Douglas Coupland is Canadian, born on a Canadian Air Force base near Baden-Baden, Germany, in 1961. In 1965 his family moved to Vancouver, Canada, where he continues to live and work. Coupland has studied art and design in Vancouver, Canada, Milan, Italy and Sapporo, Japan. His first novel, Generation X, was published in March of 1991. Since then he has published eleven novels and several non-fiction books in 35 languages and most countries on earth. He has written and performed for the Royal Shakespeare Company in Stratford, England, and in 2001 resumed his practice as a visual artist, with exhibitions in spaces in North America, Europe, and Asia. 2006 marks the premiere of the feature film Everything's Gone Green, his first story written specifically for the screen and not adapted from any previous work. A TV series (13 one-hour episodes) based on his novel, "jPod" premiered on the CBC in January, 2008.
Generation A: A Novel
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Generation A is set in the near future in a world where bees are extinct, until five unconnected people all around the world— in the United States, Canada, France, New Zealand, and Sri Lanka—are all stung. Their shared experience unites them in ways they never could have imagined.
Generation A mirrors Coupland’s debut novel, 1991’s Generation X. It explores new ways of storytelling in a digital world. Like much of Coupland’s writing, it occupies the perplexing hinterland between optimism about the future and everyday apocalyptic paranoia. Imaginative, inventive, and fantastically entertaining, Generation A is his most ambitious work to date.
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Publishers Weekly
Coupland's thematic sequel to Generation X strives once more to explore and define the edges of group identity through a Decameron-style storytelling marathon. Taking place in a near-future in which bees have become inexplicably extinct, five young men and women become the subjects of fame and scientific curiosity when they're the first people in five years to suffer a sting. Zack, an Iowa farmer, is the first and is soon followed by Harj in Sri Lanka, Samantha in New Zealand, Diana in Canada and Julien, who resides in Paris but lives primarily in World of Warcraft. Captured by a clandestine organization headed by a man named Serge, the unlikely group is eventually moved to a remote island, where Serge compels them to recite stories. Always in the background are rumblings of the hyperaddictive drug Solon, which holds its users in a perpetual present. Coupland juggles some fascinating ideas, and the story circle holds equal parts humor and revelation, though the revolving crew of narrators—particularly the women—can be difficult to distinguish from one another. Despite its flaws, this book will interest readers in search of an intelligent look at pop and digital culture. (Dec.)
Library Journal
It's been 18 years since Coupland (JPod) identified and deflated Generation X in his 1991 debut. Now he blends the end with a new beginning, taking on Generation A. Set in a deteriorating near future, it's the story of five young people: an Iowan who farms nude; a New Zealander whose parents have abdicated belief; a sullen Parisian addicted to World of Warcraft; a Tourette's-afflicted Canadian dental hygienist; and a Sri Lankan telemarketer whose family was erased by a tsunami. Digitally plugged-in but otherwise isolated, they rise from obscurity when stung by bees, creatures that everyone thought extinct. Brought together on a remote island, they are asked by a shadowy scientist to, of all things, tell stories. With deft twists, seemingly random details are melded with grace. VERDICT With strands of humor, sf, and social commentary, Coupland melds Chuck Palahniuk's wild imagination with Nick Hornby's character ensembles. This clever send-up of modern culture will send readers racing to the beginning to see what they missed on first pass. Lightning strikes twice! Coupland defines another generation and crafts a satisfying ode to the power of story.—Neil Hollands, Williamsburg Regional Lib., VA
Kirkus Reviews
Five iconoclasts are drawn together by their reactions to an extraordinary bee sting. Perhaps no other postmodern author wields such a wildly split personality as Coupland (The Gum Thief, 2007, etc.). His worst instincts are on full display in this disingenuous, warmed-over retread of Generation X. The story picks up in the near future as an unconnected quintet of rotating narrators amuse themselves with futuristic hobbies ranging from drawing sketches in a cornfield with satellite imagery to making "earth sandwiches" using GPS coordinates and cell phones. "It's an Internet thing," says New Zealander Samantha, without a hint of irony. Her fellow protagonists are Harj, an earnest Sri Lankan call-center manager; Iowa farmboy Zack; Julien, a caustic French gamer; and Diana, a Tourette's sufferer. Coupland's premise isn't bad (by his standards): When the five are stung by bees at exactly the same moment, they're whisked away by government drones and briefly thrust into the spotlight as Internet celebrities, which allows the author to hurl his usual volleys about the wired world. He also manufactures an interesting subplot about the world's addiction to Solon, a "chronosuppressive" drug that eliminates anxiety about the future. But just as the characters are beginning to assert themselves, they're whisked off to a remote island off the coast of Canada and encouraged by their mysterious host to spin short stories, the telling of which occupies the remainder of the text. If this sounds like a construct created specifically to make a point, it is. The point? The mystery drug draws its users away from the present in the same manner that reading a good book does. Coupland's increasingly flip proseand his propensity to hit you over the head with social commentary, however, make this is a not-very-good book. Generation X with less snark, less plot and much less interesting characters.