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    Freud: Inventor of the Modern Mind

    Freud: Inventor of the Modern Mind

    by Peter D. Kramer


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      ISBN-13: 9780061744044
    • Publisher: HarperCollins Publishers
    • Publication date: 10/13/2009
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 224
    • File size: 488 KB

    Peter D. Kramer, M.D., "possibly the best-known psychiatrist in America" (New York Times), is the bestselling author of Listening to Prozac, Should You Leave?, Spectacular Happiness, Moments of Engagement, and Against Depression. He lives in Providence, Rhode Island, where he is a professor at Brown University and maintains a private practice.

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    Freud
    Inventor of the Modern Mind

    Chapter One

    Climate of Opinion

    In 1922, a distraught husband framed a challenge for Sigmund Freud: "Great Doctor, are you savant or charlatan?" Though he had interviewed her only briefly, Freud had advised the man's wife to leave him and marry her former analyst, a patient and protégé of Freud's. The injured party, Abraham Bijur, was a person of means. He intended to make his grievance public in the New York Times. But Bijur died just after the letter was composed. Nearly seven decades would pass before its contents were shared with the Times's readers.

    For most of those years, Freud was very much Bijur's "savant"—a towering intellectual figure. He was, to begin with, the greatest psychiatrist of the age. He appeared to possess special powers of observation that allowed him to turn his work with patients into innovative science. Using methods he had himself developed, Freud had discovered and mapped the unconscious. He had named the components of the mind and explored the principles by which they operated. He had charted the sequence of human psychological growth, from infancy to mature adulthood. He had identified the causes of most mental illnesses and invented a method for treating them.

    Freud was more than the parfit physician. He was also a wise man, whose account of the diseased mind had profound implications for our understanding of the human condition. Beneath apparent rationality, Freud had discerned dark impulses and contradictory yearnings that coalesced into predictable patterns he called complexes. He had demonstrated that, in the culture and in thelives of individuals, hidden symbols abound; our customs and behaviors simultaneously hide and reveal sexual and aggressive drives incompatible with the requirements of civilized society. Freud's theories seemed to update ancient philosophies, casting our lives as tragic dramas of a distinctively modern sort. It was as if, before Freud, we had never known ourselves.

    Then, a quarter of a century ago, Freud's status began to change. Forgotten documents came to light. They showed that Freud had regularly misrepresented the development of his ideas and the details of his own life story. The new understanding of Freud's clinical work was particularly troubling. He had altered fact to fit theory, conducted therapies in ways that bore scant relationship to his precepts, and claimed success in treatments that had failed. How damaging were these findings, in light of Freud's contributions? The answer to that question might depend in part on the status of Freud's ideas, which were themselves falling from favor. Freud's supporters and his detractors took opposing positions, in the controversy known as "the Freud Wars." Bijur's challenge moved to center stage: savant or charlatan?

    The case that so pained Abraham Bijur contributed to the reassessment. Bijur, a financier, was married to a younger woman, Angelika, who was wealthy in her own right. Angelika Bijur had entered into a sexual relationship with her former analyst, the prominent American psychiatrist Horace Frink.

    Frink was married, with two young children. He had long been prone to mood disorder, and in the course of the affair, he became emotionally disturbed. Uncertain how to proceed, Frink traveled to Vienna at Angelika Bijur's expense to undertake a course of analysis with Freud.

    Frink had a difficult history. When he was eight, his father suffered a business failure. The father moved in search of work, taking his wife with him and leaving Frink in the care of grandparents. When Frink was fifteen, his mother died of tuberculosis. In his mid-twenties, Frink succumbed to depression. Despite psychoanalytic treatment, he became depressed again in his thirties. Frink understood himself to be subject to mood swings.

    In 1921, at age thirty-eight, Frink consulted Freud. Frink was in an agitated, sometimes euphoric state. He was waking at three in the morning. He described himself as "more talkative and full of fun than ever before in my life," though he also experienced a "sense of unreality." In retrospect—and in the eyes of the doctor who took over after Freud withdrew from the case—Frink was entering the manic phase of a long-established manic-depressive disorder.

    In the first hours of treatment, Freud leaped to a formulation grounded in one of the less well-developed aspects of his own theory: Freud decided that Frink had latent homosexual tendencies. Apparently it was Frink's admiring posture in the consulting room and his indecisiveness in private life that led Freud to this conclusion. Frink resisted this train of thought. Freud was adamant. Any delay in pursuing vigorous heterosexual satisfaction would endanger Frink's psychic health.

    In a matter of weeks, Freud had Frink insist that Angelika Bijur join them. In a letter, she later reported: "When I saw Freud, he advised my getting a divorce because of my own incomplete existence . . . and because if I threw Dr. F. over now he would never again try to come back to normality and probably develop into a homosexual though in a highly disguised way."

    This forceful intervention—cure through action rather than insight—was at odds with the principles of psychoanalysis, and Freud moved to keep his role hidden. In a letter to Frink, Freud noted that he had cautioned Angelika Bijur not to "repeat to foreign people I had advised her to marry you on the threat of a nervous breakdown. It gives them a false idea of the kind of advice that is compatible with analysis and is very likely to be used against analysis."

    Neither Frink nor Angelika Bijur was fully persuaded. Still, at Freud's suggestion, the lovers met with Abraham Bijur in Paris to break the bad news. Bijur was outraged. Addressing Freud in writing, Bijur asked: "How can you give a judgment that ruins a man's home and happiness, without at least knowing the victim so as to see if he is worthy of the punishment, or if through him a better solution cannot be found?" Shortly after, Bijur died of cancer.

    Freud
    Inventor of the Modern Mind
    . Copyright © by Peter Kramer. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

    Table of Contents

    Chapter 1 Climate of Opinion i

    Chapter 2 Development of the Hero 17

    Chapter 3 Steps and Stumbles 28

    Chapter 4 The Problem of Psychology 44

    Chapter 5 Seduction 61

    Chapter 6 Dreams 82

    Chapter 7 Consolidation 98

    Chapter 8 Agenbite 115

    Chapter 9 New World 127

    Chapter 10 Friend and Foe 142

    Chapter 11 Structure 159

    Chapter 12 Culture 176

    Chapter 13 Limitations 185

    Chapter 14 Final Things 192

    Chapter 15 Loss 200

    Bibliographic Note 212

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    Referred to as "the father of psychoanalysis," Sigmund Freud is credited with championing the "talking cure" and charting the human unconscious. Both revered and reviled, he was a brilliant innovator but also a man of troubling contradictions—sometimes tyrannical, often misrepresenting the course and outcome of his treatments to make the "facts" match his theories. Peter D. Kramer—acclaimed author, practicing psychiatrist, and a leading national authority on mental health—offers a stunning new take on this controversial figure. Kramer is at once critical and sympathetic, presenting Freud the mythmaker, the storyteller, the writer whose books will survive among the classics of our literature, and the genius who transformed the way we see ourselves.

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