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    Jude the Obscure

    3.3 30

    by Thomas Hardy, Dennis Taylor (Introduction), Dennis Taylor (Noted by)


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    (Reprint)

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    • ISBN-13: 9780140435382
    • Publisher: Penguin Publishing Group
    • Publication date: 09/01/1998
    • Series: Penguin Classics Series
    • Edition description: Reprint
    • Pages: 528
    • Sales rank: 66,573
    • Product dimensions: 5.06(w) x 7.75(h) x 0.91(d)
    • Age Range: 18Years

    Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

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    Brief Biography

    Date of Birth:
    June 2, 1840
    Date of Death:
    January 11, 1928
    Place of Birth:
    Higher Brockhampon, Dorset, England
    Place of Death:
    Max Gate, Dorchester, England
    Education:
    Served as apprentice to architect James Hicks

    Read an Excerpt

    The boy stood under the rick before mentioned, and every few seconds used his clacker or rattle briskly. At each clack the rooks left off pecking, and rose and went away on their leisurely wings, burnished like tassets of mail, afterwards wheeling back and regarding him warily, and descending to feed at a more respectful distance.

    He sounded the clacker till his arm ached, and at length his heart grew sympathetic to the birds' thwarted desires. They seemed, like himself, to be living in a world that did not want them. Why should he frighten them away? They took upon them more and more the aspect of friends and gentle pensioners - the only friends he could claim as being in the least degree interested in him, for his aunt had often told him that she was not. He ceased his rattling and they alighted anew.

    'Poor little dears!' said Jude, aloud. 'You shall have some dinner - you shall. There is enough for us all. Farmer Troutham can afford to let you have some. Eat, then, my dear little birdies, and make a good meal!'

    They stayed and ate, inky spots on the nut-brown soil, and Jude enjoyed their appetite. A magic thread of fellow-feeling united his own life with theirs. Puny and as sorry as those lives were, they much resembled his own.

    His clacker he had by this time thrown away from him, as being a mean and sordid instrument, offensive both to the birds and to himself as their friend. All at once he became conscious of a smart blow upon his buttocks, followed by a loud clack, which announced to his surprised senses that the clacker had been the instrument of offence used. The birds and Jude started up simultaneously, and the dazed eyes of the latter beheld the farmer in person, the great Troutham himself, his red face glaring down upon Jude's cowering frame, the clacker swinging in his hand.

    'So it's 'Eat, my dear birdies,' is it, young man? 'Eat dear birdies' indeed! I'll tickle your breeches if you say, 'Eat dear birdies' again in a hurry! And you've been idling at the schoolmaster's too, instead of coming here, ha'n't ye hey? That's how you earn your sixpence a day for keeping the rooks off my corn!'

    Whilst saluting Jude's ears with this impassioned rhetoric, Troutham had seized his left hand with his own left, and swinging his slim frame round him at arm's-length, again struck Jude on the hind parts with the flat side of Jude's own rattle, till the field echoed with the blows, which were delivered once or twice at each revolution.

    'Don't 'ee, sir - please don't 'ee!' cried the whirling child, as helpless under the centrifugal tendency of his person as a hooked fish swinging to land, and beholding the hill, the rick, the plantation, the path, and the rooks going round and round him in an amazing circular race. 'I - I - sir - only meant that - there was a good crop in the ground - I saw 'em sow it - and the rooks could have a little bit for dinner - and you wouldn't miss it, sir - and Mr. Phillotson said I was to be kind to 'em - O, O, O!'

    This truthful explanation seemed to exasperate the farmer even more than if Jude had stoutly denied saying anything at all; and he still smacked the whirling urchin, the clacks of the instrument continuing to resound all across the field, and as far as the ears of distant workers - who gathered thereupon that Jude was pursuing his business of clacking with great assiduity - and echoing from the brand-new church tower just behind the mist, towards the building of which structure the farmer had largely subscribed, to testify his love for God and man.

    Presently Troutham grew tired of his punitive task, and depositing the quivering boy on his legs, took a sixpence from his pocket and gave it to him in payment for his day's work, telling him to go home and never let him see him in one of those fields again.

    Jude leapt out of arm's reach, and walked along the trackway weeping - not from pain, though that was keen enough; not from the perception of the flaw in the terrestrial scheme, by which was good for God's birds was bad for God's gardener; but with the sense that he had wholly disgraced himself before he had been a year in the parish, and hence might be a burden to his great-aunt for life.

    With this shadow on his mind he did not care to show himself in the village, and went homeward by a roundabout track behind a hedge and across a pasture. Here he beheld scores of coupled earthworms lying half their length on the surface of the damp ground, as they always did in such weather at that time of year. It was impossible to advance in regular steps without crushing some of them at each tread.

    Though Farmer Troutham had just hurt him, he was a boy who could not himself bear to hurt anything. He never brought home a nest of young birds without lying awake in misery half the night after, and often reinstating them and the nest in their original place the next morning. He could scarcely bear to see trees cut down or lopped, from a fancy that it hurt them; and late pruning, when the sap was up and the tree bled profusely, had been a positive grief to him in his infancy. This weakness of character, as it may be called, suggested that he was the sort of man who was born to ache a good deal before the fall of the curtain upon his unnecessary life should signify that all was well with him again. He carefully picked his way on tiptoe among the earthworms, without killing a single one.

    Table of Contents

    Acknowledgements and Editorial Note
    Introduction
    A Note on the Text
    Thomas Hardy: A Brief Chronology
    Hardy’s Preface (1895), Revised Preface and Postscript (1912)

    JUDE THE OBSCURE

    Part First, At Marygreen, I-XI
    Part Second, At Christminster, I-VII
    Part Third, At Melchester, I-X
    Part Fourth, At Shaston, I-VI
    Part Fifth, At Aldbrickham and Elsewhere, I-VIII
    Part Sixth, At Christminster again, I-XI

    Appendix A: Major Textual Changes
    Appendix B: Comments by Hardy
    Appendix C: Contemporaneous Reviews and a Parody
    Appendix D: Hardy’s Outlook
    Appendix E: Influences and Contexts: Cultural Extracts
    Appendix F: Oxford, Jowett, and Educational Opportunity
    Appendix G: Divorce in Jude the Obscure
    Appendix H: Map of Wessex Appended to the 1895 Edition of Jude the Obscure

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    What People are Saying About This

    From the Publisher

    "The greatest tragic writer among English novelists."
    -Virginia Woolf

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    Jude the Obscure, the last completed of Thomas Hardy's novels, began as a magazine serial in December 1894 and was first published in book form in 1895. Its protagonist, Jude Fawley, is a working-class young man, a stonemason, who dreams of becoming a scholar. The other main character is his cousin, Sue Bridehead, who is also his central love interest. The novel is concerned in particular with issues of class, education, religion and marriage.

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    From the Publisher
    'His style touches sublimity'
    —T.S. Eliot

    'The greatest tragic writer among English novelists'
    —Virginia Woolf

    Richard Kaye
    I am delighted with the new Jude the Obscure.”
    Todd Matthew
    The only text for the serious scholar. The Critical Editions are not only great from a student's point-of-view but from a teaching perspective as well.
    David B. Merrell
    The criticism is well chosen to give students an introduction to major elements in Hardy's last novel. I also appreciate the chronology of Hardy’s life and the material on his revision process. Norton Critical Editions . . . offer me a chance to expand the world of my students.
    English Literature in Transition
    "Broadview Press and editor Cedric Watts have done a splendid job."
    T.R. Wright University of Newcastle
    "This is an informative and scholarly edition of the novel which brings out its explosive nature, why it so scandalised Hardy's contemporaries. Professor Watts provides a clear, lively introduction, helpful notes and a wealth of material on the textual history of Jude the Obscure, its contemporary reception and its intellectual and social context. Readers of Hardy will find it immensely useful."
    Dale Kramer University of Oregon
    "Cedric Watts's edition of Jude the Obscure is one of an extremely interesting set of literary works from Broadview Press, distinguished by wise editorial choices and inclusion of a variety of documents contemporary with the works. Watts is one of our era's most resourceful and level-headed analysts of literature, and his introduction richly sketches the angles of several controversies current in Hardy's time. There are numerous selections from writings which influenced Hardy (science, philosophy, poems, the Bible) excerpts from essays and poems from the late nineteenth century, and materials in categories such as divorce, and university education, all of which amplify and add to Watts' comments, and stimulate thinking about Hardy and nineteenth-century subjects, as well as about our own time."
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