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    A Story from Chikamatsu [Criterion Collection]

    Director: Kenji Mizoguchi Cast: Kazuo Hasegawa

    Kazuo Hasegawa
    , Kyoko Kagawa
    Kyoko Kagawa
    , Eitar? Shind?
    Eitar? Shind?
    , Sakae Ozawa
    Sakae Ozawa
    , Y?ko Minamida
    Y?ko Minamida


    DVD

    $29.99
    $29.99

    Temporarily Out of Stock Online

    Customer Reviews

    • Release Date: 11/13/2018
    • UPC: 0715515223010
    • Original Release: 1954
    • Rating: NR
    • Region Code: 1
    • Presentation: [B&W]
    • Sound: [Dolby Digital Mono, Dolby Digital Stereo]
    • Language: English
    • Runtime: 6120
    • Sales rank: 66,246

    Special Features

    New 4K digital restoration; New interview with actor Kyoko Kagawa; Mizoguchi: the auteur behind the "Metteur en sc?ne," a new illustrated audio essay by film scholar Dudley Andrew

    Cast & Crew

    Performance Credits
    Kazuo Hasegawa Mohei
    Kyoko Kagawa Osan
    Eitar? Shind? Ishun
    Sakae Ozawa Actor,Sukeemon
    Y?ko Minamida Actor,Otama
    Haruo Tanaka Doki
    Chieko Naniwa Oko
    Ichir? Sugai Actor,Gembei
    Tatsuya Ishiguro Isan
    Hiroshi Mizuno Actor
    Hisao Toake Morinokoji
    Ikkei Tamaki Actor
    Kimiko Tachebana Actor
    Keiko Koyanagi Actor
    Sayako Nakagami Actor
    Kanae Kobayashi Actor
    Shir? Miura Actor
    Nobuko Tanei Actor
    Soji Shibata Actor
    Satoshi Mikami Actor

    Technical Credits
    Masaichi Nagata Producer
    Yoshikata Yoda Screenwriter

    Scene Index

    Disc #1 -- A Story from Chikamatsu - Criterion Collection
    1. Opening Credits [2:43]
    2. Printing House [2:13]
    3. A Favor [4:48]
    4. A Proposition [6:12]
    5. Adulterers [3:49]
    6. Money [5:57]
    7. Apologies [3:48]
    8. Confession [2:33]
    9. Mistaken [5:30]
    10. Accusation [3:04]
    11. Escape [5:42]
    12. Almanac Day [7:01]
    13. News From Osan [5:12]
    14. On The Run [4:23]
    15. On The Lake [4:22]
    16. Wanted [9:01]
    17. Alive [2:39]
    18. Shelter [7:21]
    19. Forgiving [3:47]
    20. Reunited [7:12]
    21. Together [4:55]

    Master filmmaker Kenji Mizoguchi directed this tale of star-crossed lovers, based on a puppet play by Monzaemon Chikamatsu. Set in 1693 during a period of rigid feudal hierarchy and strict social customs, the film begins at the estate of a miserly scroll maker named Ishun (Eitaro Shindo). While Ishun busies himself by harassing a comely worker named Otama (Yoko Minamida), Ishun's wife, Osan (Kyoko Kagawa), is approached by her ne'er-do-well brother, Doki, who needs money. Knowing there is no way that Ishun will agree to the loan, Osan turns to Mohei (Kazuo Hasegawa), Ishun's most trusted clerk, for help, and he agrees to use his master's seal to allocate the funds. Caught in the act, he confesses without implicating Osan. Ishun cruelly beats and humiliates his employee, and locks him in the grain storeroom. A series of mistakes and misunderstandings lead Ishun to believe that his wife and his clerk are having an illicit affair. Mohei flees and Osan leaves soon thereafter, confirming Ishun's suspicions. The two escape first to Osaka and then to the mountains around Lake Biwa, traveling first as lady and servant and later as lovers.

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    In the 1950s, Kenji Mizoguchi was on a roll. He won two successive Golden Lions at the Venice Film Festival -- an unprecedented feat -- and produced three unqualified masterpieces: Life of Oharu, Ugetsu, and Sansho Dayu. The Crucified Lovers, made the same year as Sansho, stands as Mizoguchi's last great film. For this film, he returns to familiar themes: avaricious, duplicitous men; pious, long-suffering women; and the cruel vagaries of fate. Unlike his previous postwar films, the lead male character, Mohei, does not seem consumed by greed, vengeance, or vanity. Yet compared to the purity and devotion of lead female -- a near constant in Mizoguchi's oeuvre -- Mohei still seems weak in comparison. The film unfolds with marvelous fluidity, gathering momentum until the lovers' gruesome end. The blissful smiles on the faces of Osan and Mohei as they are led to crucifixion is one of the most striking images in Mizoguchi's long catalogue. Technically, Mizoguchi fills this film with striking photography and elegant camera movement. Though perhaps lacking the lyricism of Ugetsu and the grandeur of Sansho Dayu, The Crucified Lovers is a breathtaking work.
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