“An incisve, biting work. . . . [The Fall of the Stone City] refines our understanding of satire’s nature. . . . If you don’t know [Kadare’s] work, this is a good place to begin. I hope you won’t stop here.”—NPR

"What’s most interesting apart from Kadare’s use of folk tales and dreams is [The Fall of the Stone City’s] gender politics. . . . Like an unreconstructed Freudian, Kadare is fascinated by how men use ideological structures as proxy mechanisms to shore up their masculinity and carry out dominion over others. . . . Kadare’s skill as a storyteller [is] that he renders conventional wisdom with the force of a childhood trauma.”—New York Times Book Review

“The town’s quirks, destiny, and characters—comic, extravagant, and all but floating an inch or two off the ground—are in some ways reminiscent of Gabriel Garcia Marquez. . . . After a first part centering around a cheerfully extravagant wartime story, cracks develop; a hallucinatory crumbling ensues and descends into tightening nightmare. . . . the nexus between totalitarianism and madness is twisted tight. . . . The novel starts in the blithe wackiness of a place where gossip and rumor play the role that facts might anywhere else.” —The Boston Globe

“Complex and exacting.”—The Wall Street Journal

“Kadare’s books reflect his country and are imbued with Albanian myths and metaphors. The book gives both the sense and essence of a totalitarian state in language that, while straightforward, is literary and often allegorical. . . . The Fall of the Stone City is a strong addition to Kadare’s body of translated work and which further demonstrates that he is deserving of wider acclaim and readership.”—Seattle Post-Intelligencer

“Mesmerizing. . . A well-crafted translation of a European masterpiece.”—Booklist (starred review)

"A harsh but artful study of power, truth and personal integrity... [The Fall of the Stone City is] an ironic, sober critique of the way totalitarianism rewrites history, from an Albanian author who’s long been the subject of Nobel whispers."—Kirkus Reviews

“A dreamworld where history and fiction come together . . . Ismail Kadare’s subject, as always, is the presence of the past. . . . more astonishing and truthful than any mere documentary chronicle.”—The Guardian

“The prose frequently evokes Albania's rich tradition of folklore. . . This is classic Postmodern fiction; literature which tells us that we can never be sure about the past. . . . The Fall of the Stone City is a masterly recuperation; an outstanding feat of imagination delivered in inimitable style, alternating between the darkly elusive and the menacingly playful.”—The Independent on Sunday

“In his latest novel, Kadare features many of his motifs—bloody Balkan histories; bleak totalitarianism lives under silky threads of magical realism—that have made him a perpetual shortlister for Noble Prize laureate. A thoughtful exploration of the colluding forces of fascism and communism and a country caught between them that is at once obscure and enigmatic, lucid and insistent.”—Publishers Weekly

“Kadare was awarded the inaugural International Man Booker prize in 2005, and in this disorienting, absorbing, Kafkaesque novel his skill is clearly evident as he conjures the city’s nervy mood. Plot advances obliquely through a whirl of rumors to the doctor’s horrifying final act. A masterful performance.”—Daily Mail

“The Fall of the Stone City is playful, supremely sarcastic, mystifying, charming and bleak, by turns and all at once. Kadare raises ambiguity to an art form, and perfectly evokes the uncertainties of life under arbitrary rule.” —The New Zealand Herald

“This wonderful little novel, by the intriguing Albanian master Ismail Kadare, opens in September 1943. . . as witty and as dark as is everything he has written in a magnificent career. . . . The Fall of the Stone City is written with a persuasive lightness of touch. Kadare’s authorial tone is invariably ironic and his fiction is playful, as if he has never lost sight of exactly how ridiculous humankind tends to be.”—The Irish Times