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    Daughter of Silk

    Daughter of Silk

    4.5 11

    by Linda Lee Chaikin


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      ISBN-13: 9780310317302
    • Publisher: Zondervan
    • Publication date: 05/26/2009
    • Series: The Silk House Series , #1
    • Sold by: Zondervan Publishing
    • Format: eBook
    • Pages: 320
    • File size: 2 MB
    • Age Range: 18Years

    Linda Lee Chaikin has written over thirty books including the bestselling Daughter of Silk., its sequel Written on Silk, and The Midwife of St. Petersburg. Linda, an award winning author, is a graduate of Multnomah School of the Bible in Portland, Oregon. She and her husband live in Northern California.

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    Daughter of Silk
    Copyright 2006 by Linda Chaikin
    Requests for information should be addressed to:
    Zondervan, Grand Rapids, Michigan 49530
    Library of Congress Cataloging-in-Publication Data
    Chaikin, L. L.
    Daughter of Silk / Linda Lee Chaikin.
    p. cm. -- (The Silk house; bk. 1)
    ISBN-10: 0-310-26300-X
    ISBN-13: 978-0-310-26300-5
    1. France --- History --- Francis II, 1559 -- 1560 --- Fiction. 2. Catherine de Medicis,
    Queen, consort of Henry II, King of France, 1519 -- 1589 --- Fiction. 3. Courts and
    courtiers --- Fiction. I. Title.
    PS3553.H2427D38 2006
    813'.54 --- dc22 2005031947
    All Scripture quotations, unless otherwise indicated, are taken from the King James
    Version.
    All rights reserved. No part of this publication may be reproduced, stored in a retrieval
    system, or transmitted in any form or by any means --- electronic, mechanical, photocopy,
    recording, or any other --- except for brief quotations in printed reviews, without the prior
    permission of the publisher.
    Interior design by Beth Shagene
    Printed in the United States of America
    06 07 08 09 10 11 12 * 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1

    Chapter One
    Marquis Fabien de Vendome stood on the open balustrade
    of the royal palais chateau at Chambord, resting his muscled shoulder
    against the broad marble embrasure. He fixed his attention below in the
    courtyard where voices shouted and horse hooves clattered over stone.
    Another burst of activity erupted near the gate. The king's cuirrasiers,
    garbed in black and crimson, sporting brass and steel, threw open
    the double gate. Riders thundered into the courtyard as though pursued
    by fiendish gargoyles.
    Fabien recognized le Duc de Guise mounted on a black charger with
    a jeweled harness and gold velvet housing edged in green braid. Guise's
    men-at-arms followed, bearing the flag of the House of Guise from the
    duchy of Lorraine.
    Fabien straightened from the embrasure, clamping his jaw. The
    secret rumblings of hatred smoldered in the rocky caverns of his soul at
    the sight of the duc.
    Le Duc de Guise looked up toward the balcony. His gaze appeared
    to search, as if he could sense a burning pit of hellish emotions attacking
    him from somewhere, as if he was a jackal smelling a rotting carcass to
    feed upon.
    Then le Duc de Guise locked gazes with Marquis Fabien.
    Guise's lips turned into a hard, faintly mocking smile. Fabien smiled
    in return and offered a bow.
    Guise turned his head away and peered over his shoulder toward the
    gate. He raised a gloved hand whereupon a masked, black-cowled rider
    burst through the turret gates, dusty, his horse sweating. Fabien tensed.
    Who was this? A moment later the duc's men-at-arms tightened their
    escort around the mysterious rider, encircling him within their midst.
    Is Guise protecting the masked figure or confining him? Why the cowl
    and mask? Fabien narrowed his gaze, as if by staring he could bore
    through the mask to identify the messire.
    He was here at Chambord at the invitation of the boy-king Francis
    and his petite reinette, Mary of Scotland, but not to become ensnared in
    whatever ongoing intrigue the House of Guise was presently hatching.
    Fabien left the balcony. Patience, he reminded himself. The longawaited
    hour to apportion revenge upon the head of le Duc de Guise
    would eventually dawn.
    The marquis pulled his brows together as he walked along the gilded
    salle in the direction of his chambers. If anyone at court understood
    the reasons behind the unexpected arrival of Guise, it would be Comte
    Sebastien Dangeau, a member of Catherine de Medici's privy council
    and Fabien's relative through marriage.
    Sebastien's position was a precarious one since the House of Guise
    might discover he was of the Huguenot faith. There were other Calvinists
    at court, and they too walked the edge of a precipice. One faux pas and
    they would slip from the slope into the bloodied clutches of the Guise
    brothers' inquisitional penchant.
    Comte Sebastien Dangeau, upon hearing that le Duc de Guise had ridden
    into the courtyard with a masked rider, joined other esteemed courtiers
    on one of the balconies. He held back, keeping behind the others so
    as to not be seen, as he managed a survey of the courtyard.
    Sebastien's gaze stumbled over a masked figure cowled in black,
    being escorted by some dozen men-at-arms under the proud flag of le
    Duc de Guise. The duc himself led the way into the palais. No doubt on
    his way to see the king. Ah but yes, there is something familiar about the
    hesitant gait of that hooded figure ---
    Footsteps pattered up behind him, the scampering feet reminding
    him of a mouse --- or a rat?
    Sebastien turned sharply. His gaze lowered to rest upon an expressionless
    face with brown eyes. The Italian demoiselle stared up at him. She
    was Madalenna, the young servant girl in bondage to the queen regent,
    Catherine de Medici. The Queen Mother had brought Madalenna with
    her from Florence, Italy, when Catherine first came to France to marry
    Henry Valois II. Madalenna, secretive, spying; Madalenna, always
    approached in a whisper of movement, emerging from some shadowy
    corner where one least expected to see her. Madalenna the spy.
    Madalenna curtsied. 'Monsieur le Comte, my mistress, Her Majesty
    the Queen Mother, bids you come to her state chambers tout de suite.'
    Sebastien glanced again toward the courtyard, then turned and
    departed for the chambers of the Queen Mother, known by those who
    knew her best as Madame le Serpent.
    Mademoiselle Rachelle Macquinet felt her heart thump and a
    trickle of perspiration ran down her rib cage. This was to be the telling
    moment. All she had labored for these many weeks, sometimes working
    twelve hours a day, would be held to the crucible of scrutiny. For this
    day Princesse Marguerite Valois, the youngest daughter of the Queen
    Mother, would try on the unfinished gown. The cut and flow, the stitching,
    all must be exact. Rachelle would measure and tack the hem with
    a steady but feathery hand and bring the gown back to her chamber to
    complete tomorrow. The gown was but one of several in various degrees
    of completion, however this particular gown was mostly Rachelle's work,
    and her future as a couturiere depended on the princesse's pleasure.
    Rachelle, a grisette from the Chateau de Silk in Lyon, was yet under
    the supervision of the grand couturiere herself, Henriette Marie Loiselle
    Dushane, otherwise known to Rachelle as her adored grandmere, a dainty
    widow in unrelieved black satin, with silver hair and sparkling dark eyes.
    Rachelle knew her to be no easy mistress with the needle, nor did Rachelle
    wish her to be otherwise. It was her desire to follow in her steps.
    Rachelle stood on the terrace of the royal chambers facing Princesse
    Marguerite and her ladies-in-waiting. Her wine velvet pincushion with
    her initials, R.D.M., was strapped to her wrist with a black velvet band,
    while a pair of specialized Dushane scissors swung from the chatelaine.
    Her measuring strip draped about her slender neck. She took the widths
    of sheer burgundy silk, draped gently over the cloth of gold, and with
    trembling fingers allowed it to fall gracefully over Marguerite's dark hair.
    The garment settled softly around her feet, shimmering.
    'Ooh . . .' came the sigh of the ladies-in-waiting.
    'C'est magnifique,' Marguerite purred, holding a section of the silk
    to her cheek. 'It is perfect. La, la, Rachelle, you will always do my gowns.
    I insist. You and your famous Grandmere.'
    'Merci, Mademoiselle Princesse.' Rachelle curtsied, dipping her
    head and offering a quick thanksgiving to God. 'But the work, it is not
    yet finished. If it please my lady princesse, I would measure now for the
    hem and the addition of the Brugesse lace.'
    Marguerite stepped onto the small stool, and Rachelle knelt to
    smooth out the folds on

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    Pursuing the family name as the finest silk producer in Lyon, the young Huguenot Rachelle Dushane-Macquinet is thrilled to accompany her famous couturier Grandmere to Paris, there to create a silk trousseau for the Royal Princess Marguerite Valois. The Court is magnificent; its regent, Catherine de Medici, deceptively charming … and the circumstances, darker than Rachelle could possibly imagine. At a time in history when the tortures of the Bastille and the fiery stake are an almost casual consequence in France, a scourge of recrimination is moving fast and furious against the Huguenots—and as the Queen Mother's political intrigues weave a web of deception around her, Rachelle finds herself in imminent danger. Hope rests in warning the handsome Marquis Fabien de Vendome of the wicked plot against his kin. But to do so, Rachelle must follow a perilous course.

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