There are times when a tree can no longer withstand the pain inflicted on it, and the wind will take pity on that tree and topple it over in a mighty storm. All the other trees who witnessed the evil look down upon the fallen tree with envy. They pray for the day when a wind will end their suffering.
I pray for the day when God will end mine.
In a time and place without moral conscience, fourteen-year-old Ansel knows what is right and what is true.
But it is dangerous to choose honesty, and so he chooses silence.
Now an innocent man is dead, and Ansel feels the burden of his decision. He must also bear the pain of losing a friend, his family, and the love of a lifetime.
Coretta Scott King Award winner and Newbery Honoree Julius Lester delivers a haunting and poignant novel about what happens when one group of people takes away the humanity of another.
Publishers Weekly
A sense of foreboding permeates the first half of this powerful novel, which opens with an allusion to a lynching: in the Deep South, says an unidentified narrator, the oldest trees "do not speak because they are ashamed." Lester (Pharaoh's Daughter) begins the action proper in the summer of 1946, homing in on Ansel Anderson, being trained to take over his father's business at the age of 14-old enough, his father, Bert, thinks, "to understand what it meant to be white" and for shop assistant Willie, whom Ansel treats like a brother, "to understand what it meant to be a nigger." After Willie's father is falsely accused of raping and murdering the preacher's daughter-by the man demonstrably guilty-the townsmen clamor for a hanging. Ansel demands that Bert back up Willie's testimony; Bert silences him and makes him help get the rope from the family store, then watch the lynching. Focusing on the repercussions of white guilt, the author's understated, haunting prose is as compelling as it is dark; if the characterizations tend toward the extreme, the story nonetheless leaves a deep impression. Ages 14-up. (Nov.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Children's Literature - Phyllis Kennemer
Ansel Anderson's 14th summer in 1946 was a turning point in his life. Ansel's father owned and ran the general store in the small southern town of Davis, as had his father before him and as Ansel was expected to do after him. Black people were only allowed to shop on Saturdays and Ansel's quiet, seemingly passive mother came in on those days to help them with their purchases. Ansel had befriended Willie, a Negro boy who worked with him in the store, and he liked Willie's father. Ansel had problems with Zeph Davis, the son of a prominent white man in town. Zeph was forcing his attentions on the pastor's daughter, who was a special friend of Ansel's. Then Ansel and his father witnessed the killing of this girl by the same Zeph Davis. The townspeople accused Willie's father of the crime and proceeded to hang him from a tree immediately. Ansel's father reopened the store in order to sell soda pop to the spectators. Ansel was ashamed about remaining silent, although he knew he could not have changed the outcome. When he arrived home, his mother revealed her arrangements for him to leave town and avoid the life his father planned for him. The author explains in his notes that he purposely wrote the story from the viewpoint of a white boy in order to show a different side of racism than is usually depicted. Lester's notes also include factual information about lynchings. A table in the Appendix provides statistics about the numbers of recorded lynchings of both black and white people in the 50 continental states between 1882 and 1968. A significant contribution to the literature of this era. Reviewer: Phyllis Kennemer, Ph.D.
KLIATT - Paula Rohrlick
In the summer of 1946, in a small town in the deep South, the cruelty of racism abruptly changes the life of a 14-year-old boy. Ansel, the white son of the town storekeeper, has always been best friends with Willie, who is African American, despite the common prejudice against "niggers." Ansel has a crush on alluring Mary Susan, the preacher's daughter who knows the power of her ripening body, but so does Zeph, the nasty son of the man who owns much of the town. When Willie's father, shell-shocked in the war, runs out of the church to say he's just found Mary Susan stabbed to death, and that he saw Zeph do it, Ansel and his father rush to the scene. They find Zeph covered in blood, holding a knifeand accusing Willie's father of the crime. Ansel's father, fearful of town vengeance, insists to his son they "didn't see a damn thing." And so Willie's father is lynched, with Ansel in the crowd. And while Ansel understands that telling the truth would not have saved the man, he can't forgive himself for keeping quiet, even when he leaves for school in Massachusetts, grows up and becomes a lawyer. Powerful and provocative, stripped down to its basic elements, this brief novel will ignite discussions in high school classrooms. It's strong stuff, melodramatic yet effective, and it deserves a wide readership. Lester, a noted author, civil rights activist, and former professor, includes an author's note at the end about the history of lynching, along with a table listing lynchings by state and race. Reviewer: Paula Rohrlick
VOYA - Laura Woodruff
In summer 1946, Ansel Anderson and his best bud, Little Willie, enjoy life in Davis, their small southern town. Both fourteen, they know the rules about race but ignore them in private. Ansel's father Bert, however, worries about his son's friendship with a "nigger" and vows to "do something before the boy [grows] up to be unfit . . . to be a member of the white race." Things in Davis have not really changed since the Civil War. No matter that spinster Esther Davis, daughter of deceased founder Cap'n Davis, has fancy ideas brought home from Radcliffe or that she secretly finances jobs for Willie at Bert's store and for Willie's father at the church. Her sixteen-year-old nephew Zeph Davis III, next in line, knows the rules and helps himself to whatever he wants, including the young daughters of the family's sharecroppers. Things go badly wrong, though, when Zeph helps himself to the minister's pretty daughter and uses his knife when she resists. This novel is a lynching primer. As Lester explains in an author's note, he long planned to write this novel based upon his own youth but wanted to construct it from a white boy's point of view. Ugly, brutal, and sad, the story has no winners. Explicitly described sexual encounters and stomach-turning violence might prove difficult for some readers. Readers should note that Lester, a Newbery honor and Coretta Scott King winner, in this small novel successfully rekindles a time of institutionalized prejudice in its worst form. The question becomes, then, how much today's young readers can bear. Reviewer: Laura Woodruff
School Library Journal
Gr 7-10 With segregation still ruling the rural South in 1946, the friendship between Ansel Anderson, who is white, and Willie Benton, who is black, faces many obstacles. After the town eccentric offers the boys an opportunity to leave their homes and pursue their dreams, the 14-year-olds consider their options. However, when Ansel's father helps a mob lynch Willie's father for the murder of a white girl, the teens must pursue their destinies separately. After many years, Ansel stops by his hometown and encounters Zeph Davis, the actual killer. Lester's unconventional opening momentarily confuses readers, but they are soon drawn into the narrative. "Trees remember.... But some trees do not speak...because they are ashamed." Poignant and powerful phrasing overshadows spare character development and helps satisfy readers' desire to explore the deeper motivations for some behaviors. The understated violence, coupled with reflections on lynching, heightens the horror. Back matter includes an author's note that explains the genesis of the story, an appendix with lynching statistics broken down by state, and a bibliography of lynching-related titles. Detailing the death of a friendship and the drive to succeed, Lester's compelling tale is an excellent purchase for most libraries.-Chris Shoemaker, New York Public Library
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