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    FAR FROM THE MADDING CROWD

    FAR FROM THE MADDING CROWD

    3.7 125

    by Thomas Hardy


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      BN ID: 2940012385833
    • Publisher: SAP
    • Publication date: 04/11/2011
    • Sold by: Barnes & Noble
    • Format: eBook
    • File size: 381 KB

    Thomas Hardy was born on June 2, 1840, in the village of Higher Bockhampton, near Dorchester, a market town in the county of Dorset. Hardy would spend much of his life in his native region, transforming its rural landscapes into his fictional Wesses. Hardy's mother, Jemima, inspired him with a taste for literature, while his stonemason father, Thomas, shared with him a love of architecture and music (the two would later play the fiddle at local dances). As a boy Hardy read widely in the popular fiction of the day, including the novels of Scott, Dumas, Dickens, W. Harrison Ainsworth, and G.P.R. James, and in the poetry of Scott, Wordsworth, Byron, Shelley, Keats, and others. Strongly influenced in his youth by the Bible and the liturgy of the Anglican Church, Hardy later contemplated a career in the ministry; but his assimilation of the new theories of Darwinian evolutionism eventually made him an agnostic and a severe critic of the limitations of traditional religion.

    Although Hardy was a gifted student at the local schools he attended as a boy for eight years, his lower-class social origins limited his further educational opportunities. At sixteen, he was apprenticed to architect James Hicks in Dorchester and began an architectural career primarily focused on the restoration of churches. In Dorchester Hardy was also befriended by Horace Moule, eight years Hardy's senior, who acted as an intellectual mentor and literary adviser throughout his youth and early adulthood. From 1862 to 1867 hardy worked in London for the distinguished architect Arthur Blomfeld, but he continued to study -- literature, art, philosophy, science, history, the classics -- and to write, first poetry and then fiction.

    In the early 1870s Hardy's first two published novels, Desperate Remedies and Under the Greenwood Tree, appeared to little acclaim or sales. With his third novel, A Pair of Blue Eyes, he began the practice of serializing his fiction in magazines prior to book publication, a method that he would utilize throughout his career as a novelist. In 1874, the year of his marriage to Emma Gifford of St. Juliot, Cornwall, Hardy enjoyed his first significant commercial and critical success with the book publication of Far from the Madding Crowd after its serialization in the Cornhill Magazine. Hardy and his wife lived in several locations in London, Dorset, and Somerset before settling in South London for three years in 1878. During the late 1870s and early 1880s, Hardy published The Return of the Native, The Trumpet-Major, A Laodicean, and Two on a Tower while consolidating his pace as a leading contemporary English novelist. He would also eventually produce four volumes of short stories: Wessex Tales, A Group of Noble Dames, Life's Little Ironies, and A Changed Man.

    In 1883, Hardy and his wife moved back to Dorchester, where Hardy wrote The Mayor of Casterbridge, set in a fictionalized version of Dorchester, and went on to design and construct a permanent home for himself, named Max Gate, completed in 1885. In the later 1880s and early 1890s Hardy wrote three of his greatest novels, The Woodlanders, Tess of the d'Urbevilles, and Jude the Obscure, all of them notable for their remarkable tragic power. The latter two were initially published as magazine serials in which Hardy removed potentially objectionable moral and religious content, only to restore it when the novels were published in book form; both novels nevertheless aroused public controversy for their criticisms of Victorian sexual and religious mores. In particular, the appearance of Jude the Obscure in 1895 precipitated harsh attacks on Hardy's alleged pessimism and immorality; the attacks contributed to his decision to abandon the writing of fiction after the appearance of his last-published novel, The Well-Beloved.

    In the later 1890s Hardy returned to the writing of poetry that he had abandoned for fiction thirty years earlier. Wessex Poems appeared in 1898, followed by several volumes of poetry at regular intervals over the next three decades. Between 1904 and 1908 Hardy published a three-part epic verse drama, The Dynasts, based on the Napoleonic Wars of the early nineteenth century. Following the death of his first wife in 1912, Hardy married his literary secretary Florence Dugdale in 1914. Hardy received a variety of public honors in the last two decades of his life and continued to publish poems until his death at Max Gate on January 11, 1928. His ashes were interred in the Poets' Corner of Westminster Abbey in London and his heart in Stinsford outside Dorchester. Regarded as one of England's greatest authors of both fiction and poetry, Hardy has inspired such notable twentieth-century writers as Marcel Proust, John Cowper Powys, D. H. Lawrence, Theodore Dreiser, and John Fowles.

    Author biography from the Barnes & Noble Classics edition of Far from the Madding Crowd.

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    Brief Biography

    Date of Birth:
    June 2, 1840
    Date of Death:
    January 11, 1928
    Place of Birth:
    Higher Brockhampon, Dorset, England
    Place of Death:
    Max Gate, Dorchester, England
    Education:
    Served as apprentice to architect James Hicks

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    CONTENTS

    Preface
    I. Description of Farmer Oak--An Incident
    II. Night--The Flock--An Interior--Another Interior
    III. A Girl on Horseback--Conversation
    IV. Gabriel's Resolve--The Visit--The Mistake
    V. Departure of Bathsheba--A Pastoral Tragedy
    VI. The Fair--The Journey--The Fire
    VII. Recognition--A Timid Girl
    VIII. The Malthouse--The Chat--News
    IX. The Homestead--A Visitor--Half-Confidences
    X. Mistress and Men
    XI. Outside the Barracks--Snow--A Meeting
    XII. Farmers--A Rule--An Exception
    XIII. Sortes Sanctorum--The Valentine
    XIV. Effect of the Letter--Sunrise
    XV. A Morning Meeting--The Letter Again
    XVI. All Saints' and All Souls'
    XVII. In the Market-Place
    XVIII. Boldwood in Meditation--Regret
    XIX. The Sheep-Washing--The Offer
    XX. Perplexity--Grinding the Shears--A Quarrel
    XXI. Troubles in the Fold--A Message
    XXII. The Great Barn and the Sheep-Shearers
    XXIII. Eventide--A Second Declaration
    XXIV. The Same Night--The Fir Plantation
    XXV. The New Acquaintance Described
    XXVI. Scene on the Verge of the Hay-Mead
    XXVII. Hiving the Bees
    XXVIII. The Hollow Amid the Ferns
    XXIX. Particulars of a Twilight Walk
    XXX. Hot Cheeks and Tearful Eyes
    XXXI. Blame--Fury
    XXXII. Night--Horses Tramping
    XXXIII. In the Sun--A Harbinger
    XXXIV. Home Again--A Trickster
    XXXV. At an Upper Window
    XXXVI. Wealth in Jeopardy--The Revel
    XXXVII. The Storm--The Two Together
    XXXVIII. Rain--One Solitary Meets Another
    XXXIX. Coming Home--A Cry
    XL. On Casterbridge Highway
    XLI. Suspicion--Fanny Is Sent For
    XLII. Joseph and His Burden--Buck's Head
    XLIII. Fanny's Revenge
    XLIV. Under a Tree--Reaction
    XLV. Troy's Romanticism
    XLVI. The Gurgoyle: Its Doings
    XLVII. Adventures by the Shore
    XLVIII. Doubts Arise--Doubts Linger
    XLIX. Oak's Advancement--A Great Hope
    L. The Sheep Fair--Troy Touches His Wife's Hand
    LI. Bathsheba Talks with Her Outrider
    LII. Converging Courses
    LIII. Concurritur--Horae Momento
    LIV. After the Shock
    LV. The March Following--"Bathsheba Boldwood"
    LVI. Beauty in Loneliness--After All
    LVII. A Foggy Night and Morning--Conclusion





    PREFACE

    In reprinting this story for a new edition I am reminded that it was
    in the chapters of "Far from the Madding Crowd," as they appeared
    month by month in a popular magazine, that I first ventured to adopt
    the word "Wessex" from the pages of early English history, and give
    it a fictitious significance as the existing name of the district
    once included in that extinct kingdom. The series of novels I
    projected being mainly of the kind called local, they seemed to
    require a territorial definition of some sort to lend unity to their
    scene. Finding that the area of a single county did not afford a
    canvas large enough for this purpose, and that there were objections
    to an invented name, I disinterred the old one. The press and the
    public were kind enough to welcome the fanciful plan, and willingly
    joined me in the anachronism of imagining a Wessex population living
    under Queen Victoria;--a modern Wessex of railways, the penny post,
    mowing and reaping machines, union workhouses, lucifer matches,
    labourers who could read and write, and National school children.
    But I believe I am correct in stating that, until the existence of
    this contemporaneous Wessex was announced in the present story, in
    1874, it had never been heard of, and that the expression, "a Wessex
    peasant," or "a Wessex custom," would theretofore have been taken to
    refer to nothing later in date than the Norman Conquest.

    I did not anticipate that this application of the word to a modern
    use would extend outside the chapters of my own chronicles. But the
    name was soon taken up elsewhere as a local designation. The first
    to do so was the now defunct _Examiner_, which, in the impression
    bearing date July 15, 1876, entitled one of its articles "The Wessex
    Labourer," the article turning out to be no dissertation on farming
    during the Heptarchy, but on the modern peasant of the south-west
    counties, and his presentation in these stories.

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