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    Deadpool


    DVD

    $19.99
    $19.99

    Temporarily Out of Stock Online

    Customer Reviews

    • Release Date: 05/10/2016
    • UPC: 0024543104186
    • Original Release: 0000
    • Source: 20TH CENT
    • Presentation: [Wide Screen]
    • Sound: [Dolby Digital Stereo, Dolby Digital 5.1 Surround]
    • Language: English
    • Sales rank: 17,881

    Special Features

    Closed Caption; Gag reel; Deadpool's fun sack

    Cast & Crew

    Performance Credits
    Ryan Reynolds Wade Wilson/Deadpool
    Morena Baccarin Vanessa
    Ed Skrein Ajax
    T.J. Miller Weasel
    Gina Carano Angel Dust
    Brianna Hildebrand Ellie Phimister / Negasonic Teenage Warhead
    Karan Soni Dopinder
    Michael Benyaer Warlord
    Style Dayne Jeremy
    Andre Tricoteux Piotr Rasputin/Colossus
    Taylor Hickson Meghan Orlovsky
    Jed Rees Recruiter
    Paul Lazenby Flight Deck Guard
    Ben Wilkinson Actor
    Kyle Cassie Gavin Merchant
    Hugh Scott David Cunningham
    Ayzee Teen Girl #1
    Naika Toussaint Teen Girl #2
    Randal Reeder Buck
    Isaac C. Singleton Jr. Boothe
    Justyn Shippelt Arcade Ticket Taker
    Donna Yamamoto Oncologist
    Cindy Piper Chinatown Merchant
    Emily Haine Whisper Girlfriend
    Amir Aatash Whisper Boyfriend
    Chad Riley Pool Hall Goon
    Paul Belsito Fight Club Boss
    Darcey Johnson Garbage Truck Driver
    Leslie Uggams Blind Al
    Kyle Rideout Super Soldier #1
    Jason Day Super Soldier #2
    Stan Lee Strip Club DJ
    Rachel Shaw Strip Club Worker
    Rob Hayter Bob
    Sean Quan Actor
    Dan Zachary Biker
    Josh Brolin Actor
    Stefan Kapicic Voice of Colossus
    Junkie XL Composer
    Tom Holkenborg Composer

    Technical Credits
    Lauren Shuler-Donner Producer
    Simon Kinberg Producer
    Rhett Reese Screenwriter,Executive Producer
    Paul Wernick Screenwriter,Executive Producer
    Aditya Sood Executive Producer
    John J. Kelly Executive Producer
    Jonathan Komack Martin Executive Producer
    Jonathon Komack Martin Executive Producer
    David Husby Sound Effects,Sound Mixer
    Julian Beeston Sound Effects
    Roberto Dom?nguez Sound Effects
    Brian Bair Sound Effects
    James Ashwill Sound Effects
    Benjamin Beardwood Sound Effects
    David Betancourt Sound Effects
    Ryan Reynolds Producer
    Stan Lee Executive Producer
    Ronna Kress Casting
    Corinne Clark Casting
    Hannah d'Angerio Casting
    Ian Tarasoff Sound Mixer
    Gordon Anderson Sound Mixer
    Jessica Cameron Casting

    Scene Index

    Disc #1 -- Deadpool
    1. Chapter 1
    2. Chapter 2
    3. Chapter 3
    4. Chapter 4
    5. Chapter 5
    6. Chapter 6
    7. Chapter 7
    8. Chapter 8
    9. Chapter 9
    10. Chapter 10
    11. Chapter 11
    12. Chapter 12
    13. Chapter 13
    14. Chapter 14
    15. Chapter 15
    16. Chapter 16
    17. Chapter 17
    18. Chapter 18
    19. Chapter 19
    20. Chapter 20
    21. Chapter 21
    22. Chapter 22
    23. Chapter 23
    24. Chapter 24
    25. Chapter 25
    26. Chapter 26
    27. Chapter 27
    28. Chapter 28

    Cardiovascular disease (CVD) is the leading cause of death in the United States and costs the U.S. health care system an estimated $531 billion in direct and indirect costs. Because of the high incidence and cost of this disease, clinical practice guidelines target primary prevention, and recommend that providers evaluate patients for cardiac risk factors that may warrant medical treatment. However, previous research has shown that providers do not accurately estimate the risk of CVD events on their own. A number of multivariate risk prediction equations, derived from large prospective cohort studies or randomized trials, have been developed to estimate CVD risk in time intervals ranging from 4 to 12 years. In order to make them more usable to busy clinicians, many of these risk models only require information from a patient's medical history and easily available laboratory tests, and have been adapted for interpretation through simplified charts or tables in paper or computer-based formats. The most commonly used CVD risk prediction models in the United States are those based upon the Framingham cohort, a large prospective cohort of U.S. men and women aged 30 to 74 years. These models have been subsequently validated in multiple diverse populations. However, controversy remains regarding which variables are the most important for risk prediction, which outcomes are the most generalizable across populations, and whether remodeling or recalibration needs to be addressed in populations other than the source cohort. A number of studies showing that patients with diabetes had significantly elevated risk for cardiovascular outcomes prompted the Adult Treatment Panel III (ATP-III) guidelines, which include a risk calculator that excludes patients with diabetes and direct clinicians to consider those patients as already having CVD for the purposes of medical management. However, other studies have questioned this assertion, both from risk modeling and disease management standpoints.29 In addition, there is a growing literature that suggests that patients with diabetes themselves are a heterogeneous group of patients who require diabetes-specific risk factors to adequately characterize their cardiovascular risk. The aim of this systematic review was to summarize the current state of CVD risk models, with a focus on the U.S. patient population. In addition, performance of each of the available models in populations other than the source cohort was assessed, as well as a summarization of which models use which risk factors and the impact that recalibration and reclassification has had in the last few decades on these models. Finally, we sought evidence related to which models are best suited for predicting cardiovascular risk among patients with diabetes, and whether treating diabetes as an outcome equivalent is appropriate.The key questions for this report were: KQ1: Do any of the currently available tools for the prediction of cardiovascular risk in a North American population offer clear advantages in discriminatory power over the others in predicting incident coronary heart disease (CHD), cerebrovascular stroke (stratified by thrombotic or hemorrhagic type), or a combination of these two? KQ2a: Do tools that treat diabetes as a CHD outcome equivalent have different performance characteristics than those that use diabetes as an independent risk factor for those outcomes? KQ2b: Is the appropriateness of using diabetes as a coronary risk equivalent modified by the number of other cardiac risk factors that the individual has?

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    What's that sound? That repeated thumping noise accompanied by muffled shrieking? Could it be Dr. Fredric Wertham, author of the notorious anti-comics screed Seduction of the Innocent and philosophical father of the industry's self-censoring Comics Code, turning over and over in his grave as lustily as a pair of sneakers tumbling in a dryer? It must be because Deadpool, the psychotic, anarchic, pansexual, and compulsively wisecracking mercenary, has escaped the comics and is now running amok in his own movie. The plot -- don't worry if you don't pay attention to this paragraph, Deadpool will make sure to fill you in via a series of explanatory flashbacks woven around the scenes of bloody mayhem -- is a basic origin story. Deadpool (Ryan Reynolds, cheerfully walking on the superhero wild side after failing to make a splash in the box-office dud Green Lantern) was once regular mercenary Wade Wilson, until a cancer diagnosis forced him to make a devil's bargain with a mysterious company promising a cure. That's when "are-you-sure-you're-a-doctor?" Ajax (Ed Skrein) pumps him full of chemicals and subjects him to torture, reasoning that extreme stress will trigger Wilson's latent superpowers. It does, but at a terrible cost: His skin erupts in a melted pizza complexion that would make the average person look hideous and makes Ryan Reynolds go from two beers to five. He wants his old face restored, but now that he's clawed his way back from the brink of death, he sees everything as a cosmic joke, a Zen koan with a sick punch line. What is the sound of one hand clapping? Depends on what Deadpool is smacking it against after severing it from its owner. China gave a resounding "no thank you" to the R-rated cut of this movie, thus lumping Deadpool in with Facebook, jasmine flowers, younger siblings, and golf as things banned in the country. The violence is significant -- it's telling when a super-antihero chooses a red uniform to spare himself the hassle of laundering out bloodstains -- but what may have really made the censors go weak in the knees is the character's frank and not-really-hetero sexuality (this film is a first in its depiction of a superhero voluntarily engaging in a sex act usually only mentioned in Dan Savage's columns). But Marvel's decision to release it as-is represents a not-insignificant gesture of faith in the movie's quality, given Hollywood's increasing dependence on foreign viewers for boosting the global box office. (Guardians of the Galaxy was rumored to have been translated as "Interplanetary Unusual Attacking Team" for Chinese-speaking audiences. I'm sure a similarly frank and literal translation of Deadpool would have turned the hair white on the giant poster of Mao in Tiananmen Square.) Marvel's faith was not unwarranted. This is a fun movie, a very adult delight for those of us able to appreciate entertainment that bridges the divide between fantasy and reality like the fourth-wall-busting Deadpool; it's a too-cool thrill ride filled with all of the saturated fats of shameless '80s trash -- gratuitous nudity, giddy carnage, jokes in so-bad-it's-good taste -- and it's as satisfying as a bacon double cheeseburger with a side of crack. The action sequences have the fierce, chaotic energy of a mosh pit, Reynolds brings warmth to a character whose grinning sociopathy is on par with the Joker (but whose heart is in the right place), and the screenplay by Zombieland writers Rhett Reese and Paul Wernick has a filthy (and self-aware) wit that brings loud guffaws to the opening credits and never loses steam. Deadpool is the rare comic-book movie that isn't suffocating under the weight of its own self-importance, and that alone is reason to recommend it. Oh, and stay after the credits -- Deadpool would want it that way.

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