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    Into the Beautiful North

    3.9 26

    by Luis Alberto Urrea


    Paperback

    $15.00
    $15.00

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    • ISBN-13: 9780316025263
    • Publisher: Little, Brown and Company
    • Publication date: 06/16/2010
    • Pages: 338
    • Sales rank: 163,067
    • Product dimensions: 5.40(w) x 8.10(h) x 1.10(d)
    • Age Range: 14 - 18 Years

    Luis Alberto Urrea, one of America's most critically acclaimed writers, is the author of The Hummingbird's Daughter, The Devil's Highway, and Across the Wire.

    Susan Ericksen lives on the East Coast, where she performs on stage and on television. An Audie Award and AudioFile Earphones Award winner, she has recorded many audiobooks.

    Read an Excerpt

    Into the Beautiful North

    A Novel
    By Urrea, Luis Alberto

    Back Bay Books

    Copyright © 2010 Urrea, Luis Alberto
    All right reserved.

    ISBN: 9780316025263

    Sur

    Chapter One

    The bandidos came to the village at the worst possible time. Of course, everyone in Mexico would agree that there is no particularly good time for bad men to come to town. But Tres Camarones was unguarded on that late summer’s day when so many things had already changed. And everything that remained was about to change forever.

    Nobody in the village liked change. It had taken great civic upheaval to bring electricity to Tres Camarones, for example. Until 1936, ice came in big trucks, and fathers took their sons to observe it when it slid down the ramps in great clear blocks. It took the visionary mayor, García-García the First, to see the potential in electrical power, and he had lobbied for two years to have the wires strung from far Villaunión. Still, there were holdouts a good decade after Tres Camarones had begun to glow with yellow light. Such stalwarts relied on candles, kerosene lamps, and small bonfires in the street. These blazes, though festive, blocked the scant traffic and the trucks bearing beer and sides of beef, and García-García had to resort to the apocalyptic stratagem of banning street fires entirely. Denounced as an Antichrist, he was promptly defeated in the next election. Later, he was reelected: even if his policies had been too modernizing for some, the residents of Tres Camarones realized that a new mayor meant change, and change was the last thing they wanted. Progress might be inevitable, but there was no reason they should knuckle under without a fight.

    True, the occasional hurricane devastated the low-lying forest and semitropical jungles and reformed the beaches. Often, parts of the town were washed away or carried out to sea. But the interior clock of evolution in Tres Camarones was set only to these cataclysms of nature.

    And then, the peso dropped in value. Suddenly there was no work. All the shrimp were shipped north, tortillas became too expensive to eat, and people started to go hungry. We told you change was bad, the old-timers croaked.

    Nobody had heard of the term immigration. Migration, to them, was when the tuna and the whales cruised up the coast, or when Guacamaya parrots flew up from the south. Traditionalists voted to revoke electricity, but it was far too late for that. No woman in town would give up her refrigerator, her electric fan, or her electric iron. So the men started to go to el norte. Nobody knew what to say. Nobody knew what to do. The modern era had somehow passed Tres Camarones by, but this new storm had found a way to siphon its men away, out of their beds and into the next century, into a land far away.

    The bandidos came with the sunrise, rolling down the same eastern road that had once brought the ice trucks. There were two of them. They had to drive south from Mazatlán, which was at least an hour and forty minutes away, then creak off the highway and take the cutoff toward the coast. Explosions of parrots, butterflies, and hummingbirds parted before them. They didn’t notice.

    One of them was an agent of the Policía Estatal, the dreaded Sinaloa State Police. He earned $150 a month as a cop. The drug cartel in the north of the state paid him $2,500 a month as an advisory fee. He got a $15,000 bonus each Christmas.

    The other was a bottom-level narco who, nevertheless, was the state cop’s boss. What he needed to really get ahead in his game was a territory to call his own, but the cartel had the state sewn up, and there was no room for him in Baja California, Sonora, or Chihuahua. He had hit the drug gangster’s glass ceiling and it irked him, because he looked so damned good. The boys called him Scarface. He liked that. In spite of the awful heat and soggy air of the coastal swamplands, he wore a white sport jacket and regarded the world through mirrored sunglasses, sucking on a cinnamon toothpick.

    Neither of the two bandidos enjoyed this bucolic trip to the bottomlands. But the one in the jacket had gotten a cell phone call from Culiacán that there were gringo surfos camping on the beach who were in need of some bud. He shook his head as he looked out at the stupid mango trees: all this trouble for marijuana. “It’s a job,” Scarface said. The cop snorted.

    Scarface wore his irritating chrome .45 automatic in a shoulder rig. It made his armpit and ribs into a swamp of perspiration. It was against the law for a Mexican to carry an automatic weapon, though he didn’t even think about it. His partner wore a uniform and had a heavy Bulldog .44 in a Sam Browne holster—the narco could smell its leather and was irritated by its squeaking as the car bumped along the bad road.

    The holster squeak was the closest they could get to a theme song. There was nothing on the radio out here except the crappy Mexican music on AM.

    “Me gusta Kanye West,” the narco said, snapping off the radio.

    The state cop said, “Diddy es mejor.”

    “¡Diddy!” cried Scarface.

    They argued for a few moments.

    Soon, they reverted to silence. The cop turned up the AC. His gun belt squealed.

    “Dios mío,” Scarface sighed. “I hate the country.”

    The men kept their windows rolled up, but they could still smell the ripe effluent of mud and clams and pigsties and spawning fish in green water. They wrinkled their noses. “What is that?” the cop asked. “Boiling mangos?” They shook their heads, greatly offended. The other one pointed.

    “Outhouses!” he scoffed.

    They couldn’t believe it! These towns were so backward, Emiliano Zapata and a bunch of revolutionaries could ride through at any moment and fit right in. The bandidos, a generation removed from outhouses, sneered at the skinny dogs and the absurd starving roosters that panicked as the car rolled over oyster shells and brushed aside sugarcane and morning glory vines. The rubes down here had apparently never heard of blacktop. It was all dirt roads and cobblestones. No tourists.

    They were slightly pleased, yet jealous, when they noted one of the small houses had a satellite dish.

    As in most neighborhoods of most tropical Mexican villages, the walls of the homes in town went right to the edge of the street. Walls were wavery and one block long, and several doors could be found in each. Each door denoted another address. The windows had big iron railings and wooden shutters. Bougainvillea cascaded from several rooflines. Trumpet flowers. Lantana. The bandidos knew that the back of each house was a courtyard with a tree and an open kitchen and some chickens and an iguana or two. Laundry. On the street side, the walls were great splashes of color. One address might be white, and the next might be pale blue and the next vivid red with a purple door. Sometimes, two primary colors were divided by a bright green drainpipe or a vibrating line where the colors clashed and the human eye began to rattle in its socket.

    The big police LTD rolled down the streets like a jaguar sniffing for its prey. The two visitors came out of the narrow alleys into the open space of the town plazuela, a tawdry gazebo and a bunch of trees with their trunks whitewashed. On the other side of the square, they spied a restaurant: TAQUERIA E INTERNET “LA MANO CAIDA.”

    “The Fallen Hand Taco Shop? What kind of name is that?” the cop asked.

    “It’s an Internet café, too,” the narco reminded him.

    “Jesus Christ.”

    “Let’s get out of here quick,” his partner said. “I want to catch the beisbol game in Mazatlán tonight.” He spit out his toothpick.

    They creaked to a halt and could hear the music blasting out of the Fallen Hand before they even opened the car’s doors.



    Continues...

    Excerpted from Into the Beautiful North by Urrea, Luis Alberto Copyright © 2010 by Urrea, Luis Alberto. Excerpted by permission.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

    What People are Saying About This

    Roberto Ontiveros

    Awash in a subtle kind of satire...Aa funny and poignant impossible journey...Into the Beautiful North is a refreshing antidote to all the negativity currently surrounding Mexico.

    Dallas Morning News

    From the Publisher

    "[A] lush, rollicking novel of quests, self-discovery, and romance." —-Booklist Starred Review

    Eligible for FREE SHIPPING details

    Choose Expedited Delivery at checkout for delivery by. Monday, December 2

    Nineteen-year-old Nayeli works at a taco shop in her Mexican village and dreams about her father, who left the family to work in the United States. Recently, it has dawned on her that he isn't the only man who has left town. In fact, there are almost no men in the village—they've all gone north. While watching The Magnificent Seven, Nayeli decides to go north herself and recruit seven men—her own "Siete Magnificos"—to repopulate her hometown and protect it from the bandidos who plan on taking it over.

    Filled with unforgettable characters and prose as radiant as the Sinaloan sun, Into the Beautiful North is the story of an irresistible young woman's quest to find herself on both sides of the fence.

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    Vanity Fair
    "Magical"
    Dallas Morning News
    "Awash in a subtle kind of satire...A funny and poignant impossible journey...Into the Beautiful North is a refreshing antidote to all the negativity currently surrounding Mexico."
    Roberto Ontiveros
    Awash in a subtle kind of satire...A funny and poignant impossible journey...Into the Beautiful North is a refreshing antidote to all the negativity currently surrounding Mexico.
    Dallas Morning News
    Alan Cheuse
    [Into the Beautiful North] is deliciously composed...[Urrea writes] in a sweet but serious style...You find it in the dialogue...You find it in the description of the countryside...the plot gathers as much strength as the prose...
    Chicago Tribune
    Roberto Ontiveros
    "Awash in a subtle kind of satire...Aa funny and poignant impossible journey...Into the Beautiful North is a refreshing antidote to all the negativity currently surrounding Mexico."

    Dallas Morning News

    From the Publisher
    "[A] lush, rollicking novel of quests, self-discovery, and romance." —Booklist Starred Review
    Seattle Times
    "[A] wondrous yarn in the hands of a terrific storyteller...Urrea's meticulous detail makes the story come to life...Not to trivialize, but these characters cry out for a sequel-maybe a telenovela?--They are too good for just a single outing."
    Miami Herald
    "No great adventure is told without great characters, and Urrea certainly knows how to create them...that Urrea has turned a usually disturbing subject into a book that keeps a smile on your face is a tribute to his storytelling."
    Bookslut
    "With self-awareness and irony, Into the Beautiful North acknowledges its debt to the idealistic quest narrative and the tragic migration story...Urrea simultaneously explicates the seriousness of Mexican-US immigration while drolly narrating a Wizard of Oz-like circular fairy tale."
    Denver Post
    "A wonderful comic satire...Urrea uses a breathtaking Mexican magical realism to construct a shimmering portrait of the United States."
    Chicago Tribune
    PRAISE FOR INTO THE BEAUTIFUL NORTH:

    "[Into the Beautiful North] is deliciously composed...[Urrea writes] in a sweet but serious style...You find it in the dialogue...You find it in the description of the countryside... the plot gathers as much strength as the prose.."

    Bookpage
    "It only takes a few pages of Luis Alberto Urrea's thoroughly enjoyable Into the Beautiful North to start you wondering whether this book will break or warm your heart...So which is it?...A little of both, of course, much like the shared history of both [the U.S. and Mexico]."
    Newark Star-Ledger
    "A fantastical tale..."
    San Diego Union-Tribune
    "Quest novels announce their purpose in a straightforward manner: Colorful, memorable characters prepare for and embark on a journey of immense significance...Into the Beautiful North is just such a novel. Among the many pleasures...is its big-hearted view of the United States as a foreign country. Since this is a quest, not a political novel, Urrea never gets bogged down in messages."
    Valerie Ryan
    [A] wondrous yarn in the hands of a terrific storyteller...Urrea's meticulous detail makes the story come to life...Not to trivialize, but these characters cry out for a sequel-maybe a telenovela?—They are too good for just a single outing.
    Seattle Times

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