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    Inventing Ireland: The Literature of a Modern Nation

    Inventing Ireland: The Literature of a Modern Nation

    by Declan Kiberd


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      ISBN-13: 9781409044970
    • Publisher: Random House
    • Publication date: 05/04/2009
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 736
    • File size: 852 KB

    Declan Kiberd was born in Dublin in 1951. He took a degree in English and Irish at Trinity College, Dublin, and he holds a doctorate from Oxford University. Among his books are Synge and the Irish Language, Men and Feminism in Modern Literature and Idir Dha Chultur. He writes regularly for Irish newspapers, has prepared literary scripts for the BBC, and is a former director of the Yeats International Summer School. He has lectured on Irish culture in more than twenty countries and has taught at University College, Dublin, for sixteen years. He is married with three children.

    Table of Contents

    Acknowledgements

    Introduction

    1. A New England Called Ireland?

    IRELAND—ENGLAND'S UNCONSCIOUS?

    Interchapter

    2. Oscar Wilde—The Artist as Irishman

    3. John Bull's Other Islander—Bernard Shaw

    ANGLO-IRELAND: THE WOMAN'S PART

    Interchapter

    4. Tragedies of Manners—Somerville and Ross

    5. Lady Gregory and the Empire Boys

    YEATS: LOOKING INTO THE LION'S FACE

    Interchapter

    6. Childhood and Ireland

    7. The National Longing for Form

    RETURN TO THE SOURCE?

    Interchapter

    8. Deanglicization

    9. Nationality or Cosmopolitanism?

    10. J. M. Synge—Remembering the Future

    REVOLUTION AND WAR

    Interchapter

    11. Uprising

    12. The Plebeians Revise the Uprising

    13. The Great War and Irish Memory

    WORLDS APART?

    14. Ireland and the End of Empire

    INVENTING IRELANDS

    Interchapter

    15. Writing Ireland, Reading England

    16. Inventing Irelands

    17. Revolt Into Style—Yeatsian Poetics

    18. The Last Aisling—A Vision

    19. James Joyce and Mythic Realism

    SEXUAL POLITICS

    Interchapter

    20. Elizabeth Bowen—The Dandy in Revolt

    21. Fathers and Sons

    22. Mothers and Daughters

    PROTESTANT REVIVALS

    Interchapter

    23. Protholics and Cathestants

    24. Saint Joan—Fabian Feminist, Protestant Mystic

    25. The Winding Stair

    26. Religious Writing: Beckett and Others

    UNDERDEVELOPMENT

    Interchapter

    27. The Periphery and the Centre

    28. Flann O'Brien, Myles, and The Poor Mouth

    29. The Empire Writes Back—Brendan Behan

    30. Beckett's Texts of Laughter and Forgetting

    31. Post-Colonial Ireland—"A Quaking Sod"

    RECOVERY AND RENEWAL

    Interchapter

    32. Under Pressure—The Writer and Society 1960-90

    33. Friel Translating

    34. Translating Tradition

    REINVENTING IRELAND

    35. Imagining Irish Studies

    Notes

    Index

    What People are Saying About This

    Inventing Ireland is exactly what its title claims--an act of exuberant creativity. Nimbly, skillfully, and almost with a sense of near-wonderment at his own discoveries, Kiberd explores the continuities between Irish past and Irish present. And by focusing on what he calls 'revered masterpieces,' and by examining them in the wider social context out of which they came, he fashions a nation that is hospitable to all its prickly constituents.

    Brian Friel

    Inventing Ireland is exactly what its title claims--an act of exuberant creativity. Nimbly, skillfully, and almost with a sense of near-wonderment at his own discoveries, Kiberd explores the continuities between Irish past and Irish present. And by focusing on what he calls 'revered masterpieces,' and by examining them in the wider social context out of which they came, he fashions a nation that is hospitable to all its prickly constituents.

    Edward W. Said

    Inventing Ireland is that completely unusual thing: a highly readable, joyfully contentious book whose enormous learning and superb understanding of the literary text will introduce readers for the first time to a remarkably lively panorama of Irish culture during the last century. Full of novel readings, theoretical investigations and audacious connections, Declan Kiberd's book lifts Ireland out of ethnic studies and lore and places it in the post-colonial world. In doing so he situates its great cultural traditions where they jostle not only the major texts of English literature, but also those of writers like Salman Rushdie and García Márquez. The result in a dazzling, bravura performance.

    EBOOK COMMENTARY

    Inventing Ireland is exactly what its title claims--an act of exuberant creativity. Nimbly, skillfully, and almost with a sense of near-wonderment at his own discoveries, Kiberd explores the continuities between Irish past and Irish present. And by focusing on what he calls 'revered masterpieces,' and by examining them in the wider social context out of which they came, he fashions a nation that is hospitable to all its prickly constituents.

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    Kiberd - one of Ireland's leading critics and a central figure in the FIELD DAY group with Brian Friel, Seamus Deane and the actor Stephen Rea - argues that the Irish Literary Revival of the 1890-1922 period embodied a spirit and a revolutionary, generous vision of Irishness that is still relevant to post-colonial Ireland. This is the perspective from which he views Irish culture. His history of Irish writing covers Yeats, Lady Gregory, Synge, O'Casey, Joyce, Beckett, Flann O'Brien, Elizabeth Bowen, Heaney, Friel and younger writers down to Roddy Doyle.

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    EBOOK COMMENTARY
    Inventing Ireland...deserves to be read, not only by people with a special interest in Irish writing, but also by people with a strong interest in modern writing in English. Kiberd has much that is original and valuable to say.
    — Conor Cruise O'Brien
    Sunday Telegraph
    Inventing Ireland...deserves to be read, not only by people with a special interest in Irish writing, but also by people with a strong interest in modern writing in English. Kiberd has much that is original and valuable to say.
    — Conor Cruise O'Brien
    Irish Times
    Kiberd possesses one of the liveliest and sharpest minds in Ireland, and it is not surprising that his book dazzles and engages. Nor that Inventing Ireland is both an international and an Irish book.
    — Eileen Battersby
    New York Times Book Review
    A critical study laced with wit, energy and unrelenting adroitness of discourse...Mr. Kiberd possesses a special gift for patient exploration of works of art in relationship to their surroundings...Wit, paradox, and an almost indecent delight in verbal jugglery place Mr. Kiberd himself in a central Irish literary tradition that also includes Swift, Joyce, and Beckett...Impudent, eloquent, full of jokes and irreverence, by turns sardonic and conciliatory, blithely subversive but, without warning, turning to display wide and serious reading, a generosity of spirit, a fierce and authentic concern for social and political justice. Rather like Wilde and Shaw...A remarkable achievement.
    — Thomas Flanagan
    Washington Times
    A dazzling book, a book to cherish and revisit. As you read and reread the Anglo-Irish texts, you'll find it altering them, lightening them up. It changes Beckett and Joyce; it especially changes John Millington Synge. It ends by offering to reshape Irish Studies curricula.
    — Hugh Kenner
    Times Literary Supplement
    [A] thought-provoking and entertaining critical blockbuster...There is no doubt that this book immediately joins a small group of indispensable books on Anglo-Irish literary history. It is also typical of the best of that school in the brio and wit with which its learning and intelligence are carried.
    — Bernard O'Donoghue
    Washington Post Book World
    [A] state-of-the-art approach to Irish literature...a huge, erudite, scrupulous hermeneutics of the sacred literary texts in the Irish world...This is one of the best studies of Irish literature to come along in years.
    — Michael Stephens
    Irish Independent
    Kiberd's study is provocative, contentious, sly, tendentious, challenging, witty...It is a book argued with such passionate intensity that everyone with an interest in modern Irish writing will have to confront it, and in that confrontation revisions and redefinitions are likely to slouch towards birth...Kiberd's book is a resounding success. It will seduce you, bludgeon you and outrage you. Few books can boast such presence.
    — Gerry Dukes
    Sunday Business Post
    An epic study in various forms of connection between literature and society, literature and history. Kiberd has set himself a mammoth task which he has undertaken with energetic erudition and accomplished with convincing style...[Kiberd's] most striking characteristic as a critic is his intellectual daring: he is capable of saying things that simply take the reader's breath away...[This book is] ebullient, monumental...epical in its aims and achievements.
    — Brendan Kennelly
    Irish Literary Supplement
    Inventing Ireland is a major contribution to Irish literary studies, a work that at its best pulsates with the same iconoclastic commitment to renewal and emancipation that Kiberd reveres in the works of the Irish writers of the revolutonary generation.
    — Joe Cleary
    The Tribune Magazine
    Formidable, thoroughly enjoyable, always engaged, often brilliant...This is the fullest attempt we have had to date to read both Irish historical experience and the literature that this has involved in the light of post-colonial theory.
    — Terence Brown

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