Kevin Brockmeier is the author of the novels The View from the Seventh Layer, The Brief History of the Dead, The Truth About Celia, Things That Fall from the Sky, and two children's novels. His stories have appeared in The New Yorker, Tin House, McSweeney's, The Oxford American, The Best American Short Stories, O. Henry Prize Stories and Granta's Best of Young American Novelists, among other publications. He has taught at the Iowa Writer's Workshop and lives in Little Rock, Arkansas.
The Illumination
Paperback
(Reprint)
- ISBN-13: 9780307387776
- Publisher: Knopf Doubleday Publishing Group
- Publication date: 02/21/2012
- Series: Vintage Contemporaries Series
- Edition description: Reprint
- Pages: 272
- Sales rank: 322,262
- Product dimensions: 5.22(w) x 8.52(h) x 0.76(d)
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Named a Best Book of the Year by NPR, The Seattle Times, The Kansas City Star, and Philadelphia City Paper
What if our pain was the most beautiful thing about us?
At 8:17 on a Friday night, the Illumination begins. Every wound begins to shine, every bruise to glow and shimmer. And in the aftermath of a fatal car accident, a journal of love notes, written by a husband to his wife, passes into the keeping of Carol Ann Page, and from there through the hands of five other people—a photojournalist, a schoolchild, a missionary, a writer, and a street vendor. As their stories unfold, we come to understand how intricately and brilliantly they are connected, in all their human injury and experience. With the artistry and imagination that have become his trademark, Kevin Brockmeier reveals a world that only he could imagine, casting his gaze on the wounds we bear and the light that radiates from us all.
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“A beautiful novel. . . . Brockmeier is a dazzling stylist.” —The Washington Post Book World
“Stunningly original . . . this gorgeously written book will still stay with [readers] long after the last page is turned.” —The Oregonian
“Show[s] us the astonishment of life as it is really being lived.” —The Boston Globe
“Moving. . . . Skillfully explores the relationship between love and memory.” —The New Yorker
“The depth of [Brockmeier’s] scrutiny makes his fiction glow.” —The Plain Dealer
“Brockmeier’s characters are wonderful, and his images are dazzling.” —Detroit Free Press
“The Illumination imagines a real universe of pain and pleasure, connection and disconnection, and quest for meaning that defines human experience delightfully anew.” —The Miami Herald
“Brockmeier’s consistently arresting observations have the throb of lived—rather than merely imagined—experience. . . . In The Illumination it isn’t our agonies and discomforts that define us, but the selves we build in response to them.” —Salon
“Brockmeier’s work has always been characterized by his crystalline and surprising descriptions. . . . Brilliant. . . . Thorough and honest.” —Southern Literary Review
“Lyrical. . . . Both the quotidian warmth of the notebook and the increasingly incidental shimmer of physical suffering draw the characters—and us—into the complex and vivid consideration of some of the fundamental questions that come with being human.” —The Times Literary Supplement (London)
“[A] sunlit novel.” —Time Out Chicago
“Fresh and ingenious. . . . Brockmeier has one of those imaginations that churns out picture-perfect imagery.” —Elle
“Brockmeier’s book positively sparkles . . . We’ve never read anything like it.” —Daily Candy San Francisco
A soft-hearted spiritual parable that aims for beguiling but succumbs to cloying.
The author's first novel since The Brief History of the Dead (2006) is another vaguely futuristic fable with meditations on mortality, which explore the beauty and redemption in suffering. The title refers to an inexplicable phenomenon that might have lasted for decades or forever. One day, peoples' injuries start glowing or even blazing with light. And not only their physical injuries but their emotional wounds as well. And not just humans but even inanimate objects. ("Jars of peanut butter could be hurt just like people.") A surgeon in the operating room shouts, "Sunglasses! I need some sunglasses here!" However imaginative the reader finds that vision, the plot pivots on an oft-used convention: the object that passes from one stranger to the next and transforms their lives. The object in this case is a book of one-sentence love notes from a husband to his wife, which starts changing hands in the hospital, after she dies from an auto accident that leaves him physically and emotionally debilitated. First claimed by a divorced woman who had shared a hospital room with the wife, and who thought the husband had also died, it then passes back to him, as he attempts to return to some semblance of normal life through his job as a newspaper photographer. Plainly the "The Illumination," as the phenomenon has quickly been dubbed, is a photographic boon, with the photographer wrestling with his conscience over whether he's exploiting those who mutilate themselves just to see the light or simply capturing those images (until he himself succumbs to the temptation of self-inflicted wounds). Others who briefly obtain possession of the book range from "a crazy little retard"—a silent boy, likely autistic—to a female author of fables and parables (like this one?) whose mouth ulcer makes the readings she gives a painful experience.
More illumination than revelation.