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    Freakboy

    Freakboy

    5.0 1

    by Kristin Elizabeth Clark


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      ISBN-13: 9780374324735
    • Publisher: Farrar, Straus and Giroux
    • Publication date: 10/22/2013
    • Sold by: Macmillan
    • Format: eBook
    • Pages: 448
    • Lexile: HL700L (what's this?)
    • File size: 1 MB
    • Age Range: 12 - 17 Years

    Kristin Elizabeth Clark always knew she wanted to be a writer. She began dabbling in haiku in the third grade – this "experimentation" turned out to be a gateway to the harder stuff: book-length verse. She lives and writes in Northern California where she has worked as a child advocate within the juvenile justice system, and as a children's theatre producer. She is a proud volunteer at Project Outlet in Mountain View, CA. Freakboy is her young adult debut.


    Kristin Elizabeth Clark always knew she wanted to be a writer. She began dabbling in haiku in the third grade – this “experimentation” turned out to be a gateway to the harder stuff: book-length verse. She lives and writes in Northern California where she has worked as a child advocate within the juvenile justice system, and as a children’s theatre producer. She is a proud volunteer at Project Outlet in Mountain View, CA.  Freakboy is her young adult debut.

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    Freakboy


    By Kristin Elizabeth Clark

    Farrar, Straus and Giroux

    Copyright © 2013 Kristin Elizabeth Clark
    All rights reserved.
    ISBN: 978-0-374-32473-5


    CHAPTER 1

        Pronoun

        A pronoun is a ghost
        of who you really are
        short
        sharp
        harsh

        whispering its presence,
        taunting your soul.

        In you
        of you
        but not
        all you.

        Struggling,
        my own
        He She
        Him Her
        I You.

        Scared that
        for scrambled-pronoun
        Me,

        We
        might never
        exist.


        (BRENDAN CHASE)

        The Name Is Brendan


        Dinner table,
        silverware gleaming.
        Claude the Interloper finishes
        telling a story.

        Mom passes me steak.

        "How was your day?"

        She's chirping, despite
        surgery two days ago.

        I shrug
        the missed bus,
        shrug
        the half-hour wait for the next one,
        shrug
        the wrestling practice that blew.

        Don't bother to elaborate.
        Mom hates Coach
        (almost) as much as I do.

        Freshman year
        she wanted me to skip holiday practice
        so what was left of our family
        could go on vacation.

        Coach described the importance of
        "consistent training and conditioning."
        Said he always mentioned "dedication"
        in his college letters of recommendation.

        She wavered and then

        he told her flat out that
        I was the weakest link
        and always would be if I was a
        mama's boy who'd miss training.

        She was ticked, but
        we stayed in town
        with the other manly
        and dedicated jocks.

        He was on my ass today
        for getting caught
        by a head-and-arm drag.
        A crappy thing itself,
        our faces so close.

        Still he yelled.

        And through all the drills
        my head wasn't in it.
        Wrestling Didn't Always Suck
        Miller Prep Academy
        requires a six-term
        commitment to
        at least one sport

        and at first
        it seemed like
        less torture
        than the others.

        No ball to get nailed by,
        or drop. No baton to fumble
        in the last leg of the relay,
        pissing off your teammates.

        Just you and
        your opponent.
        Grappling
        one on one.

        But four years
        of relentless splat on the mat have
        brought out a bunch of little hells
        I'd never even considered

        so that now

        I hate touching other guys.
        I hate my own body.

        And most of all?
        I hate Coach Childers.

        He calls me Brenda.
        I Know What He's Saying
        But I like girls. Always have,
        even in elementary school.
        Sandbox dust in my nose,
        jungle gym–blistered hands.
        Hanging with the guys,
        but glad when a girl'd
        ask me
        to
        play
        something.

        Yeah, mostly the same games
        when it came to
        handball and foursquare.
        But comfortable.
        When you got hurt
        girls'd ask
        what
        was
        wrong.

        Guys would ignore you,
        call you names
        when your eyes watered
        at the pop of a soccer ball to your face.

        If you couldn't stop the tears
        they'd yank out more words,
        like "crybaby" (or worse), to
        hit
        you
        with.

        And I loved the way girls wore their hair.
        Ponytails bouncing, braids smooth.

        Loved the colors they strutted
        across the yard: bright purple, pink.

        Loved other things they played,
        like animal hospital or house.

        Loved the sound of their voices
        when
        they'd
        call
        to
        me.

        Still,
        a shadow lurks
        near the
        edge
        of
        my
        head
        whispering,

        "You like girls too much,

        and not in
        the same
        way
        everyone
        else
        does."
        My Brain Takes Me Freaky Places
        I twitch, gulp milk,
        slam the glass back on the table.

        A salad plate jumps.
        Claude the Interloper frowns.
        Mom winces.
        Sister giggles.

        "Hey, squirt," I say,
        pinning girl-thoughts
        to the mat and
        gaining control
        of my brain.

        "Do you like my princess hat?"

        She tilts her head toward me
        like I might not otherwise
        notice the pink cone,
        its lace ribbon dangling
        close to her mac and cheese.

        I move the plate a little.
        "So you're a princess now."

        "No, Brendy, it's just
        for Halloween!"

        A gap toothed smile.

        I was twelve
        when she was born.
        Everyone said we looked alike.
        Mom's gray-blue eyes,
        Dad's cheekbones.

        But Courtney has it all over me
        in the hair department—
        hers thick, wavy, and long.
        Mine straight, short, and,
        I swear, already falling out.

        Still, she's my favorite person
        besides my girlfriend, Vanessa.
        (Sounds lame, I know.)

        I'm not religious; in fact
        I'm not sure I even believe in God
        (though we used to go
        to church religiously [ha]),
        but from the second Dad
        put her
        into my arms,
        burrito-wrapped
        in a little pink blanket,
        innocent face
        and tiny fingernails,
        I saw Divine
        attention to detail.
        So small.

        So perfect.

        It's not a guy thing,
        but I like babysitting.

        Andy called her chick bait.
        We used to push her stroller
        to the park
        and girls would wander over
        to oooh
        to ahhh.

        When Courtney
        took her first steps
        toward me
        Dad called me smitten.
        Mom called me Little Mother.

        That homey scene in eighth grade,
        on my baby sister's first birthday.

        Exactly one month before
        Mom, the harp player, left
        Dad, the biomedical engineer, for
        Claude, the Interloper.

        Conductor of San Diego Philharmonic.
        His orchestra's music
        poison to my father's ear.
        Dad's banished—2,000 miles away.
        (Not that we hung out a ton
        when he lived closer
        but at least it was an option.)

        Now he's president of a biotech firm,
        seen only in summer
        when Mom needs to dump us—
        "Thanks, James! Ta-ta!!!"—
        so she can tour with
        her new (and improved)
        husband.

        "Big plans tomorrow?"
        she asks.

        "Party at Andy's."

        Claude the Interloper
        raises an eyebrow.

        He doesn't like Andy,
        hates the way he just walks
        into the house without knocking.

        Thinks it's rude that Andy
        checks out the food in our kitchen
        when he's hungry
        and maybe it is—

        but I do the same thing at his house

        and have since seventh grade,
        a year before any of us were aware
        of the Interloper's sorry existence.

        "I wanted to ask if you'd
        take Courtney
        trick-or-treating first."

        Don't mind the trick-or-treating
        but I'm tortured by the reason
        Mom's asking.

        She's recovering from
        "an enhancement procedure"
        and SURPRISE she's sore.

        Still, I avert my eyes
        from her new shape
        and nod yes.

        "What are you going to be?"
        Court asks.

        Now there's a question

        and a depressing memory.


        The Night I Was a Girl

        Last year sucked.
        The whole wrestling team
        went to school as cheerleaders.
        No choice but to go along.

        Shaved legs and everything,
        we all did it—even Rudy and Gil.

        They're team co-captains.
        Jerk-asses, towel snappers,
        the first to bend fingers
        when the ref's on the blind side.

        They told Vanessa,
        "Brenda looks so natural
        she must do this a lot."


        (Angel Hansted)

        Opportunity Knocks
        The bus makes a lurching turn
        and I'm tellin' you,
        I'm thrown against
        the hottest guy ever
        to wear a Halloween-theme tie.

        He has that slicked-back,
        butter-on-hot-corn-wouldn't-melt-
        in-my-mouth, don't-touch-me-I'm-cool
        look—but doesn't lean away
        not at first.

        I can tell he's checking me out
        but isn't gonna be obvious.
        What's the point in being so shy, I
        wanna ask him. Get bold.

        "Opportunity curves"
        is what I say instead. He grins at me
        for a second—then eyebrows raise.
        He gets up and changes seats.

        The smile
        (it wasn't so
        hot after all)
        leaves when he clocks me.

        I mostly pass—but
        I've been made enough times to
        know the exact second it happens.
        And I just wanna say to Mr. Corn-hole
        mouth, "Your loss."

        My stop's next, anyway.
        Toss my head, get off
        at Evergreen Community College.
        Got my GED here.

        I tell you now
        classes are a habit.

        Finish my degree
        (social work major),
        then it's off to difference-making
        full-time employment
        for Angel.

        Maybe I can change up some things.
        Someone's gotta do it.
        Someone like me, I mean.
        Someone who knows simple basics.

        You wanna assign roommates
        in group homes based on birth sex assignment?

        Go ahead, idiot.
        Make it easy for thugs to


        S m e a r
        the Queer.
        Three Years Ago
        My first day at Evergreen
        I was ready for flight OR fight.
        Out of the baking August parking lot
        and into Admissions. I tell you—
        my foster mom hadn't of been there
        I mighta shot back through the door
        like some kind of Olympic runner.

        Stood at the end of the line,
        freezing in my fuchsia tank top,
        turquoise skirt, strappy gold sandals.

        Girl, that building was icy but
        the papers I held were floppy,
        my hands sweatin' so bad.

        Finally my turn. Big crabby-looking guy
        with beady eyes called, "Next."
        I went up to his window,
        handed him my application.
        He looked it over, looked at me,
        and he
        frowned.

        People get uptight
        when your ID
        calls out a gender
        different than what you present.

        My foster mom touched my elbow
        soft — lettin' me know she was there.

        Still, my back was up when
        Beady Eyes stepped away
        to get a supervisor, muttering,

        "Right name, wrong gender."

        And I'd heard it before—
        but God was with me that day.

        Beady Eyes's supervisor
        came to the window.

        "You're Angel?" Adjusted her
        glasses. Looked over them.

        At me.

        I nodded,
        stretched my neck,
        made sure my
        courtesy-of-a-sadistic-
        pervert-john
        collarbone scars
        showed.

        Not afraid of this.
        Ready to lay me down some attitude.

        "We're admitting you today
        but you might want
        to get new state identification.

        "You need a note
        from your doctor and
        signed by a witness,
        the identification you have now,
        and a special form, DL 328.

        "Then your information
        will match you better."

        That sweet little old lady
        winked at me
        and I almost fell over.

        Now every time
        I pull out my ID
        F for Female
        feels like T for Triumph.


    (Continues...)

    Excerpted from Freakboy by Kristin Elizabeth Clark. Copyright © 2013 Kristin Elizabeth Clark. Excerpted by permission of Farrar, Straus and Giroux.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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    From the outside, Brendan Chase seems to have it pretty easy. He's a star wrestler, a video game aficionado, and a loving boyfriend to his seemingly perfect match, Vanessa. But on the inside, Brendan struggles to understand why his body feels so wrong—why he sometimes fantasizes having long hair, soft skin, and gentle curves. Is there even a name for guys like him? Guys who sometimes want to be girls? Or is Brendan just a freak?
    In Freakboy's razor-sharp verse, Kristin Clark folds three narratives into one powerful story: Brendan trying to understand his sexual identity, Vanessa fighting to keep her and Brendan's relationship alive, and Angel struggling to confront her demons.

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    Publishers Weekly
    ★ 09/16/2013
    Debut novelist Clark uses free verse to write a gripping story about a complex topic: the challenges of growing up transgender or genderqueer. Brendan struggles with his occasional desires to be a girl; in her own series of poems, Brendan’s devoted girlfriend, Vanessa, worries about why he is suddenly avoiding her. Meanwhile, transgendered Angel—whom Brendan meets near the teen center where Angel works—reveals her own painful journey; her intense story includes physical abuse and a hospital stay after being beaten up while working as a prostitute. Clark doesn’t stray far from central theme (the back matter includes resources and further reading) as she empathically explores what it can be like to be a transgendered teen (for example, not every transitioning character considers sex-reassignment surgery to be important). The author emphasizes that there are no simple answers for her characters, especially Brendan, who wonders if the transgendered label even fits. At the same time, through Angel, she gives her story a current of hope: “Everyone feels like a freak/ until they make up their mind/ they’re not.” Ages 12–up. Agent: Tracey Adams, Adams Literary. (Oct.)
    From the Publisher
    ...a gripping story about a complex topic...” —Publishers Weekly, starred review

    “*This gutsy, tripartite poem explores a wider variety of identities—cis-, trans-, genderqueer—than a simple transgender storyline, making it stand out.” —Kirkus Review, starred review

    “It succeeds in conveying the message that "you are not alone" to transgender youth while helping everyone else get a handle on these often-tortured teens. The author succeeds in her mission to foster "greater understanding and acceptance of gender's vast and lovely variation.” —School Library Journal

    “A sincere, profound rendering of sexuality, queerness, and identity.” —The Horn Book

    Children's Literature - Allison Fetters
    From the outside, Brendan Chase seems to be the typical high school male. He works hard to do well in his classes, he is an athlete on the wrestling team, and he has a lovely girlfriend, Vanessa. On the inside, Brendan’s life is that of constant turmoil as he struggles with desires and emotions he cannot understand. He enjoys being male, but in many ways, he wants to be female. He works diligently to keep these hidden desires a secret until he learns what it means to be transsexual. From that point on, Brendan’s life begins to unravel at a pace he cannot control. Vanessa has defied gender stereotypes in her own way by becoming a member of the boys’ wrestling team. On the mat, she is as tough as any opponent in her weight class. Off the mat, she embraces her femininity and pushes through the derogatory slurs from classmates. Angel, a student and employee at Willow, a center for LGBTQ youth, has embraced the life of a transsexual and soars through life with confidence and courage. Angel becomes an important figure in helping Brendan understand his struggles. Within this profound and heart-wrenching book of prose, the lives of Brendan, Vanessa, and Angel intersect to tell a story that is unforgettable. Reviewer: Allison Fetters; Ages 12 up.
    VOYA - Alicia Abdul
    Without too much melodrama, Freakboy details Brendan's internal conflicts: is he or is he not? But the question is not easily answered, nor should it be. He is confident that he likes girls, but feels intermittent jealousy along with admiration and love for his girlfriend, Vanessa. So while he is not sexually attracted to boys, his body does not feel like a home either. But is dressing as a female the answer? Is an operation necessary? The questions get harder because of Brendan's lack of empathetic support, from a condescending wrestling coach to his distant parents. His new friend, Angel, has already experienced this depression about her own transgendered transformation and is providing quiet support to Brendan. In Clark's debut novel, she tackles an intimidating subject where the verse format does not enhance the emotional connection between the three characters' perspectives and readers, but it does no damage, either. Clark successfully shares the characters' journeys by not providing the answers, instead allowing an intimate and honest portrayal of their confusion. An audience for this book exists: one waiting for a voice for their own thoughts or helping bridge a gap for others. Likewise, it is recommended to readers who enjoy a good verse novel, especially told from multiple perspectives. Teachers and librarians should add it to booklists on bullying and sexuality. Reviewer: Alicia Abdul
    School Library Journal
    10/01/2013
    Gr 9 Up—Brandon, a high school wrestler, must face the fact that despite his best efforts he isn't as hyper-masculine as he feels he needs to be. Acceptance of his gender fluidity will prove to be his greatest challenge. Brandon's stepfather, a symphony conductor, appears to need regular validation of his manliness, and his mother undergoes breast enhancement surgery to appear, presumably, more womanly. Vanessa, Brandon's girlfriend, is also a wrestler; she feels she can only have a true win on the mat once her opponent lets go of the thought that she's a girl. When he's not aggressive enough in the ring, Brandon's coach calls him Brenda. Eventually, he meets Angel, an attractive young woman whose birth certificate reads "male." Angel-empowered, self-loving, and equipped to help others-can support Brandon to be at home in his body and in his craving for feminine expression. This book is a strong addition to LBGT and general collections as a compelling story for reluctant readers and an educational piece on a topic that needs discussion. The use of typography for emphasis is occasionally awkward and self-conscious, but overall this novel-in-verse presents a clear, realistic narrative in various voices. It succeeds in conveying the message that "you are not alone" to transgender youth while helping everyone else get a handle on these often-tortured teens. The author succeeds in her mission to foster "greater understanding and acceptance of gender's vast and lovely variation." —Teresa Pfeifer, The Springfield Renaissance School, Springfield, MA
    Kirkus Reviews
    ★ 2013-09-15
    A must-buy that showcases three teen voices in free verse as they experience just a few of the myriad ways people experience gender nonconformity. Brendan is a reluctant wrestler and a dutiful boyfriend. His social life is a minefield, his athlete friends casual with their homophobia. One dreadful day, the wrestling team all dresses as cheerleaders, just a joke--for everyone else. Vanessa is Brendan's girlfriend, a wrestler herself. The only girl on the boys' team, Vanessa defends herself against homophobia at school and a family who tell her, "No boy wants a rough girl." Her love for Brendan is a signpost that she's normal. Angel is an indomitable community college student who's seen her share of the crap life throws at queer kids: beaten and rejected by her father, almost killed by a john. She works at the Willows Teen LGBTQ Center, helping other teens, says she's "blessed to like me / the way I am," and is unbent even by the vandalism Brendan commits in a fit of internalized transphobia. In alternating and distinct sections, these three young adults navigate love, family and society. Angel's position at the LGBTQ center provides narrative justification for the occasional infodump. There are no simple answers, readers learn, but there will always be victories and good people. Though the verse doesn't always shine, it's varied, with concrete poems and duets keeping the voices lively. This gutsy, tripartite poem explores a wider variety of identities--cis-, trans-, genderqueer--than a simple transgender storyline, making it stand out. (Fiction. 12-17)

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