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    The Ghost Soldiers: Poems

    The Ghost Soldiers: Poems

    5.0 2

    by James Tate


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      ISBN-13: 9780061734434
    • Publisher: HarperCollins Publishers
    • Publication date: 07/08/2008
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 240
    • File size: 736 KB

    James Tate was born in Kansas City, Missouri, in 1943. He is the author of seventeen books of poetry, including Worshipful Company of Fletchers, which won the National Book Award in 1994; Selected Poems, which won the Pulitzer Prize and the William Carlos Williams Award in 1991; and The Lost Pilot, which was selected by Dudley Fitts for the Yale Series of Younger Poets. He has also published a novel and a collection of short stories, as well as edited The 1997 Best American Poetry Anthology. His honors include a National Institute of Arts and Letters Award for Poetry, the Tanning Prize, the Pulitzer Prize, the National Book Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He teaches at the University of Massachusetts in Amherst.

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    The Ghost Soldiers

    Chapter One

    Treason

    The man that was following me looked like a government agent, so I turned around and walked up to him and said, "Why are you following me?" He said, "I'm not following you. I'm an insurance agent walking to work." "Well, pardon me, my mistake," I said. "Have you done something wrong, unpatriotic, or are you just paranoid?" he said. "I've done nothing wrong, certainly not unpatriotic, and I'm not paranoid," I said. "Well, nobody's ever mistaken me for a government agent before," he said. "I'm sorry," I said. "You have something weighing down on your conscience, don't you?" he said. "No, I don't. I'm just vigilant," I said. "Like a good criminal," he said. "Would you stop talking to me like that," I said. "I don't want to have anything to do with you." "You've committed some kind of treason and they're going to get you," he said. "You're out of your mind," I said. "Benedict Arnold, that's who you are," he said. "I'm going to a peace rally if that's okay with you," I said. "Oh, a peacenik. That's the same as treason," he said. "No, it isn't," I said. "Yes it is," he said. "No." "Yes." "No." "Yes." We reached his office door. "I really hate to say good-bye to you. Would you like to have lunch tomorrow?" he said. "I'd be delighted," I said. "Good. Then Sadie's Café at noon," he said. "Noon at Sadie's," I said.

    The Ghost Soldiers. Copyright ? by James Tate. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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    Pulitzer Prize-winning poet James Tate returns with his fifteenth book of poetry, an exciting new collection that offers nearly one hundred fresh and thought-provoking pieces that embody Tate's trademark style and voice: his accessibility, his dark humor, and his exquisite sense of the absurd.

    Tate's work is stark—he writes in clear, everyday language—yet his seemingly simple and macabre stories are layered with broad and trenchant meaning. His characters are often lost or confused, his settings bizarre, his scenarios brilliantly surreal. Opaque, inscrutable people float through a dreamlike world where nothing is as it seems. The Ghost Soldiers offers resounding proof, once again, that Tate stands alone in American poetry.

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    Publishers Weekly
    Over the past several books, the prolific Pulitzer Prize winner Tate (Return to the City of White Donkeys)has been inching toward the invention of a new kind of American poem, a hybrid of prose poetry (though he's got loose, almost arbitrary line breaks), fable, surrealism and a sort of outsider folk poetry. These chatty, narrative works humorously treat all kinds of subjects, from civil unrest (" 'There are soldiers everywhere. Its' hard/ to tell which side they're on,' I said. 'They're against us./ Everyone's against us. Isn't that what you believe'A ") to altruism ("I said I didn't want any help from anyone, but, then,/ when no one offered to help, I was really hurt") and wildcats ("I loved his quick, agile movements, never doubting himself,/ as most of us do). A dark undercurrent runs beneath them all, and war and politics-which tend to confuse the poems' speakers-are frequent subjects. It's rare that a poet so far into his career-this is Tate's 15th collection-comes up with something new; quietly, Tate has found a fresh way of telling some of America's stories. (Apr.)

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