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    Jude the Obscure

    Jude the Obscure

    3.3 30

    by Thomas Hardy


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      BN ID: 2940149211074
    • Publisher: Enhanced E-Books
    • Publication date: 05/27/2014
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 312
    • File size: 507 KB

    Thomas Hardy was born on June 2, 1840, in the village of Higher Bockhampton, near Dorchester, a market town in the county of Dorset. Hardy would spend much of his life in his native region, transforming its rural landscapes into his fictional Wesses. Hardy's mother, Jemima, inspired him with a taste for literature, while his stonemason father, Thomas, shared with him a love of architecture and music (the two would later play the fiddle at local dances). As a boy Hardy read widely in the popular fiction of the day, including the novels of Scott, Dumas, Dickens, W. Harrison Ainsworth, and G.P.R. James, and in the poetry of Scott, Wordsworth, Byron, Shelley, Keats, and others. Strongly influenced in his youth by the Bible and the liturgy of the Anglican Church, Hardy later contemplated a career in the ministry; but his assimilation of the new theories of Darwinian evolutionism eventually made him an agnostic and a severe critic of the limitations of traditional religion.

    Although Hardy was a gifted student at the local schools he attended as a boy for eight years, his lower-class social origins limited his further educational opportunities. At sixteen, he was apprenticed to architect James Hicks in Dorchester and began an architectural career primarily focused on the restoration of churches. In Dorchester Hardy was also befriended by Horace Moule, eight years Hardy's senior, who acted as an intellectual mentor and literary adviser throughout his youth and early adulthood. From 1862 to 1867 hardy worked in London for the distinguished architect Arthur Blomfeld, but he continued to study -- literature, art, philosophy, science, history, the classics -- and to write, first poetry and then fiction.

    In the early 1870s Hardy's first two published novels, Desperate Remedies and Under the Greenwood Tree, appeared to little acclaim or sales. With his third novel, A Pair of Blue Eyes, he began the practice of serializing his fiction in magazines prior to book publication, a method that he would utilize throughout his career as a novelist. In 1874, the year of his marriage to Emma Gifford of St. Juliot, Cornwall, Hardy enjoyed his first significant commercial and critical success with the book publication of Far from the Madding Crowd after its serialization in the Cornhill Magazine. Hardy and his wife lived in several locations in London, Dorset, and Somerset before settling in South London for three years in 1878. During the late 1870s and early 1880s, Hardy published The Return of the Native, The Trumpet-Major, A Laodicean, and Two on a Tower while consolidating his pace as a leading contemporary English novelist. He would also eventually produce four volumes of short stories: Wessex Tales, A Group of Noble Dames, Life's Little Ironies, and A Changed Man.

    In 1883, Hardy and his wife moved back to Dorchester, where Hardy wrote The Mayor of Casterbridge, set in a fictionalized version of Dorchester, and went on to design and construct a permanent home for himself, named Max Gate, completed in 1885. In the later 1880s and early 1890s Hardy wrote three of his greatest novels, The Woodlanders, Tess of the d'Urbevilles, and Jude the Obscure, all of them notable for their remarkable tragic power. The latter two were initially published as magazine serials in which Hardy removed potentially objectionable moral and religious content, only to restore it when the novels were published in book form; both novels nevertheless aroused public controversy for their criticisms of Victorian sexual and religious mores. In particular, the appearance of Jude the Obscure in 1895 precipitated harsh attacks on Hardy's alleged pessimism and immorality; the attacks contributed to his decision to abandon the writing of fiction after the appearance of his last-published novel, The Well-Beloved.

    In the later 1890s Hardy returned to the writing of poetry that he had abandoned for fiction thirty years earlier. Wessex Poems appeared in 1898, followed by several volumes of poetry at regular intervals over the next three decades. Between 1904 and 1908 Hardy published a three-part epic verse drama, The Dynasts, based on the Napoleonic Wars of the early nineteenth century. Following the death of his first wife in 1912, Hardy married his literary secretary Florence Dugdale in 1914. Hardy received a variety of public honors in the last two decades of his life and continued to publish poems until his death at Max Gate on January 11, 1928. His ashes were interred in the Poets' Corner of Westminster Abbey in London and his heart in Stinsford outside Dorchester. Regarded as one of England's greatest authors of both fiction and poetry, Hardy has inspired such notable twentieth-century writers as Marcel Proust, John Cowper Powys, D. H. Lawrence, Theodore Dreiser, and John Fowles.

    Author biography from the Barnes & Noble Classics edition of Far from the Madding Crowd.

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    Brief Biography

    Date of Birth:
    June 2, 1840
    Date of Death:
    January 11, 1928
    Place of Birth:
    Higher Brockhampon, Dorset, England
    Place of Death:
    Max Gate, Dorchester, England
    Education:
    Served as apprentice to architect James Hicks

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    "He knew well, too well, in the secret centre of his brain, that Arabella was not worth a great deal as a specimen of womankind. Yet, such being the custom of the rural districts among honorable young men who had drifted so far into intimacy with a woman as he unfortunately had done, he was ready to abide by what he had said, and take the consequences."

    - Thomas Hardy, Jude the Obscure, Part First, At Marygreen, Ch 9.

    'Jude the Obscure' was the last of Thomas Hardy's novels, created at the peak of his literary powers. It is perhaps his most revered – and controversial work.

    When the novel first appeared in 1895, its critical reception was so negative that Hardy resolved never to write again. 'Jude' savagely criticized the Britain he lived in: the education system, social mobility and the institute of marriage. The book introduced one of the first feminist characters in English literature the intellectual, free-spirited Sue Bridehead.

    The eponymous Jude Fawley attempts to improve his lot in life through education but tragedy and misadventure thwart his every step.

    The novel explores several themes of social unrest, especially concerning the institutions of marriage, Christianity, and the university. Although the central characters represent both perspectives, the novel as a whole is firmly critical of Christianity and social institutions in general.

    Hardy claimed that "no book he had ever written contained less of his own life" but contemporary reviewers found several parallels between the themes of the novel and Hardy's life as a working-class man of letters. The unhappy marriages, the religious and philosophical questioning, and the social unrest of 'Jude' appear in many other Hardy novels and in Hardy's life. The struggle against fixed class boundaries is an especially important link between the novel and Hardy's life, especially concerning higher education and the working class.

    Although Jude wishes to attend the university at Christminster, he cannot afford to pay for a degree, and he lacks the rigorous lifelong training necessary to qualify for a fellowship. He is therefore prevented from gaining economic mobility out of the working class. This theme of unattainable education was personal for Hardy since he, like Jude, was not able to afford a degree at Oxford or Cambridge, in spite of his early interest in scholarship and the classics. Several specific details about Jude's self-directed studies actually appear in Hardy's autobiography, including their late-night Latin readings while working full-time as a stonemason or architect, respectively.

    Another parallel between the book's characters/themes and Hardy's actual life experience occurs when Sue becomes obsessed with religion after previously having been indifferent and even hostile towards it. Through this extreme change in the character of Sue, Hardy shows Christianity as an extraordinarily powerful social force that is capable of causing a seemingly independent-minded woman like Sue to be self-immolating and sexually repressed.

    Like Sue Bridehead, Hardy's first wife, Emma, went from being free-spirited and fairly indifferent to religion in her youth to becoming obsessively religious as she got older. Since Hardy was always highly critical of organised religion, as Emma became more and more religious, their differing views led to a great deal of tension in their marriage, and this tension was a major factor leading to their increased alienation from one another.

    Emma was also very disapproving of 'Jude the Obscure,' in part because of the book's criticisms of religion, but also because she worried that the reading public would believe that the relationship between Jude and Sue directly paralleled her strained relationship with Hardy (which, in a figurative sense, it did).

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