![What Dreams May Come [Special Edition]](http://prodimage.images-bn.com/pimages/0025192267826_p0_v2_s362x595.jpg "pdp")
What Dreams May Come [Special Edition]
Director: Vincent Ward Cast: Robin Williams , Cuba Gooding Jr. , Annabella Sciorra , Max von Sydow , Jessica Brooks Grant
DVD
(Wide Screen)
$9.99
- Release Date: 12/28/2004
- UPC: 0025192267826
- Original Release: 1998
- Rating: PG-13
- Source: UNIVERSAL STUDIOS
- Region Code: 1
- Presentation: [Wide Screen]
- Sound: [Dolby Digital Stereo, Dolby Digital 5.1 Surround]
- Language: English
- Runtime: 6840
- Sales rank: 2,601
Play
Language Selection
Spoken Language
English Dolby Surround
English 5.1 Dolby Surround
Director's Commentary
Subtitles
French
Spanish
Special Features
Theatrical Trailer 1
Theatrical Trailer 2
Featurette
Alternate Ending
Play
The Visual Effects
The Visual Effects Notes
Joel Hynek- Visual Effects Supervisor
Josh Rosen- Art Director
Photo Gallery
Cast & Filmmakers
Robin Williams as Chris Nielsen
Annabella Sciorra as Annie Nielsen
Rosalind Chao as Leona
Cuba Gooding, Jr. as Albert
Max Von Sydow as the Tracker
Vincent Ward/Director
Dreams Desktop
Chapters
9.99
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"Follow a distraught husband on a harrowing journey through the depths of hell as he attempts to rescue his wife from eternal damnation in director Vincent Ward's visually stunning adaptation of Richard Matheson's heartbreaking and surreal tale of devotio
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The Vincent Ward-directed What Dreams May Come had the misfortune of arriving just as public tolerance for Robin Williams in sentimental roles was waning dramatically. Though the much-seen Patch Adams was still to come,Dreams doubtlessly suffered from the rejection of those already burned by Fathers' Day, Jack, and their ilk -- which is too bad. Though the film treads the dangerous line between spirituality and kitsch, its deeply imaginative vision of the afterlife is both memorable -- especially the production design -- and moving. In many ways, it's a triumph of low expectations. Williams, Sciorra, and Gooding all turn in affecting performances. Similarly, screenwriter Ronald Bass may seem like the wrong person to tame the New Age qualities of Richard Matheson's story but, like the work of Krystof Kieslowski (if not quite in the same league) and the film The Sixth Sense, Ward proves that bad metaphysics can be converted into highly effective metaphors. Though not without its excesses, any film that can get away with scenes of a despondent Williams wandering paradise with his beloved pooch demonstrates an admirable ability to succeed on its own unique terms. Look fast for Werner Herzog as one of Hell's lost souls.