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    Faith

    Faith

    4.1 164

    by Jennifer Haigh


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      ISBN-13: 9780062079367
    • Publisher: HarperCollins Publishers
    • Publication date: 05/10/2011
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 352
    • Sales rank: 72,327
    • File size: 893 KB

    Jennifer Haigh is the author of the short-story collection News from Heaven and four critically acclaimed novels: Faith, The Condition, Baker Towers, and Mrs. Kimble. Her books have won both the PEN/Hemingway Award for debut fiction and the PEN/L.L. Winship Award for work by a New England writer. Her short fiction has been published widely, in The Atlantic, Granta, The Best American Short Stories, and many other places. She lives in Boston.

    Brief Biography

    Hometown:
    Boston, Massachusetts
    Date of Birth:
    October 16, 1968
    Place of Birth:
    Barnesboro, Pennsylvania
    Education:
    B.A., Dickinson College, 1990; M.F.A., Iowa Writers' Workshop, 2002

    Read an Excerpt

    Faith

    A Novel
    By Jennifer Haigh

    HarperCollins

    Copyright © 2011 Jennifer Haigh
    All right reserved.

    ISBN: 978-0-06-075580-5


    Chapter One

    Here is a story my mother has never told me.
    It is a day she's relived a thousand times, the twenty-first
    of June, 1951, the longest day of that or any year. A day that still
    hasn't ended, as some part of her still paces that dark apartment in
    Jamaica Plain, waiting. I imagine the curtains closed against the
    five o'clock sun, hot and bright as midday; her baby boy peacefully
    asleep; her young self with nothing to do but wander from
    room to room, still filled with her dead mother-in-law's things.
    At the time she'd thought it a grand apartment, her from Roxbury
    where the children slept three to a bed. Even as a boy her
    husband had had his own bedroom, an unimaginable luxury. His
    mother had been injured somehow giving birth and there had
    been no more children. This fact alone made the Breens wealthier
    than most, though Harry's father had only worked at Filene's
    stacking crates in the warehouse. The entire apartment had come
    from Filene's, on the employee discount, the lamps and brocade
    divan and what she had learned were called Oriental rugs. Mary
    herself had never bought a thing at Filene's. Her own mother
    shopped at Sears.
    In the bedroom the baby slept deeply. She parted the curtains
    and let the sun shine on his face. Harry, when he came home,
    would pull them shut, worried someone might see him dressing
    or undressing through their third-floor windows. Sure, it was
    possible—the windows faced Pond Street, also lined with three-
    deckers—though why he cared was a puzzle. He was a man, after
    all. And there was nothing wrong with the sight of him. The first
    morning of their marriage, lying in the too-soft bed in the tourist
    cabin in Wellfleet, she had looked up at him in wonderment, her
    first time seeing him in daylight, his bare chest and shoulders, and
    her already four months along. Nothing wrong with him at all,
    her husband tall and blue-eyed, with shiny dark hair that fell into
    his eyes when he ducked his head, a habit left over from a bashful
    adolescence, though nobody, now, would call him shy. Harry
    Breen could talk to anyone. Behind the counter at Old Colony
    Hardware he had a way with the customers, got them going about
    their clogged pipes and screen doors and cabinets they were
    installing. He complimented their plans, suggested small improvements,
    sent them out the door with twice what they'd come in
    for. A natural salesman, never mind that he couldn't, himself, hit
    a nail with a hammer. When a fuse blew at the apartment it was
    Mary who ventured into the dark basement with a flashlight.
    What did you do before? she'd asked, half astonished, when she
    returned to the lit apartment and found Harry and his mother sitting
    placidly in the kitchen, stirring sugar into teacups.
    We didn't burn so many lights before, the old lady said.
    It was a reminder among many others that Mary's presence
    was unwelcome, that Mrs. Breen, at least, had not invited her
    into their lives, this grimy interloper with her swollen belly and
    her skirts and blouses from Sears. As though her condition were a
    mystery on the order of the Virgin Birth, as though Harry Breen
    had had nothing to do with it.
    She lifted Arthur from his crib and gave his bottom a pat.
    He wriggled, squealed, fumbled blindly for her breast. The sodden
    diaper would have to be changed, the baby fed. In this way
    minutes would pass, and finally an hour. The stubborn sun would
    begin its grudging descent. Across town, in Roxbury, girls would
    be dressing for the dances, Clare Boyle and her sister and whoever
    else they ran with now, setting out by twos and threes down the
    hill to Dudley Street.
    She finished with the diaper, then sat at the window and
    unbuttoned her blouse, aware of the open curtains. If Harry came
    upon her like this, her swollen breast exposed, what would he
    do then? The thought was thrilling in a way she couldn't have
    explained. But it was after six, and still there was no sign of him.
    When his mother was alive he'd come straight home after work.
    You could set your watch by it, his footsteps on the stairs at five
    thirty exactly, even on Fridays when the other men stopped at the
    pub for a taste. Lately, though, his habits had shifted. Mondays
    and Tuesdays he played cards at the Vets.
    Once, leaving church, he'd nodded to some men she didn't
    recognize, a short one and a tall one sharing a cigarette on the
    sidewalk. See you tomorrow, then, Harry called in a friendly tone.
    The short man had muttered under his breath, and the tall one
    had guffawed loudly. To Mary it couldn't have been plainer that
    they were not Harry's friends.
    They'd met the way everyone met, at the dances. Last summer
    the Intercolonial was the place to be; now it might be the Hibernian-
    or the Winslow or the Rose Croix for all she knew. On a
    Saturday night, with Johnny Powell's band playing, a thousand or
    more would crowd upstairs at the Intercolonial, a mirrored globe
    hanging from the ceiling so that the walls shivered with light.
    She was seventeen then, too young for such pleasures. But it
    had been easy enough to slip out on a Friday night with Ma
    dead asleep, exhausted by the work of getting three small ones
    bathed and in their beds. And it wasn't even a lie to go dancing
    on a Wednesday, when Mary really did attend the novena at
    nine o'clock as she was supposed to, the church packed with other
    overdressed girls and men who'd already had a drink or two,
    who'd meet up later across the street at Fontaine's Café and make
    their plans for the evening. All right, then. See you at the hall. The
    men were deep on Wednesdays; you could change partners all
    night long if you wanted. Thursdays were a different story, maids'
    night out, the halls packed with Irish girls. There was almost no
    point in going on a Thursday, the numbers were so against you.
    On a Thursday you were lucky to get a single dance.
    Harry Breen hadn't chosen her, not at first. That first time
    they'd danced purely by chance. She knew all the dances—the reels
    and jigs, the wild céilí. At the Intercolonial waltzes were the thing,
    though once each night Johnny Powell would force the dreamy
    couples apart. Line up, everybody, for the Siege of Ennis. A mad crush,
    then, as they formed two long lines, men and girls facing. You'd
    take your turn with every one, herself and Clare Boyle laughing
    the whole way through. Some of the men were clumsy, some so
    strong they'd nearly swing you off your feet.
    She noticed Harry a moment before he reached for her. He
    was taller than the rest, his movements liquid; he swung her
    gracefully, smooth and controlled. And that thing she first felt,
    that swooning joy: maybe it was simple geometry, the relative
    size and shape of their bodies, his chest and shoulders just where
    they should be, their hips meeting, her eyes level with his mouth.
    The plain fact was that she'd chased him, courted his attention
    Gone to greater lengths than any girl should. There was
    no point, now, in being ashamed. She had a ring on her finger
    and it hardly mattered how. They were married fast by her uncle
    Fergus, who'd skipped, discreetly, the time-consuming step of
    publishing the banns. Fergus had guessed what everyone would
    soon know, that Mary had gotten exactly what she wanted, and
    a bit more besides.
    She looked down at the baby at her breast.
    In the kitchen she took her beads from the drawer and found
    the station in time. Missing the Archbishop's greeting was like
    coming late to a movie; she'd be unable to enter into the spirit
    of the thing. When Harry's mother was living, they had knelt in
    the parlor for the rosary. Now the old lady was gone and no one
    was looking, so Mary dragged a chair to the open window and
    settled herself there. I believe in God the Father Almighty, Creator of
    Heaven and Earth. Through the window a breeze came, carrying
    the Archbishop's voice from the two apartments below. Up
    and down the street, every radio was tuned to the same station.
    Through every open window came the same holy words.
    It being Thursday, they started with the Joyful. As a girl she
    had studied the illustrations in her mother's missal. The Joyful
    Mysteries were the most straightforward, the pictures almost
    Protestant in their simplicity: the Blessed Virgin kneeling in prayer,
    waiting for the angel; the Virgin noticeably pregnant, embracing
    her cousin Elizabeth. The Sorrowful were haunting and in a
    way lovelier: Our Lord kneeling in the Garden of Gethsemane,
    glowing in His anguish, perspiring drops of blood. But it was the
    Glorious Mysteries she waited for, Our Lord lifted into heaven,
    clouds bubbling beneath His feet like a cauldron of spirits. The
    Resurrection, the Ascension, the Assumption of the Virgin: all
    these stirred her deeply, even though (or perhaps because) she
    understood them the least. That was the beauty of it: contemplating
    the miracles, sublime and unknowable, and yet the words you
    repeated couldn't be simpler. Hail Mary, full of grace. A prayer you'd
    known since earliest childhood, familiar as your mother's voice.
    She closed her eyes and enjoyed the breeze, the baby's warm
    weight, the Archbishop's familiar intonations. She had seen him
    once standing beside the carousel at Paragon Park, eating ice
    cream with a dozen beaming nuns. In photos, in full regalia,
    he was imposing, and yet you never forgot that he was from St.
    Eulalia's in South Boston, that his own father had worked in the
    repair pits at the Boston El. He never forgot it, either. You could
    tell this from the photographs: the Archbishop tossing around a
    football with the CYO boys, or raising a glass at a priest's golden
    jubilee. The Archbishop wouldn't say no to a drink, according to
    her uncle Fergus, who'd met him on several occasions. Cushing
    was God's own, and yet he was theirs, too, in every way a regular
    man.
    She heard two sharp knocks at the front door.
    "Coming," she called, drying herself with a tea towel, noticing
    all at once the wet stains on her blouse.
    She threw open the door. A strange man stood there smoking
    a cigarette. He wore a thin mustache and was her own height,
    though she was barefoot and he wore heeled boots. It took her
    a moment to place him: the short man from outside the church.
    "Is your husband at home?" He looked over her shoulder, his
    eyes darting around the room.
    "I'm sorry, he's not."
    From the kitchen the Archbishop droned: Glory be to the Father
    and to the Son and to the Holy Ghost.
    "Listening to the rosary, were you? My mum does that every
    night." The man dropped his cigarette and crushed it with his
    heel. He stepped past her into the apartment. "You're sure he isn't
    here?" He glanced into the kitchen as though Harry might be
    hiding and Mary felt a sudden urge to laugh, a nervous tic. She
    was forever laughing at the wrong times.
    "He hasn't come home yet. Try the store, maybe?"
    "I've been there. He left hours ago."
    "I don't know, then. He could have stopped off at the pub."
    The man frowned. "Never seen him take a drink, myself.
    Likes to keep his wits about him, doesn't he?" He smiled then,
    and she saw that on both sides his teeth were missing. It made
    the front ones look suspect, like the vampire dentures children
    wore at Halloween.
    In her arms the baby let out a loud hiccup. She raised him to
    her shoulder. "Excuse me. I was in the middle of feeding him."
    Patting him gently, waiting for him to burp. She was afraid to
    look down at her blouse.
    The man stepped in close to her, smelling rankly of cigarette.
    "Sorry to miss that," he said, and to her horror his rough hand
    touched her face.
    Arthur let out another hiccup and vomited in a great burst.
    "Jaysus!" The man stepped back, shaking his sleeve. It was
    coated in yellow spew.
    "Oh, no! I'm so sorry." Mary took the towel from her shoulder
    and wiped uselessly at his sleeve. The smell was terrible, sour as
    vinegar. The man tore his hand away, eyeing the baby like a snake.
    "That's a real charmer you've got there." He turned to go.
    "Tell your man Shorty wants to see him."
    She closed the door quickly behind him. The door, then the
    bolt, then the chain.
    Tell your man Shorty wants to see him.
    He had never, in her memory, stayed out after dark. Only for
    the card games, and then he always told her beforehand: I've got
    the cards tonight, so don't hold supper. I'll have a sandwich or something
    at Taylor's.
    If he stayed out all night, would she sit up waiting? Brushing
    her teeth a hundred strokes, a hundred strokes to her long
    dark hair. Always the counting calmed her—brushstrokes, rosary
    beads. Half the reason she loved the dancing was the counting of
    the steps. It gave her mind something to do.
    A strange fear gnawed at her stomach. For the first time she
    wished for a regular man, who'd go to a pub on a Friday. Then, at
    least, she'd know where to find him. But it was true what Shorty
    had said: Harry liked to keep a clear head. There was nothing to
    do but go to Old Colony Hardware. As detectives did in the radio
    serials: she would go to where Harry was last seen.
    I've been there, Shorty had said. He left hours ago.
    How many hours? she wondered. Where on earth could he
    have gone?
    She went to the telephone. "Is Father Egan in, please? This is
    his niece, Mary Breen." The name new enough, still, to have an
    odd flavor on her tongue.
    "Wedding tonight," the housekeeper said. "He'll be back late.
    I can have him call you tomorrow."
    "Yes, please," Mary said.

    (Continues...)



    Excerpted from Faith by Jennifer Haigh Copyright © 2011 by Jennifer Haigh. Excerpted by permission of HarperCollins. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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    "[Haigh is] an expertnatural storyteller with an acute sense of her characters' humanity." —NewYork Times
     
    "We have the intriguing possibility that the nextgreat American author is already in print." —Fort Worth Star-Telegram
     
    When Sheila McGann setsout to redeem her disgraced brother, a once-beloved Catholic priest in suburbanBoston, her quest will force her to confront cataclysmic truths about herfractured Irish-American family, her beliefs, and, ultimately, herself.Award-winning author Jennifer Haigh follows hercritically acclaimed novels Mrs. Kimbleand The Condition with a captivating,vividly rendered portrait of fraying family ties, and the trials of belief anddevotion, in Faith.

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    Expertly wrought. . . . Ms. Haigh, a subtle, serious novelist who happens to have a flair for capturing troubled family dynamics, never allows FAITH to become predictable. . . . Gripping. . . . Substantial.
    Wall Street Journal
    FAITH is so emotionally rich, and its story so deftly delivered, that we’re absorbed.
    Self
    Haigh’s fourth novel draws you in. . . . You’ll be hypnotized until you know where it stops.
    Booklist (starred review)
    With an exquisite sense of drama and mystery, Haigh delivers a taut, well-crafted tale. . . . Indelibly rendered characters, suspenseful pacing, and fearless but sensitive handling of a controversial subject will make this a must-read for book discussion groups.
    O magazine
    Luminous. . . . The novel has the magnetic, page-turning quality of a detective thriller, but the clues here lead not to objective proof but to insight into a family both vividly specific and astonishingly universal. . . . . Wise.
    More magazine
    A masterpiece of tension and tenderness.
    Washington Post
    Both riveting and profound. . . . An incredibly suspenseful novel.
    Booklist
    "With an exquisite sense of drama and mystery, Haigh delivers a taut, well-crafted tale. . . . Indelibly rendered characters, suspenseful pacing, and fearless but sensitive handling of a controversial subject will make this a must-read for book discussion groups."
    O Magazine
    "Luminous. . . . The novel has the magnetic, page-turning quality of a detective thriller, but the clues here lead not to objective proof but to insight into a family both vividly specific and astonishingly universal. . . . . Wise."
    MoreMagazine
    "A masterpiece of tension and tenderness."
    Library Journal
    Haigh's The Condition was an especially clear-eyed and sensitive portrait of the alienation wrought by a serious medical issue. So I have high hopes for her handling of the controversy surrounding child abuse by Catholic priests. Estranged from her Irish American family, Sheila McGann nevertheless returns home to Boston when her brother Art, a popular priest, is caught up in the scandal. She wants to defend him, but her oblivious mother, accusatory brother, and Art himself, who remains silent, all conspire against her. A real thought-provoker for book clubs; with a 150,000-copy first printing and an eight-city tour.
    Kirkus Reviews

    A non-sensationalized novel about an inherently sensational event—the abuse of an 8-year-old boy by a priest.

    Haigh hands over most of the narrative burden to Sheila McGann, half-sister of Art Breen, who for over 25 years has been a good man and a respected parish priest in the Boston area. Just before Easter, however, the diocese abruptly removes him from his duties and establishes him in an apartment until it completes an investigation into an allegation that he's abused Aidan, a boy he is obviously fond of and has become emotionally attached to. Aidan's mother is Kath, a drug- and man-addicted young woman whose credibility is problematic at best. (One logical suspicion is that Kevin, her egregiously addled boyfriend, might be putting her up to this accusation to secure easy money in light of recent scandals in the Church.) While Sheila has faith in Art's innocence, her other brother, Mike, is not so sure. Mike's situation is complicated by his marriage to Abby, a Lutheran who believes almost everything is wrong in the Catholic Church. Haigh moves seamlessly from Sheila's reminiscence of growing up Catholic in Boston (though she's since lost the faith) to a more neutral and objective third-person account of events that relentlessly unfold and seem to implicate Art.

    Haigh deals with complex moral issues in subtle ways, and her narrative is beautifully, sometimes achingly poignant.

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