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    Jude the Obscure

    Jude the Obscure

    3.3 30

    by Thomas Hardy


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      BN ID: 2940016291628
    • Publisher: WDS Publishing
    • Publication date: 03/01/2013
    • Sold by: Barnes & Noble
    • Format: eBook
    • File size: 390 KB

    Thomas Hardy was born on June 2, 1840, in the village of Higher Bockhampton, near Dorchester, a market town in the county of Dorset. Hardy would spend much of his life in his native region, transforming its rural landscapes into his fictional Wesses. Hardy's mother, Jemima, inspired him with a taste for literature, while his stonemason father, Thomas, shared with him a love of architecture and music (the two would later play the fiddle at local dances). As a boy Hardy read widely in the popular fiction of the day, including the novels of Scott, Dumas, Dickens, W. Harrison Ainsworth, and G.P.R. James, and in the poetry of Scott, Wordsworth, Byron, Shelley, Keats, and others. Strongly influenced in his youth by the Bible and the liturgy of the Anglican Church, Hardy later contemplated a career in the ministry; but his assimilation of the new theories of Darwinian evolutionism eventually made him an agnostic and a severe critic of the limitations of traditional religion.

    Although Hardy was a gifted student at the local schools he attended as a boy for eight years, his lower-class social origins limited his further educational opportunities. At sixteen, he was apprenticed to architect James Hicks in Dorchester and began an architectural career primarily focused on the restoration of churches. In Dorchester Hardy was also befriended by Horace Moule, eight years Hardy's senior, who acted as an intellectual mentor and literary adviser throughout his youth and early adulthood. From 1862 to 1867 hardy worked in London for the distinguished architect Arthur Blomfeld, but he continued to study -- literature, art, philosophy, science, history, the classics -- and to write, first poetry and then fiction.

    In the early 1870s Hardy's first two published novels, Desperate Remedies and Under the Greenwood Tree, appeared to little acclaim or sales. With his third novel, A Pair of Blue Eyes, he began the practice of serializing his fiction in magazines prior to book publication, a method that he would utilize throughout his career as a novelist. In 1874, the year of his marriage to Emma Gifford of St. Juliot, Cornwall, Hardy enjoyed his first significant commercial and critical success with the book publication of Far from the Madding Crowd after its serialization in the Cornhill Magazine. Hardy and his wife lived in several locations in London, Dorset, and Somerset before settling in South London for three years in 1878. During the late 1870s and early 1880s, Hardy published The Return of the Native, The Trumpet-Major, A Laodicean, and Two on a Tower while consolidating his pace as a leading contemporary English novelist. He would also eventually produce four volumes of short stories: Wessex Tales, A Group of Noble Dames, Life's Little Ironies, and A Changed Man.

    In 1883, Hardy and his wife moved back to Dorchester, where Hardy wrote The Mayor of Casterbridge, set in a fictionalized version of Dorchester, and went on to design and construct a permanent home for himself, named Max Gate, completed in 1885. In the later 1880s and early 1890s Hardy wrote three of his greatest novels, The Woodlanders, Tess of the d'Urbevilles, and Jude the Obscure, all of them notable for their remarkable tragic power. The latter two were initially published as magazine serials in which Hardy removed potentially objectionable moral and religious content, only to restore it when the novels were published in book form; both novels nevertheless aroused public controversy for their criticisms of Victorian sexual and religious mores. In particular, the appearance of Jude the Obscure in 1895 precipitated harsh attacks on Hardy's alleged pessimism and immorality; the attacks contributed to his decision to abandon the writing of fiction after the appearance of his last-published novel, The Well-Beloved.

    In the later 1890s Hardy returned to the writing of poetry that he had abandoned for fiction thirty years earlier. Wessex Poems appeared in 1898, followed by several volumes of poetry at regular intervals over the next three decades. Between 1904 and 1908 Hardy published a three-part epic verse drama, The Dynasts, based on the Napoleonic Wars of the early nineteenth century. Following the death of his first wife in 1912, Hardy married his literary secretary Florence Dugdale in 1914. Hardy received a variety of public honors in the last two decades of his life and continued to publish poems until his death at Max Gate on January 11, 1928. His ashes were interred in the Poets' Corner of Westminster Abbey in London and his heart in Stinsford outside Dorchester. Regarded as one of England's greatest authors of both fiction and poetry, Hardy has inspired such notable twentieth-century writers as Marcel Proust, John Cowper Powys, D. H. Lawrence, Theodore Dreiser, and John Fowles.

    Author biography from the Barnes & Noble Classics edition of Far from the Madding Crowd.

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    Brief Biography

    Date of Birth:
    June 2, 1840
    Date of Death:
    January 11, 1928
    Place of Birth:
    Higher Brockhampon, Dorset, England
    Place of Death:
    Max Gate, Dorchester, England
    Education:
    Served as apprentice to architect James Hicks

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    AT MARYGREEN



    "Yea, many there be that have run out of their wits for
    women, and become servants for their sakes. Many also
    have perished, have erred, and sinned, for women.... O
    ye men, how can it be but women should be strong, seeing
    they do thus?"--ESDRAS.


    I


    The schoolmaster was leaving the village, and everybody seemed sorry.
    The miller at Cresscombe lent him the small white tilted cart and
    horse to carry his goods to the city of his destination, about twenty
    miles off, such a vehicle proving of quite sufficient size for the
    departing teacher's effects. For the schoolhouse had been partly
    furnished by the managers, and the only cumbersome article possessed
    by the master, in addition to the packing-case of books, was a
    cottage piano that he had bought at an auction during the year in
    which he thought of learning instrumental music. But the enthusiasm
    having waned he had never acquired any skill in playing, and the
    purchased article had been a perpetual trouble to him ever since in
    moving house.

    The rector had gone away for the day, being a man who disliked the
    sight of changes. He did not mean to return till the evening, when
    the new school-teacher would have arrived and settled in, and
    everything would be smooth again.

    The blacksmith, the farm bailiff, and the schoolmaster himself were
    standing in perplexed attitudes in the parlour before the instrument.
    The master had remarked that even if he got it into the cart he
    should not know what to do with it on his arrival at Christminster,
    the city he was bound for, since he was only going into temporary
    lodgings just at first.

    A little boy of eleven, who had been thoughtfully assisting in the
    packing, joined the group of men, and as they rubbed their chins he
    spoke up, blushing at the sound of his own voice: "Aunt have got a
    great fuel-house, and it could be put there, perhaps, till you've
    found a place to settle in, sir."

    "A proper good notion," said the blacksmith.

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