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    The Life and Death of Colonel Blimp [Criterion Collection]

    Director: Michael Powell, Emeric Pressburger Cast: Roger Livesey

    Roger Livesey
    , Deborah Kerr
    Deborah Kerr
    , Anton Walbrook
    Anton Walbrook
    , Roland Culver
    Roland Culver
    , James McKechnie
    James McKechnie


    DVD

    $29.99
    $29.99

    Temporarily Out of Stock Online

    Customer Reviews

    • Release Date: 03/19/2013
    • UPC: 0715515103718
    • Original Release: 1943
    • Source: Criterion
    • Region Code: 1
    • Sound: [Dolby Digital Mono]
    • Language: English
    • Runtime: 9780
    • Sales rank: 15,129

    Special Features

    Disc one:; New digital master from the film foundation's 2012 4K restoration; Audio commentary featuring director Michael Powell and filmmaker Martin Scorsese; ; Disc two: ; New video introduction by Scorsese; A profile of "The life and death of Colonel Blimp," a documentary from 2000; Restoration demonstration, hosted by Scorsese; Optimism and sheer will, a 2012 interview with editor Thelma Schoonmaker Powell, Michael Powell's widow; Gallery featuring rare behind-the-scenes production stills; Gallery tracing the history of David Low's original Colonel Blimp cartoons; Plus: a booklet featuring an essay by critic Molly Haskell

    Cast & Crew

    Performance Credits
    Roger Livesey Clive Candy
    Deborah Kerr Barbara Wynne/Edith Hunter/Johnny Cannon
    Anton Walbrook Theo Kretschmar-Schuldorff
    Roland Culver Col. Betteridge
    James McKechnie Spud Wilson
    Albert Lieven Von Ritter
    Arthur Wontner Embassy Counsellor
    David Hutcheson Hoppy
    Ursula Jeans Frau von Kalteneck
    John Laurie Murdoch
    Harry Welchman Maj. Davis
    Reginald Tate Van Zijl
    A.E. Matthews President of Tribunal
    Carl Jaffe Van Reumann
    Valentine Dyall Von Schonborn
    Muriel Aked Aunt Margaret
    Felix Aylmer Bishop
    Frith Banbury Babyface Fitzroy
    Neville Mapp Stuffy Graves
    Vincent Holman Club Porter, 1942
    Spencer Trevor Period Blimp
    James Knight Club Porter, 1902
    Dennis Arundell Cafe Orchestra Leader
    David Ward Kaunitz
    Jan van Loewen Indignant Citizen
    Eric Maturin Col. Goodhead
    Robert Harris Embassy Secretary
    Count Zichy Col. Berg
    Jane Millican Nurse Erna
    Phyllis Morris Pebble
    Diana Marshall Sibyl
    Capt. W. Barrett Texan
    Thomas Palmer Sergeant
    Yvonne Andree Nun
    Marjorie Gresley Matron
    Helen Debroy Mrs. Wynne
    Norman Pierce Mr. Wynne
    Edward Cooper B.B.C. Official
    Joan Swinstead Secretary
    Captain W. Barrett The Texan
    Corp. Thomas Palmer Sergeant
    Yvonne Andre Nun
    Wally Patch Sergeant clearing debris
    Ferdinand Mayne Prussian Student
    John Varley Actor
    Patrick Macnee Actor
    John Boxer Soldier
    Charles Williams Conductor
    Allan Gray Composer

    Technical Credits
    Michael Powell Producer,Screenwriter
    Emeric Pressburger Producer,Screenwriter
    W. Day Special Effects
    C.C. Stevens Sound/Sound Designer
    Desmond Dew Sound/Sound Designer

    Scene Index

    Disc #1 -- The Life and Death of Colonel Blimp
    1. Prologue, 1942: "War Starts at Midnight" [6:39]
    2. "A Date with Mata Hari" [4:09]
    3. General Clive Candy [5:18]
    4. London, 1902: "A Letter from Berlin" [7:38]
    5. Miss Hunter [3:07]
    6. The German Cafe [5:23]
    7. Enter Herr Kaunitz [6:06]
    8. "Is This Fight Really Necessary?" [6:40]
    9. The Duel [7:44]
    10. The Nursing Home [4:32]
    11. "Very Much" [6:30]
    12. "Friends, Yes or No" [7:45]
    13. Candy's Bittersweet Return [4:12]
    14. Visiting Aunt Margaret [4:18]
    15. World War I: At the Front [1:23]
    16. A Striking Resemblance [7:57]
    17. "Right is Might After All" [4:03]
    18. A Nuptial Announcement [3:29]
    19. London, 1919: Home Sweet Home [4:39]
    20. Theo, Prisoner of War [3:09]
    21. A Surprise Guest [4:22]
    22. "What Will I Do if I Don't Hum?" [8:51]
    23. London, 1939: Theo, the Enemy Alien [2:38]
    24. "I Never Got Over It" [9:00]
    25. One Girl Out of Seven Hundred [5:56]
    26. The BBC: "A Little Ill-Timed" [2:22]
    27. A Letter From the War Office [3:38]
    28. Britain's First Line of Defense [7:59]
    29. London, 1942: "War Starts at Midnight" [3:32]
    30. Epilogue/End Credits [5:19]
    1. Color Bars [:20]

    Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers.

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    Satirical, tragic, nostalgic, and sentimental in the very best way, The Life and Death of Colonel Blimp is an epic unlike any other. Made by the great British writing-directing-producing team Michael Powell and Emeric Pressburger, it chronicles 40 years in the life of an aristocratic British soldier, Major-General Wynne-Candy (Roger Livesey), as he evolves from a dashing and rebellious young officer into an aging career military man who can’t grasp the nature of modern warfare. Taking Wynne-Candy through the Boer War, World War I, and World War II, Colonel Blimp shows how the chivalry and duels of pre-World War I Europe finally gave way to fascism and bombing raids. Yet it’s less a war picture than a character study and a meditation on the nature of love, friendship, and aging. The character of Wynne-Candy is based on Sir David Low’s famous cartoon character, Colonel Blimp -- a ridiculous and archaic remnant of the vanishing British Empire that became an emblem of what modern England was trying to leave behind. Rather than ridicule him, however, Powell and Pressburger, with their signature humanism, find the man behind the caricature and show him in a sympathetic light. They similarly smash stereotypes by making Wynne-Candy’s greatest friend (Anton Walbrook) a German soldier who abandons his country after the rise of Hitler and gives the film’s most vehement condemnation of nazism. Livesey (a last-minute replacement for Laurence Olivier) gives one of the screen’s most moving and virtuoso performances, while Walbrook and Deborah Kerr, who plays Wynne-Candy’s romantic ideal, are also superb. This Criterion Collection edition restores the frequently butchered Colonel Blimp to its full length and vivid Technicolor beauty. Powell and longtime fan Martin Scorsese provide insightful commentary. Archival materials, such as letters from Winston Churchill and Low’s original cartoons, add much to the experience of watching this masterpiece.

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