Elizabeth Cleghorn Gaskell, (née Stevenson; 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist, biographer, and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Brontë. Some of Gaskell's best known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865).
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9781775416456
- Publisher: The Floating Press
- Publication date: 08/01/2009
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Cranford
By Elizabeth Gaskell
OPEN ROAD INTEGRATED MEDIA
Copyright © 2017 Open Road Integrated Media, Inc.All rights reserved.
ISBN: 978-1-5040-4575-9
CHAPTER 1
OUR SOCIETY
In the first place, Cranford is in possession of the Amazons; all the holders of houses above a certain rent are women. If a married couple come to settle in the town, somehow the gentleman disappears; he is either fairly frightened to death by being the only man in the Cranford evening parties, or he is accounted for by being with his regiment, his ship, or closely engaged in business all the week in the great neighbouring commercial town of Drumble, distant only twenty miles on a railroad. In short, whatever does become of the gentlemen, they are not at Cranford. What could they do if they were there? The surgeon has his round of thirty miles, and sleeps at Cranford; but every man cannot be a surgeon. For keeping the trim gardens full of choice flowers without a weed to speck them; for frightening away little boys who look wistfully at the said flowers through the railings; for rushing out at the geese that occasionally venture in to the gardens if the gates are left open; for deciding all questions of literature and politics without troubling themselves with unnecessary reasons or arguments; for obtaining clear and correct knowledge of everybody's affairs in the parish; for keeping their neat maid-servants in admirable order; for kindness (somewhat dictatorial) to the poor, and real tender good offices to each other whenever they are in distress, the ladies of Cranford are quite sufficient. "A man," as one of them observed to me once, "is so in the way in the house!" Although the ladies of Cranford know all each other's proceedings, they are exceedingly indifferent to each other's opinions. Indeed, as each has her own individuality, not to say eccentricity, pretty strongly developed, nothing is so easy as verbal retaliation; but, somehow, good-will reigns among them to a considerable degree.
The Cranford ladies have only an occasional little quarrel, spirited out in a few peppery words and angry jerks of the head; just enough to prevent the even tenor of their lives from becoming too flat. Their dress is very independent of fashion; as they observe, "What does it signify how we dress here at Cranford, where everybody knows us?" And if they go from home, their reason is equally cogent, "What does it signify how we dress here, where nobody knows us?" The materials of their clothes are, in general, good and plain, and most of them are nearly as scrupulous as Miss Tyler, of cleanly memory; but I will answer for it, the last gigot, the last tight and scanty petticoat in wear in England, was seen in Cranford — and seen without a smile.
I can testify to a magnificent family red silk umbrella, under which a gentle little spinster, left alone of many brothers and sisters, used to patter to church on rainy days. Have you any red silk umbrellas in London? We had a tradition of the first that had ever been seen in Cranford; and the little boys mobbed it, and called it "a stick in petticoats." It might have been the very red silk one I have described, held by a strong father over a troop of little ones; the poor little lady — the survivor of all — could scarcely carry it.
Then there were rules and regulations for visiting and calls; and they were announced to any young people who might be staying in the town, with all the solemnity with which the old Manx laws were read once a year on the Tinwald Mount.
"Our friends have sent to inquire how you are after your journey to-night, my dear" (fifteen miles in a gentleman's carriage); "they will give you some rest tomorrow, but the next day, I have no doubt, they will call; so be at liberty after twelve — from twelve to three are our calling hours."
Then, after they had called —
"It is the third day; I dare say your mamma has told you, my dear, never to let more than three days elapse between receiving a call and returning it; and also, that you are never to stay longer than a quarter of an hour."
"But am I to look at my watch? How am I to find out when a quarter of an hour has passed?"
"You must keep thinking about the time, my dear, and not allow yourself to forget it in conversation."
As everybody had this rule in their minds, whether they received or paid a call, of course no absorbing subject was ever spoken about. We kept ourselves to short sentences of small talk, and were punctual to our time.
I imagine that a few of the gentlefolks of Cranford were poor, and had some difficulty in making both ends meet; but they were like the Spartans, and concealed their smart under a smiling face. We none of us spoke of money, because that subject savoured of commerce and trade, and though some might be poor, we were all aristocratic. The Cranfordians had that kindly esprit de corps which made them overlook all deficiencies in success when some among them tried to conceal their poverty. When Mrs. Forrester, for instance, gave a party in her baby-house of a dwelling, and the little maiden disturbed the ladies on the sofa by a request that she might get the tea-tray out from underneath, everyone took this novel proceeding as the most natural thing in the world, and talked on about household forms and ceremonies as if we all believed that our hostess had a regular servants' hall, second table, with housekeeper and steward, instead of the one little charity-school maiden, whose short ruddy arms could never have been strong enough to carry the tray upstairs, if she had not been assisted in private by her mistress, who now sat in state, pretending not to know what cakes were sent up, though she knew, and we knew, and she knew that we knew, and we knew that she knew that we knew, she had been busy all the morning making tea-bread and sponge-cakes.
There were one or two consequences arising from this general but unacknowledged poverty, and this very much acknowledged gentility, which were not amiss, and which might be introduced into many circles of society to their great improvement. For instance, the inhabitants of Cranford kept early hours, and clattered home in their pattens, under the guidance of a lantern-bearer, about nine o'clock at night; and the whole town was abed and asleep by half-past ten. Moreover, it was considered "vulgar" (a tremendous word in Cranford) to give anything expensive, in the way of eatable or drinkable, at the evening entertainments. Wafer bread-and-butter and sponge-biscuits were all that the Honourable Mrs. Jamieson gave; and she was sister-in-law to the late Earl of Glenmire, although she did practise such "elegant economy."
"Elegant economy!" How naturally one falls back into the phraseology of Cranford! There, economy was always "elegant," and money-spending always "vulgar and ostentatious"; a sort of sour-grapeism which made us very peaceful and satisfied. I never shall forget the dismay felt when a certain Captain Brown came to live at Cranford, and openly spoke about his being poor — not in a whisper to an intimate friend, the doors and windows being previously closed, but in the public street! in a loud military voice! alleging his poverty as a reason for not taking a particular house. The ladies of Cranford were already rather moaning over the invasion of their territories by a man and a gentleman. He was a half-pay captain, and had obtained some situation on a neighbouring railroad, which had been vehemently petitioned against by the little town; and if, in addition to his masculine gender, and his connection with the obnoxious railroad, he was so brazen as to talk of being poor — why, then, indeed, he must be sent to Coventry. Death was as true and as common as poverty; yet people never spoke about that, loud out in the streets. It was a word not to be mentioned to ears polite. We had tacitly agreed to ignore that any with whom we associated on terms of visiting equality could ever be prevented by poverty from doing anything that they wished. If we walked to or from a party, it was because the night was so fine, or the air so refreshing, not because sedan-chairs were expensive. If we wore prints, instead of summer silks, it was because we preferred a washing material; and so on, till we blinded ourselves to the vulgar fact that we were, all of us, people of very moderate means. Of course, then, we did not know what to make of a man who could speak of poverty as if it was not a disgrace. Yet, somehow, Captain Brown made himself respected in Cranford, and was called upon, in spite of all resolutions to the contrary. I was surprised to hear his opinions quoted as authority at a visit which I paid to Cranford about a year after he had settled in the town. My own friends had been among the bitterest opponents of any proposal to visit the Captain and his daughters, only twelve months before; and now he was even admitted in the tabooed hours before twelve. True, it was to discover the cause of a smoking chimney, before the fire was lighted; but still Captain Brown walked upstairs, nothing daunted, spoke in a voice too large for the room, and joked quite in the way of a tame man about the house. He had been blind to all the small slights, and omissions of trivial ceremonies, with which he had been received. He had been friendly, though the Cranford ladies had been cool; he had answered small sarcastic compliments in good faith; and with his manly frankness had overpowered all the shrinking which met him as a man who was not ashamed to be poor. And, at last, his excellent masculine common sense, and his facility in devising expedients to overcome domestic dilemmas, had gained him an extraordinary place as authority among the Cranford ladies. He himself went on in his course, as unaware of his popularity as he had been of the reverse; and I am sure he was startled one day when he found his advice so highly esteemed as to make some counsel which he had given in jest to be taken in sober, serious earnest.
It was on this subject: An old lady had an Alderney cow, which she looked upon as a daughter. You could not pay the short quarter of an hour call without being told of the wonderful milk or wonderful intelligence of this animal. The whole town knew and kindly regarded Miss Betsy Barker's Alderney; therefore great was the sympathy and regret when, in an unguarded moment, the poor cow tumbled into a lime-pit. She moaned so loudly that she was soon heard and rescued; but meanwhile the poor beast had lost most of her hair, and came out looking naked, cold, and miserable, in a bare skin. Everybody pitied the animal, though a few could not restrain their smiles at her droll appearance. Miss Betsy Barker absolutely cried with sorrow and dismay; and it was said she thought of trying a bath of oil. This remedy, perhaps, was recommended by some one of the number whose advice she asked; but the proposal, if ever it was made, was knocked on the head by Captain Brown's decided "Get her a flannel waistcoat and flannel drawers, ma'am, if you wish to keep her alive. But my advice is, kill the poor creature at once."
Miss Betsy Barker dried her eyes, and thanked the Captain heartily; she set to work, and by-and-by all the town turned out to see the Alderney meekly going to her pasture, clad in dark grey flannel. I have watched her myself many a time. Do you ever see cows dressed in grey flannel in London?
Captain Brown had taken a small house on the outskirts of the town, where he lived with his two daughters. He must have been upwards of sixty at the time of the first visit I paid to Cranford after I had left it as a residence. But he had a wiry, well-trained, elastic figure, a stiff military throw-back of his head, and a springing step, which made him appear much younger than he was. His eldest daughter looked almost as old as himself, and betrayed the fact that his real was more than his apparent age. Miss Brown must have been forty; she had a sickly, pained, careworn expression on her face, and looked as if the gaiety of youth had long faded out of sight. Even when young she must have been plain and hard-featured. Miss Jessie Brown was ten years younger than her sister, and twenty shades prettier. Her face was round and dimpled. Miss Jenkyns once said, in a passion against Captain Brown (the cause of which I will tell you presently), "that she thought it was time for Miss Jessie to leave off her dimples, and not always to be trying to look like a child." It was true there was something childlike in her face; and there will be, I think, till she dies, though she should live to a hundred. Her eyes were large blue wondering eyes, looking straight at you; her nose was unformed and snub, and her lips were red and dewy; she wore her hair, too, in little rows of curls, which heightened this appearance. I do not know whether she was pretty or not; but I liked her face, and so did everybody, and I do not think she could help her dimples. She had something of her father's jauntiness of gait and manner; and any female observer might detect a slight difference in the attire of the two sisters — that of Miss Jessie being about two pounds per annum more expensive than Miss Brown's. Two pounds was a large sum in Captain Brown's annual disbursements.
Such was the impression made upon me by the Brown family when I first saw them all together in Cranford Church. The Captain I had met before — on the occasion of the smoky chimney, which he had cured by some simple alteration in the flue. In church, he held his double eye-glass to his eyes during the Morning Hymn, and then lifted up his head erect and sang out loud and joyfully. He made the responses louder than the clerk — an old man with a piping feeble voice, who, I think, felt aggrieved at the Captain's sonorous bass, and quivered higher and higher in consequence.
On coming out of church, the brisk Captain paid the most gallant attention to his two daughters. He nodded and smiled to his acquaintances; but he shook hands with none until he had helped Miss Brown to unfurl her umbrella, had relieved her of her prayer-book, and had waited patiently till she, with trembling nervous hands, had taken up her gown to walk through the wet roads.
I wonder what the Cranford ladies did with Captain Brown at their parties. We had often rejoiced, in former days, that there was no gentleman to be attended to, and to find conversation for, at the card-parties. We had congratulated ourselves upon the snugness of the evenings; and, in our love for gentility, and distaste of mankind, we had almost persuaded ourselves that to be a man was to be "vulgar"; so that when I found my friend and hostess, Miss Jenkyns, was going to have a party in my honour, and that Captain and the Miss Browns were invited, I wondered much what would be the course of the evening. Card-tables, with green baize tops, were set out by daylight, just as usual; it was the third week in November, so the evenings closed in about four. Candles, and clean packs of cards, were arranged on each table. The fire was made up; the neat maid-servant had received her last directions; and there we stood, dressed in our best, each with a candle-lighter in our hands, ready to dart at the candles as soon as the first knock came. Parties in Cranford were solemn festivities, making the ladies feel gravely elated as they sat together in their best dresses. As soon as three had arrived, we sat down to "Preference," I being the unlucky fourth. The next four comers were put down immediately to another table; and presently the tea-trays, which I had seen set out in the store-room as I passed in the morning, were placed each on the middle of a card-table. The china was delicate egg-shell; the old-fashioned silver glittered with polishing; but the eatables were of the slightest description. While the trays were yet on the tables, Captain and the Miss Browns came in; and I could see that, somehow or other, the Captain was a favourite with all the ladies present. Ruffled brows were smoothed, sharp voices lowered at his approach. Miss Brown looked ill, and depressed almost to gloom. Miss Jessie smiled as usual, and seemed nearly as popular as her father. He immediately and quietly assumed the man's place in the room; attended to every one's wants, lessened the pretty maid-servant's labour by waiting on empty cups and bread-and-butterless ladies; and yet did it all in so easy and dignified a manner, and so much as if it were a matter of course for the strong to attend to the weak, that he was a true man throughout. He played for three-penny points with as grave an interest as if they had been pounds; and yet, in all his attention to strangers, he had an eye on his suffering daughter — for suffering I was sure she was, though to many eyes she might only appear to be irritable. Miss Jessie could not play cards: but she talked to the sitters-out, who, before her coming, had been rather inclined to be cross. She sang, too, to an old cracked piano, which I think had been a spinet in its youth. Miss Jessie sang, "Jock of Hazeldean" a little out of tune; but we were none of us musical, though Miss Jenkyns beat time, out of time, by way of appearing to be so.
(Continues...)
Excerpted from Cranford by Elizabeth Gaskell. Copyright © 2017 Open Road Integrated Media, Inc.. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents
Acknowledgements
Introduction
Elizabeth Gaskell: A Brief Chronology
A Note on the Text
Cranford
Appendix A: Pre- and Post-Cranford Texts
- Elizabeth Gaskell, “The Last Generation in England” (1849)
- Elizabeth Gaskell, “The Cage at Cranford” (1863)
Appendix B: Cranford Correspondence
- Letters of Charles Dickens (1850–53)
- Letters of Mrs. Gaskell (1851–65)
- Letters of Charlotte Brontë (1852–53)
Appendix C: Contemporary Reviews and Tributes
- From [Henry Forgehill Chorley], The Athenaeum (25 June 1853)
- The Examiner (23 July 1853)
- Harper’s New Monthly Magazine (September 1853)
- “A Few Words on Social Philosophy,” Blackwood’s Edinburgh Magazine (April 1858)
- “Mrs. Gaskell,” The Nation (7 December 1865)
Appendix D: Industrialization and Moral Responsibility
- From Adam Smith, The Theory of Moral Sentiments (1759)
- From Maria Edgeworth, The Parent’s Assistant or Stories for Children (1796?)
- From Elizabeth Gaskell, Mary Barton (1848)
Appendix E: Class, Conduct, and Etiquette
- From Charles Day, Hints on Etiquette and the Usages of Society with a Glance at Bad Habits (1836)
- From Anon., Etiquette for the Ladies (1837)
Appendix F: Economies Political and Domestic
- From Sarah Stickney Ellis, The Women of England (1839)
- From Eliza Acton, Modern Cookery in All its Branches (1845)
- From Isabella Beeton, Beeton’s Book of Household Management (1861)
- From J.S. Mill, Principles of Political Economy (1848)
- From Charles Lamb, Essays of Elia (1823)
- From George Eliot, Scenes of Clerical Life (1857)
Select Bibliography
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Cranford (1851-1853) es sin duda la obra más popular de Elizabeth Gaskell, escrita a instancias de Dickens, después del éxito conseguido con su primera novela, Mary Barton. El paisaje, la ambientación e incluso los personajes están tomados del pueblecito en que la autora pasó su infancia, Knutsford, y, en un retrato lleno de humor y afecto, pero exento de sensi-blería, se nos presentan unos valores y costumbres que la Revolución industrial estaba transformando rápidamente. A través de la emblemática figura de unas hermanas solteronas, asistimos a los pequeños y grandes acontecimientos de la pequeña comunidad: la llegada de un apuesto capitán viudo y sus dos hijas, las cartas que se reciben de ultramar, las estrecheces económicas de las mujeres de buena sociedad, los compromisos matri moniales y las muertes. Contada en un tono de confidencia íntima, sin esfuerzo aparente, y con un detallado elenco de personajes femeninos observados en profundidad, Cranford es, tanto en palabras de Dickens como de E. M. Forster, «un exquisito retrato social», una obra «tierna» y «deliciosa» que ha sabido mantener su atractivo a través de los años.
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