Anais Nin (1903-1977) was born in Neuilly-Sur-Seine, near Paris, and was the daughter of a renowned pianist and composer, Joaquin Nin. Abandoned by her father in 1913, she and her family traveled to New York, where she began her now famous diary, comprised of some 35,000 pages over a period of six decades. When the first volume of 'The Diary of Anais Nin' was published in 1966, it began Nin's meteoric surge to fame. However, often overlooked are the works of fiction she created, beginning with 'The House of Incest' in 1936, which was followed by a then-banned edition of a collection of novellas under the title 'The Winter of Artifice.' This original edition has been republished for the first time in 2007. Perhaps Nin's most acclaimed fiction is the series of short stories in 'Under a Glass Bell,' which she self-published in New York during the 1940s when no commercial publisher would take the risk. She then began a series of novels that were interconnected and finally collected into one volume entitled 'Cities of the Interior.' Her final novel was 'Collages,' about which Henry Miller said, "Even the finest collages fall apart with time; these will not." Anais Nin was one of the 20th century's most innovative and compelling artist, and now her works are finally appearing in digital format.
D.H. Lawrence: An Unprofessional Study
by Anais Nin
eBook
-
BN ID:
2940033085699
- Publisher: Sky Blue Press
- Publication date: 03/03/2012
- Sold by: Smashwords
- Format: eBook
- File size: 124 KB
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Anais Nin's first book, published in 1932 by Edward Titus in Paris, was a critical examination of the work of controversial British author D. H. Lawrence. Of all the books written about Lawrence, his widow Frieda said this one "was the best." Nin was inspired to do the book after Lawrence had been villified by puritanical critics, but only had a pile of notes when she mentioned it to Titus. Titus asked to see something quickly, and in 13 days, Nin turned her notes into a cohesive and insightful study. In it, she declared: "Reading Lawrence should be a pursuit of his intuitions to the limit of their possibilities, a penetration of his world through which we are to make a prodigious voyage. It is going to be a prodigious voyage because he surrenders fully to experience, lets it flow through him, and because he had that quality of genius which sucks out of ordinary experience essences strange or unknown to men." Nin's study remains the most informative and deepest guide to Lawrence today.
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