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    The Curse of the Appropriate Man

    The Curse of the Appropriate Man

    5.0 1

    by Lynn Freed


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    $9.99

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      ISBN-13: 9780547563916
    • Publisher: Houghton Mifflin Harcourt
    • Publication date: 09/01/2004
    • Sold by: Houghton Mifflin Harcourt
    • Format: eBook
    • Pages: 208
    • File size: 117 KB

    Lynn Freed was awarded the inaugural Katherine Anne Porter Award for fiction by the American Academy of Arts and Letters. She is the author of six novels, a short story collection, and a collection of essays.

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    Under the House

    TWICE A YEAR, THE SHARPENER ARRIVED AT THE top gate, whistled for them to lock up the dogs, and then made his way around the back of the house to the kitchen lawn. Usually, the girl was there first. She squatted like him to see the files and stones laid out in a silent circle, the carving knife taken up, the flash of the blade as he curved his wrist left and right, never missing. And then the gleaming thing laid down on the tray, where she longed to touch it.

    If the nanny saw the girl out there, she called her in. The Sharpener was a wild man, she said, he drank cheap brandy and lived under a piece of tin. He could be a Coloured, said her mother, or just dark from working in the sun, and from lawnmower grease, and from not washing properly.

    But whenever the girl heard his whistle, she ran out anyway. He never looked up at her. He wasn't the sort of man to notice a child growing year by year, or to care. He seemed to consider only the knives, always choosing the carver first, holding it up to the light, running its edge along the pad of his thumb. When all the knives were sharpened and he walked around to the front verandah, she followed him there. She waited next to his satchel while he opened the little door and climbed down under the house to fetch the lawnmower.

    And then one day she asked, "What do you do under the house?"

    And he stopped on the top step and turned to look at her with his dirty green eyes. He didn't smile, he never smiled. But he tossed his head for her to follow him, and so she did, down into the cool, dim light.

    She knew the place well. It was deep and wide, running the length of the verandah, and high enough to stand up in. Bicycles were kept down there, and the old doll's pram, pushed now behind the garden rakes and hoes and clippers. There were sacks of seed, and bulbs, manure, and cans of oil. Through an opening in the wall, deeper in, were rooms and rooms of raw red earth, with walls and passages between them, like the house above. In the middle was a place no light could reach. She had crawled back there once, and crouched, and listened to rats scraping and darting, footsteps above, the dogs off somewhere. It smelled sour back there, and damp, and wonderful.

    The Sharpener stood just out of a beam of light that came in through one of the vents. He tossed his head at her again and moved deeper into the shadow.

    She knew rude things. She had done rude things with cousins and friends. There was a frenzy to them-the giggling and hushing and urging on. But now she stood solemn and still as the Sharpener came to crouch before her. He lifted her skirt and found her bloomers, pulled them down to her knees.

    "We can lie down," he said.

    But she shook her head, and he stood up again. He unbuttoned his trousers, pulled his thing through the slit and held it out on the palm of his hand. She knew he was offering it to her, asking for something too, his eyes never leaving her face. But she clasped her hands behind her back and looked down at the floor.

    He pushed himself closer, pushed his thing up under her skirt, against her stomach, breathing his smell all over her, sweat and liquor and dirt. He turned her around and crouched behind her to push it between her legs. When she lifted her skirt, she saw it sticking through as if it were her own, and she giggled.


    Copyright © 2004 by Lynn Freed

    All rights reserved. No part of this publication may be reproduced or transmitted in any
    form or by any means, electronic or mechanical, including photocopy, recording, or any
    information storage and retrieval system, without permission in writing from the publisher.

    Requests for permission to make copies of any part of the work should be mailed to
    the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive,
    Orlando, Florida 32887-6777.

    Table of Contents

    CONTENTS

    Under the House
    Foreign Student
    The Widow's Daughter
    Family of Shadows
    An Error of Desire
    Liars, Cheats, and Cowards
    The Curse of the Appropriate Man
    The Mirror
    Twilight
    Selina Comes to the City
    William
    Songbird
    The First Rule of Happiness
    Ma: A Memoir
    Luck

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    “A stunning and satisfying volume” of short stories about women and their relationships, from a winner of the Katherine Anne Porter Prize (Booklist).
     
    This collection of short fiction deals with the struggles between mothers and their wayward daughters, the often preposterous bonds that tie men and women together, and the complex games masters and servants play with one another.
     
    Whether describing a mother mired in senile dementia in “Ma,” a young girl’s loss of innocence with an itinerant knife-sharpener in “Under the House,” or a young woman incapable of conventional love in “An Error of Desire,” Lynn Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters’ lives.
     
    “Women’s relationships—with their mothers, their lovers, their culture and their own sexuality—are the subject of the 14 stories in this fine collection. Freed . . . creates achingly real women and lovingly rendered misfits, and she reports straightforwardly and without judgment on their unconventional urges and questionable decisions.” —Publishers Weekly

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    From the Publisher

    PRAISE FOR LYNN FREED
    "Freed wonderfully carries off that hardest of all literary effects-it feels effortless and therefore absolutely real."-Elle

    "I'd say it's feminist fiction in the mode of Flaubert and Daniel Defoe."-All Things Considered, NPR

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