In the cold Toronto winter of 1895, the unclad body of a servant girl is found frozen in a deserted laneway. Detective William Murdoch quickly finds out that more than one person connected with the girl’s simple life has something to hide.
From the Publisher
A chiller . . . impressive. An engaging historical mystery.”
– Houston Chronicle“Remarkable.”
– Philadelphia Inquirer
"A first novel enriched by the vividness of its period settings and animated by the lifelike characters caught up in its broad social sweep."
– New York Times
"Jennings creates more than a period mystery. She brings alive 1895 Toronto."
– Publishers Weekly
"Terrific . . . the best historical mystery of the year. . . . Murdoch is a fine creation. . . . We can't wait to meet him again."
– Mystery Collector's BookLine
bn.com
The related murders of a pregnant maid and a prostitute in the icy winter of 1895 Toronto are the memorable elements of Maureen Jennings's Except the Dying. Acting Detective William Murdoch is assigned to the case, which involves a prominent Toronto family. Despite some rough edges in this first mystery novel, Jennings provides an interesting look into this Canadian city's police force and levels of society and a touching relationship between Murdoch and his elderly landlords.
Elizabeth Foxwell
Kirkus Reviews
How ungrateful of Therese Laporte to leave her maid's post with Dr. Rhodes in Toronto to sneak out of the house and return to her family back in Chatham without any notice or explanation but a hastily scrawled paper. And how inconsiderate of her to turn up dead in a disreputable neighborhood, naked, drugged, and dead of asphyxia and exposure. Now Acting Detective William Murdoch, who suspects it'll be years before he's promoted, is examining the doctor's household under a microscope. How long will it be before he finds out that Cyril Rhodes's servants are bursting with accusations against each other and their master? Or that the chilly relations between Dr. Rhodes and his English wife Donalda are based on a long-standing (and highly material) grudge? Or that their son Owen has asked his all-but-fiancée, Harriet Shepcote, to tell a fib about what time he left her father Alderman Godfrey Shepcote's house the night of Therese's death? Or that the unsullied Rhodes family has closer ties to Alice Black and Ettie Weston, a pair of working girls who cherish some dangerous knowledge about that last night, than they'd like to acknowledge?Jennings handles every aspect of the fin-de-siècle milieuthe domestic rituals, the social divisions, the suspects' secrets, the bachelor investigator's lonelinesswith such assurance that the villain's identity is a major disappointment. Surely this talented newcomer will conclude her next novel more compellingly.
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