, which at the moment appears deceptively human.

    "Think about it. You find a place to perch on that cliff, then what? It's not so bad out here right now. Sun's up, air's calm. But tonight it'll be close to freezing. That means you, too. You want to freeze to death? Hell, it doesn't matter anyway. I'll just leave old Snatch here to make sure you don't climb back up, go get me some rope, and come down there to get you. But I guarantee if I have to do that, I won't be in a forgiving mood. So what do you say?"

    Not taking her eyes off him, she seeks a foothold farther down, somewhere out of his reach, but she cannot feel her toes. Finally, she risks a glance below her. In that instant, Scorpio's hand locks around her wrist.

    "Got you."

    He's strong, his grip powerful. He drags her kicking up the face of the rock. She struggles, screams as he wraps his arms around her. The dog dances back from the edge, barking crazily. Scorpio's breath smells of tobacco and coffee, but there's another smell coming off him, familiar and revolting. The musk odor of his sex.

    "Oh, little darling," he croons, "am I going to make you pay."

    She puts all her desperation, all her remaining strength, into one last effort, a violent twist that breaks her loose, sends her tumbling backward over the cliff.

    The world spins. First there is blue sky, then white water, then blue sky again. She closes her eyes and spreads her arms. Suddenly she isn't falling but flying. The wind streams across her skin. Her held breath fills her like a smooth balloon. She is weightless.

    For one glorious moment in her short, unhappy life, she is absolutely free.

    * * *

    Meloux would finish gently, pointing out, perhaps, that the fall of the smallest robin is known to the spirits of the earth, that no death goes unnoticed or unmourned, that the river has simply been waiting, and like a mother she has opened wide her arms.

    Copyright © 2006 by William Kent Krueger

    Continues...


    Excerpted from Copper River by William Kent Krueger Copyright © 2006 by William Kent Krueger. Excerpted by permission.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

    Reading Group Guide

    COPPER RIVER by William Kent Krueger

    Book Summary: The sixth novel in William Kent Krueger's award-winning suspense series finds Cork O'Connor on the run from hitmen hired by a crooked Chicago businessman who blames Cork for the death of his son. As he attempts to flee, they manage to wound him in the leg. He's seriously injured but still manages to make it to the resort camp in Michigan's Upper Peninsula, run by his recently widowed cousin, Jewell. While seeking refuge there, Cork stumbles upon a mystery when a local man is killed and the body of a teenage girl is found on the banks of the Copper River. Can these incidents be related? Cork and his former colleague Dina try and help Jewell, her son, and his runaway friend before another body turns up dead.

    Questions for Discussion:

    1) Copper River, while being a suspenseful thriller, is also about various forms of relationships — parent to child, friend to friend, colleague to colleague. What do you think of the relationship between Dina and Cork? Do you think it will ever be more than just co-workers? What about the friendship between Charlie and Ren? Ned and Jewell? Even Delmar Bell and Calvin Stokely?

    2) The relationship between Dina and Charlie, though brusque at first, becomes quite motherly. In the last chapter, we learn that Dina plans to return to Bodine to see Charlie. On page 308, Cork remarks, "You've only known her a couple of days, Dina." To which she responds, "Her, I've known my whole life." How are these two seemingly different characters alike?

    3) Did you suspect Charlie of murdering her father? Given her abusive home life, would she have been justified if she did?

    4) How has his father's murder affected Ren? Why do you think Jewell discourages Ren's interest in his Native American background? Do you think Jewell still harbors bad feelings against her cousin, Cork, because he arrested her late husband, Daniel?

    5) On page 29, Cork and Ren discuss their fathers and Cork counsels him: "Try to remember that he's never completely gone. He's here." Ren tries to understand his father's heritage and legacy. How does Cork do the same?

    6) How important is setting to this story? During their investigation into Sara Wolf's murder, Dina states "Because the river is the key." (p. 217) What does she mean by this? She cites The Odyssey on page 252. How is Odysseus's journey similar to their own?

    7) His wife and children are only briefly mentioned in this book, so what can you gather about Cork's relationship with his wife, Jo? Did you think that perhaps he and Dina might get together? Did you want them to?

    8) Jewell discovers poetry that Ned Hodder has written for her. Were you surprised when he then became a suspect? Were you relieved when he was cleared? Who did you suspect at that point? Do you think the friendship between Ned and Jewell is a foundation for something more?

    9) Did you suspect the recent spate of deaths was connected to the Tom Messinger incident twenty years earlier? Were you surprised by the revelation at the end? Why doesn't Gary Johnson kill himself like he originally planned?

    10) This is the sixth book in the Cork O'Connor series. Have you read any of the other books? In the beginning of Copper River, we learn that Cork is on the run from Lou Jacoby who mistakenly thinks Cork is responsible for his son's death. This story was told in the last Cork O'Connor book, Mercy Falls. Now that you have read this one, are you curious to read the others? What do you think about the violence in the story? Did you feel it was appropriate or gratuitous?

    Enhance Your Book Club:

    1) Many of the characters in Copper River, including Cork O'Connor, are of Ojibwe Indian heritage. You can learn more about this tribe by checking out these websites.

    Here, you can learn all about Ojibwe vocabulary: http://www.native-languages.org/ojibwe_words.htm You can print this out for your members so everyone can learn a few new words in their dialect.

    You can also learn about their customs here: http://www.turte-island.com/customs.html

    2) Screen Anatomy of a Murder, the 1959 film that was shot in Marquette, Michigan, and compare and contrast to Copper River.

    3) Has anyone in your book club ever been to the Upper Peninsula? You can find out more information about the area here:

    www.upmichigan.com

    Or if you live nearby, check out this site for fun activities your book club can do: http://www.exploringthenorth.com/mich/mich.html

    Introduction

    COPPER RIVER by William Kent Krueger

    Book Summary:The sixth novel in William Kent Krueger's award-winning suspense series finds Cork O'Connor on the run from hitmen hired by a crooked Chicago businessman who blames Cork for the death of his son. As he attempts to flee, they manage to wound him in the leg. He's seriously injured but still manages to make it to the resort camp in Michigan's Upper Peninsula, run by his recently widowed cousin, Jewell. While seeking refuge there, Cork stumbles upon a mystery when a local man is killed and the body of a teenage girl is found on the banks of the Copper River. Can these incidents be related? Cork and his former colleague Dina try and help Jewell, her son, and his runaway friend before another body turns up dead.

    Questions for Discussion:

    1) Copper River, while being a suspenseful thriller, is also about various forms of relationships — parent to child, friend to friend, colleague to colleague. What do you think of the relationship between Dina and Cork? Do you think it will ever be more than just co-workers? What about the friendship between Charlie and Ren? Ned and Jewell? Even Delmar Bell and Calvin Stokely?

    2) The relationship between Dina and Charlie, though brusque at first, becomes quite motherly. In the last chapter, we learn that Dina plans to return to Bodine to see Charlie. On page 308, Cork remarks, "You've only known her a couple of days, Dina." To which she responds, "Her, I've known my whole life." How are these two seemingly different characters alike?

    3) Did you suspect Charlie of murdering her father? Given her abusive home life, would she have beenjustified if she did?

    4) How has his father's murder affected Ren? Why do you think Jewell discourages Ren's interest in his Native American background? Do you think Jewell still harbors bad feelings against her cousin, Cork, because he arrested her late husband, Daniel?

    5) On page 29, Cork and Ren discuss their fathers and Cork counsels him: "Try to remember that he's never completely gone. He's here." Ren tries to understand his father's heritage and legacy. How does Cork do the same?

    6) How important is setting to this story? During their investigation into Sara Wolf's murder, Dina states "Because the river is the key." (p. 217) What does she mean by this? She cites The Odyssey on page 252. How is Odysseus's journey similar to their own?

    7) His wife and children are only briefly mentioned in this book, so what can you gather about Cork's relationship with his wife, Jo? Did you think that perhaps he and Dina might get together? Did you want them to?

    8) Jewell discovers poetry that Ned Hodder has written for her. Were you surprised when he then became a suspect? Were you relieved when he was cleared? Who did you suspect at that point? Do you think the friendship between Ned and Jewell is a foundation for something more?

    9) Did you suspect the recent spate of deaths was connected to the Tom Messinger incident twenty years earlier? Were you surprised by the revelation at the end? Why doesn't Gary Johnson kill himself like he originally planned?

    10) This is the sixth book in the Cork O'Connor series. Have you read any of the other books? In the beginning of Copper River, we learn that Cork is on the run from Lou Jacoby who mistakenly thinks Cork is responsible for his son's death. This story was told in the last Cork O'Connor book, Mercy Falls. Now that you have read this one, are you curious to read the others? What do you think about the violence in the story? Did you feel it was appropriate or gratuitous?

    Enhance Your Book Club:

    1) Many of the characters in Copper River, including Cork O'Connor, are of Ojibwe Indian heritage. You can learn more about this tribe by checking out these websites.

    Here, you can learn all about Ojibwe vocabulary: http://www.native-languages.org/ojibwe_words.htm You can print this out for your members so everyone can learn a few new words in their dialect.

    You can also learn about their customs here: http://www.turte-island.com/customs.html

    2) Screen Anatomy of a Murder, the 1959 film that was shot in Marquette, Michigan, and compare and contrast to Copper River.

    3) Has anyone in your book club ever been to the Upper Peninsula? You can find out more information about the area here:

    www.upmichigan.com

    Or if you live nearby, check out this site for fun activities your book club can do: http://www.exploringthenorth.com/mich/mich.html

    William Kent Krueger is the award-winning author of nine Cork O'Connor novels, including Thunder Bay and Red Knife. All are available from Atria Books. He lives in the Twin Cities with his family. Visit his website at www.williamkentkrueger.com.

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    Two-time Anthony Award-winning author William Kent Krueger has "moved to the head of the crime fiction class" (Chicago Sun-Times) with his gripping series featuring Sheriff Cork O'Connor. In Copper River, Cork is running for his life — and straight into a murderous conspiracy involving teenage runaways.

    Desperately avoiding the clutches of professional hit men who have already put a bullet in his leg, Cork finds sanctuary outside the small Michigan town of Bodine. But while he's hiding out in an old resort owned by his cousin Jewell DuBois, a bitter widow with a fourteen-year-old son named Ren, the body of a young girl surfaces along the banks of the Copper River — and then another teenager vanishes. Instead of thwarting his assassins, Cork focuses on tracking a ring of killers who prey on innocent children — before anyone else falls victim. But as his deadly followers close in, Cork realizes he's made an error any good man might make — and it may be his last.

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    From the Publisher
    "Believable, complicated characters and strong writing. . . . Sympathetic and moving." — The Star Tribune (Minneapolis)

    "This series gets darker and more elegantly written with every book." — Booklist

    "William Kent Krueger may just be the best pure suspense novelist working today." — Bill Pronzini, author of the Nameless Detective series and Blue Lonesome

    Publishers Weekly
    On the run from anonymous contract killers, ex-sheriff Cork O'Connor goes to ground in a remote corner of Michigan's Upper Peninsula in Krueger's subdued sixth thriller. In the 10 days since the end of Mercy Falls (2005), Cork has picked up a gunshot wound to the leg. His widowed veterinarian cousin, Jewell DuBois, is able to install a Penrose drain, leaving Cork largely immobilized. Cork's friend, security specialist Dina Willner, appears to watch his back, yet most of the plot shifts away from potential shootouts with hit men to Jewell's 13-year-old son, Ren; Ren's tomboy pal, Charlie; and the corpse of a teenage girl found floating in the Copper River. As usual, Krueger conveys a solid sense of place, the woodlands near the shore of Lake Superior, northwest out of Marquette, "where scenes from Anatomy of a Murder had been filmed." But the segue to the familiar children-in-peril theme feels like a cop-out, especially since the previous, superior novel had primed readers for something more intense and harrowing. (Aug.) Copyright 2006 Reed Business Information.
    Library Journal
    On the run from contract killers, ex-sheriff Cork O'Connor (Mercy Falls) hides out at his cousin Jewell's place in Bodine, MI, where she treats his gunshot wound. He cannot stay hidden for long. Someone is murdering area teenagers, and then the father of his nephew's best friend is killed, and Jewell is the prime suspect. Joined by Chicago security consultant Dina Willnert, Cork races to solve these crimes before he is found by the hired killers. Anthony Award winner Krueger never writes simple plots, instead mixing action and suspense with a thoughtfulness that highlights the underlying motivation. His style and sense of place will appeal to fans of Steve Hamilton and John Sanford. He lives in St. Paul, MN. Copyright 2006 Reed Business Information.
    Kirkus Reviews
    That paragon among lawmen, the Sheriff of Tamarack County, Minn., starts his sixth adventure on the run. There's a price on Cork O'Connor's estimable head, put there by a man who thinks Cork killed his son. He didn't, but that's an old story (Mercy Falls, 2005). Now he's holed up in tiny (pop. 1,207), out-of-the-way Bodine, Mich., because certain acquisitive hit men are hungry for a $500,000 bounty. The bullet they put in his leg has been extracted by Cousin Jewell DuBois. Cousin Jewel, a nurse, doesn't much like Cousin Cork, but in the Upper Peninsula, family rules. Widowed Jewel's son Ren, 14, is the only friend of Charlie, who'd be a good kid, too, if only she were parented by Jewel instead of the abusive drunk who actually is her father. When someone beats the old man to death, she's the obvious suspect. Her flight sets in motion a chain of events that leads to the discovery of a grisly, monstrous conspiracy aimed at girls like Charlie. Naturally, the fugitive sheriff corks his own woes and takes on Charlie's. No one will be surprised when selflessness and virtue, not hit men, are rewarded. Lots of backstory, lots of marking time and, at the end, a flurry of overplotting.

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