Lisa Lutz is the New York Times bestselling author of the Spellman comedic crime novels. Since 2007, the Spellman series has received Edgar, Anthony, and Macavity nominations, and each title has been a selection of the Indie Next List. Lutz lives in San Francisco.
David Hayward is a writer and editor in Northern California. His poetry has won a Pushcart Prize and has appeared in Harper's and other magazines. Hayward has an MFA in poetry from the University of California, Irvine. This is his first novel.
Heads You Lose
eBook
-
ISBN-13:
9781101486528
- Publisher: Penguin Publishing Group
- Publication date: 04/05/2011
- Sold by: Penguin Group
- Format: eBook
- Pages: 320
- Sales rank: 207,157
- File size: 656 KB
- Age Range: 18 Years
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Dave, I just finished the first chapter of a new novel-a real crime novel with a dead body and all-and I thought of you...
Paul and Lacey Hansen are pot-growing, twentysomething siblings sharing a modest rambler of a home in rural Northern California. When they find a headless corpse on their property they can't exactly call 911, so they simply move the body to another location. Let somebody else find it. Instead, the corpse reappears on their land. Clearly, someone is sending them a message, and it's getting riper by the day. But that's only half of the story...
Enter authors Lisa Lutz and David Hayward-former real-life partners (professionally and personally) who have agreed to reunite for a tag- team mystery novel written in alternating chapters. One little problem: they disagree on pretty much every detail of how their novel should unfold. While the body count rises in Paul and Lacey's wildly unpredictable fictional world, so too does the intensity of Lisa and David's rivalry. The result is a literary brawl like no other, and a murder mystery every bit as unanticipated (and bloody).
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Inspired perhaps by those round-robin collaborations published 75 years ago by England's Detection Club, Lutz (The Spellmans Strike Again, 2010, etc.) and Hayward add a new twist: The two collaborators, each responsible for alternating chapters, are in sharp disagreement about how the tale should be told.
When she finds a headless corpse on her California farm, Lacey Hansen can't call the cops because they'd see that she and her brother Paul were growing marijuana. Instead, they dump the remains in a suitably remote location before they realize that the dead man was their old schoolmate Darryl Cleveland. Or maybe he wasn't, as Lacey realizes when Darryl turns up alive. Now it looks like the murder victim must be Paul's old friend and mentor, veteran cannabis grower Terry Jakes. At least according to Lutz, whose chapter identifies him as such. But Hayward, unwilling to bid farewell to such a promising character, brings him back to life—hey, didn't Lutz do it?—before Lutz emphatically kills him off again when it's her turn. And so it goes and goes, with Lutz demanding in the exchange of notes that end each installment that Hayward develop clues that will solve the mystery, and Hayward observing that Lutz, whose preferred resolution to any untoward complications is to cut the Gordian knot by another murder, must be "the Pol Pot of mystery writing."
The surprise here is how little all this whimsical metatextual byplay changes the formula of alarums, excursions, red herrings and other tangents beloved of the genre; it just invites the authors to join the eternally bickering sleuths.