There is a most unusual woman living in Gap Creek. Julie Harmon works hard, "hard as a man" they say, so hard that at times she's not sure she can stop.
People depend on her. They need her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. She is just a teenager when her little brother dies in her arms. That same year she marries Hank and moves down into the valley where fire and visions visit themselves on her and where con men and drunks come calling.
Julie and Hank discover that the modern world is complex, grinding ever on without pause or concern for their hard work. To survive, they must find out whether love can keep chaos and madness at bay.
With Julie, Robert Morgan has brought to life one of the most memorable women in modern American literature with the same skill that led the Boston Book Review to say that he writes "with an authority usually associated with the great novelists of the last century."
In this novel, Morgan returns to the vivid world of the Appalachian high country to follow Julie and Hank in their new life on Gap Creek and their efforts to make sense of the world in the last years of the nineteenth century. Scratching out a life for themselves, always at risk of losing it all, Julie and Hank don't know what to fear most--the floods or the flesh-and-blood grifters who insinuate themselves into their new lives.
Their struggles with nature, with work, with the changing century, and with the disappointments and triumphs of marriage make this a powerful follow-up to Morgan's acclaimed novel, The Truest Pleasure.
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Selected by Oprah's Book Club as a pick of the month, Gap Creek tells the story of Hank and Julie and their struggle to eke out an existence on an electricity-free farm in rural North Caroline at the turn of the 20th century. Robert Morgan, widely regarded as "the poet laureate of Appalachia," has established a reputation for his gritty novels about the land, work, love and suffering. Gap Creek, The follow-up to The Truest Pleasure, revisits many of Morgan's old themes but executes them more assuredly and capably, making this undoubtedly his best book yet.
David Harsanyi
Morgan's Gap Creek is an Appalachian town on the border of the Carolinas. In this world, Mother Nature rules and misfortune is an accepted fact of everyday life. With delicate, detail-rich prose, Morgan relates the story of young Julie Harmon and her husband Hank's first year of marriage. Their brutal life-filled with death, oppressive winters, fire, flood and about every other calamity a writer could conjure up-tests their love, not to mention their physical and emotional endurance.
Morgan's talent for gracefully illustrating the practical details of rural life is astonishing. Gap Creek's beauty is found in its depiction of the dazzling Appalachian landscape and its people. Yet with all its lush, rustic imagery, investing emotionally in Gap Creek is quite a chore. The inhabitants fall so quickly from one tragedy into the next that the reader develops an immunity to their misfortune. Nonetheless, Morgan succeeds in painting a heartfelt picture of southern life.
New York Times Book Review
Morgan is among the relatively few American writers who write about work knowledgeably, and as if it really matters....You begin to feel, as you sometimes do when reading Cormac McCarthy's or Harry Crew's early novels, that the author has been typing with blood on his hands and a good deal of it has rubbed off onto your shirtsleeves. ...his stripped-down and almost primitive sentences burn with the raw, lonesome pathos of Hank William's best songs.
Fred Chappell
Gap Creek is the work of a master. Robert Morgan knows every corner,
every inch, of the way of life he portrays in this deeply affecting book.
He has created one of the most admirable heroines in modern literature; I
feel that I'll remember her always. Here is strength and grace and
immeasurable courage: a triumph!
Loyal Jones
A poet's vision illuminates this starkly beautiful story of a strong
young woman prevailing over natural disasters and tragedies, as well as
cultural barriers, in the first year of her marriage in the last year of
the last century. Robert Morgan tells her story with the certitude of a
sure knowledge of a receding way of life in a changing Appalachian
region.
Stewart O'Nan
In examining the hard, honest lives of his people, Robert Morgan gives
voice to a time and place rarely imagined. Gap Creek speaks of things both
intimate and eternal.
author of The Names of The Dead,
Snow Angels, A Praye for the Dying, and A World Away
Publishers Weekly - Publisher's Weekly
The ordinary folk of Appalachia are Morgan's subjects, and here he offers another compassionate tale of poor people enduring brutal working lives and harsh deprivations with stoic dignity. While not as memorable as The Truest Pleasure, this story of a North Carolina mountain girl who marries at 16 and with her new husband goes to live in Gap Valley, over the border in South Carolina, is a quiet tale told with simplicity and tenderness. Julia Harmon has become accustomed to sawing firewood, digging ditches and caring for the livestock on her family's farm while her father dies of consumption. When she marries Hank Richards and begins to keep house for their mean-tempered landlord in Gap Creek, she has no idea of the disasters that await during her first year of marriage. Daily life is hard enough for Julia--hauling and then boiling gallons of water to wash clothes, butchering a hog and rendering lard, and scrubbing, preserving and baking. But then a fire envelops the kitchen and fatally burns the landlord, a flood almost destroys the house and outbuildings and ruins all their provisions, and a cold snap kills off everything else. Julia is pregnant and Hank has lost his job, and both have been gulled by sharpies into giving up their tiny savings. Moreover, Julia realizes, Hank is immature, hot-tempered and burdened with a defeatist attitude. Morgan's skill in character delineation is evident in his descriptions of Julia's maturation as she learns to handle her husband's frightening moods and behavior. Most impressive is his description of childbirth, which Julia endures alone. Tragedy follows, but when the young couple seem to have lost everything, a grudging fate finally smiles on them. Morgan's familiarity with all the aspects of rural life, from grueling domestic tasks to labor in the fields and woods, sometimes tempts him into detailed descriptions that verge on the tedious. Yet the narrative immerses the reader in a time, early in this century, and place when five dollars was a fortune, home-made jam a lifesaving gift and the simple act of going to church a step toward survival. (Oct.) Copyright 1999 Cahners Business Information.
Library Journal
This depressing novel tells a grim Appalachian story about love and mishap. By the time Julie meets Hank, she has already seen the tough side of life, but her rugged background doesn't prevent Hank from marrying her and taking her across the state line to South Carolina. There the couple finds work and tries, despite hardship, to make a new life together. A horrific set-up is just the beginning of a very hard first year for the newlyweds, as they survive one personal disaster after another. Morgan (a former Guggenheim fellow and author of the acclaimed The Truest Pleasure) has written a difficult--and ultimately disappointing--novel. The main characters tend to be rough to the point of mean, the mountain dialog is wooden, and the plot is as drab and harsh as the life being portrayed. Recommended for regional libraries only.--Ann H. Fisher, Radford P.L., VA Copyright 1999 Cahners Business Information.
Kirkus Reviews
Morgan, the "poet laureate of Appalachia" (The Truest Pleasure, 1995, etc.) writes with a gritty, elemental candor about a South Carolina couple's tumultuous first year of marriage. Julie, the narrator of this turn-of-the-century tale, begins with the story of the death of her brother, followed by the death of her father, all before she has turned 17. Hank passes by her house one day and, with an abrupt simplicity, proposes matrimony. The two marry and set off for remote Gap Creek, South Carolina, where they make an arrangement with a Mr. Pendergast for living quarters. A crotchety malcontent, Pendergast agrees to put up the pair in exchange for housekeeping and laundry. So, Hank goes off in search of work, and Julieresourceful, indifferently brave, and admirably industrioustends to the difficult Pendergast. In a fire, the landlord is injured, and on his deathbed he begins describing hell to an unruffled Julie. Morgan offers vivid descriptions of killing and butchering a hog, later of plucking and skinning a turkey (Julie does both), as well as of Pendergast's final death and the flood that overtakes the couple's small homestead. Calamity follows calamity: Julie is cheated of her small amount of money, there are threatening sleet and ice storms, and the possible return of Pendergast's heirs is a pervading dread. There's also an earthy description of childbirthing, but when the premature infant dies, Julie and Hank find strength with their church and religion. An ideal example of a regional tale: free of "local color," respectful of his people, entirely free of condescension, Morgan offers a gliding, unhurried story of sufferings and hope that is simple andragged, but never seems alien. This couple's relentless misfortunes are given no more drama than they need, and all the compassion they deserve.
From the Publisher
Morgan . . . shows what it was like to be human in a time and place now far removed from modern America. He creates living, breathing souls who, as transparent as their dreams and fears may seem today, demand to be taken seriously.”
—The Orlando Sentinel“His stripped-down and almost primitive sentences burn with the raw, lonesome pathos of Hank Williams’s best songs.”
—The New York Times Book Review
“Gripping storytelling, indelible sense of time and place . . . Morgan turns the stories of prosaic lives into page-turners.” —The Raleigh News and Observer
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