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    Dire Cartographies: The Roads to Ustopia and The Handmaid's Tale

    Dire Cartographies: The Roads to Ustopia and The Handmaid's Tale

    by Margaret Atwood


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      ISBN-13: 9781101972007
    • Publisher: Knopf Doubleday Publishing Group
    • Publication date: 09/08/2015
    • Sold by: Random House
    • Format: eBook
    • Pages: 32
    • Sales rank: 299,546
    • File size: 980 KB

    MARGARET ATWOOD, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and her most recent, MaddAddam.She is the recipient of the Los Angeles Times Innovator's Award, and lives in Toronto with the writer Graeme Gibson.

    Brief Biography

    Hometown:
    Toronto, Ontario
    Date of Birth:
    November 18, 1939
    Place of Birth:
    Ottawa, Ontario
    Education:
    B.A., University of Toronto, 1961; M.A. Radcliffe, 1962; Ph.D., Harvard University, 1967
    Website:
    http://www.owtoad.com

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    In honor of the thirtieth anniversary of The Handmaid’s Tale: Margaret Atwood describes how she came to write her utopian, dystopian works.
     
    The word “utopia” comes from Thomas More’s book of the same name—meaning “no place” or “good place,” or both. In “Dire Cartographies,” from the essay collection In Other Worlds, Atwood coins the term “ustopia,” which combines utopia and dystopia, the imagined perfect society and its opposite. Each contains latent versions of the other. Following her intellectual journey and growing familiarity with ustopias fictional and real, from Atlantis to Avatar and Beowulf to Berlin in 1984 (and 1984), Atwood explains how years after abandoning a PhD thesis with chapters on good and bad societies, she produced novel-length dystopias and ustopias of her own. “My rules for The Handmaid’s Tale were simple,” Atwood writes. “I would not put into this book anything that humankind had not already done, somewhere, sometime, or for which it did not already have the tools.” With great wit and erudition, Atwood reveals the history behind her beloved creations.

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