• Carnegie Medal Winner •
From the 2016 recipient of the Astrid Lindgren award and author of international bestseller How I Live Now, National Book Award finalist Picture Me Gone, and most recently Jonathan Unleashed
David Case never questions his ordinary suburban life until one fateful day, a brush with death brings him face to face with his own mortality. Suddenly, everywhere he looks he sees catastrophe, disaster, the ruin of the human race, the demise of the planet...not to mention (to pinpoint the exact source of his anxiety) possible pain and suffering for himself.
So he changes his name, reinvents his appearance, and falls in love with the seductive Agnes Bee in the hope that he'll become unrecognizable to Fate and saved from his own doom. With his imaginary greyhound in tow, Justin Case struggles to maintain his new image and above all, to survive in a world where twists of fate wait for him around every corner.
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From the Publisher
When How I Live Now came out, it stunned, amazed, and won all sorts of literary awards. . . . This second novel Just In Case, shows that it was no beginner’s luck. . . . Meg Rosoff is the Queen of Weird.”
—Los Angeles Times
“What shimmers in Rosoff’s novels is a very unusual and courageous confrontation with nihilism, which, like Beckett, she makes funny, rather than futile. . . . A modern Catcher in the Rye.”
—The Times (London)
“Rosoff examines the idea of fate through minutely observed, concatenated catastrophes and the intersection of exquisitely drawn characters. . . . Funny, ironic, magically real; stunning.”
—Kirkus Reviews (starred review)
“Extraordinary and original . . . this sophisticated meditation on death, madness, and sexuality is powerful and tenaciously haunting.”
—The Sunday Times (London)
“Intelligent, ironic, and darkly funny, makes nods to Samuel Beckett and existentialism.”
—Time Out
“Surreal . . . hilarious.”
—Cosmopolitan
“Brilliantly original.”
—Marie Claire
Sunday Times of London
Extraordinary and original . . . this sophisticated meditation on death, madness and sexuality is powerful and tenaciously haunting.
Los Angeles Times
Meg Rosoff is the Queen of Weird.
The Times of London
A modern Catcher in the Rye.
Publishers Weekly
Rosoff's (How I Live Now) intriguing, stylized novel explores the nature of fate and one teen's attempt to escape his own destiny. After witnessing his baby brother's brush with death, 15-year-old David Case becomes obsessed with his own mortality and decides to trick fate and thus prolong his life by changing his identity. He renames himself Justin Case, exchanges his wardrobe for thrift-shop clothes and befriends an imaginary greyhound, but his efforts to become someone else do not prove effective in quelling his fear that something horrific lies just around the corner. In the meantime, an eccentric young woman photographer discovers him and (much to the hero's horror) turns him into a poster child for "doomed youth." An omniscient, third-person narrative coupled with brief commentaries from all-seeing Fate give the story a surrealistic if not allegorical quality. Children seem older and wiser than their years; adults especially Justin's mother, who is shockingly blas about the alterations in her son are cast as na ve and out of touch. Geared to mature readers with a philosophical bent and an appreciation of irony, the novel shows how, by focusing on his inevitable end, Justin Case almost misses the opportunity to enjoy the gifts fate has to offer: namely, survival, love and friendship. Ages 14-up. (Aug.) Copyright 2006 Reed Business Information.
VOYA - Julie Scordato
At fifteen, David Case has a pretty average life in England. After a near accident with his toddler brother, however, David realizes that Fate is out to get him. Whether by disease or by accident, he is certain that Fate is going to snuff him out-and not in seventy years or so. David decides to hide by changing his wardrobe and even his name to Justin. While Justin's anxiety and depression deepens, Fate defends and to a degree explains itself in just the sort of sly, distant tone that one would expect from it. As weeks pass, Justin's misadventures include going to the airport instead of a class trip to Wales, nearly getting killed by a freak accident, and his first sexual encounter with a girl old enough to live on her own who then betrays him publicly. Justin, however, is forced to lay all his cards out on the table with fate when he contracts meningococcal meningitis and decides that despite life's hidden dangers, it is worth living after all. Readers will identify with Justin's struggle with the larger world and his place in it, and perhaps some readers will be able to identify with his transitions from living with his parents to staying with the older girl and finally with a classmate. In Rosoff's second novel, which follows her Printz Award-winning How I Live Now (Wendy Lamb Books/Random House, 2004/VOYA December 2004), which is completely different in point of view, flavor, and the main character's coping strategies, the writing is quality and could spark lively discussions about freewill, fate, and relationships that fail before they even start.
KLIATT
AGERANGE: Ages 15 to adult. To quote the review of the hardcover in KLIATT, July 2006: Rosoff’s first YA novel, How I Live Now, has been highly praised since its publication. When I reviewed it, within a few sentences I was caught up in the voice of the young narrator and her survival story. Just in Case is more complicated. A first-person voice introduces most chapters--that voice is the voice of Fate. Fate is looking at the life of David, a 15-year-old boy living in a small town outside of London. The catalyst for David’s relationship with Fate is when his little brother goes to an open window and nearly falls to his death. David realizes how fragile life is, how closely doom lurks. He changes his name to Justin, trying to hide from Fate. He falls in with an older girl, Agnes, who is a photographer who sees Justin’s potential as a model for “doomed youth.” He is in love with her even while understanding she is using him for her own career. There are other friends, confused parents, an imaginary dog, and a climactic disaster when a plane crashes and people die all around Justin, while Agnes’s camera clicks away. Like How I Live Now, the writing is superb and the plot inventive. There is a touch of British absurdity--not quite Monty Python, but a bit of The Hitchhiker’s Guide to the Galaxy, perhaps. I think the novel will appeal to readers who enjoy that approach to telling a story, rather than to the readers who like How I Live Now. I’m thinking readers may be more attached to Agnes than to Justin. Since she is looking back at adolescence with loving concern but a certain detachment, the story will appeal more to the oldest YAs and to adults.Reviewer: Claire Rosser
March 2008 (Vol. 42, No.2)
Children's Literature - Jeanna Sciarrotta
From the moment David Case saves his baby brother from falling out of an open window, he feels like Fate is out to get him. David comes to the realization that no one is safe and his fear begins to take over. Determined to beat the odds that are so obviously stacked against him, David changes his name to JustinJustin Caseand frantically begins his race to evade the force that stalks his every move. Along the way, Justin picks up some unlikely friends, including the quirky photographer Agnes, whose camera captures the fragile youth in his most vulnerable moments. Bizarre circumstances, including a near-fatal plane crash, smear the line between coincidence and fate further, until even the reader isn't sure of the difference. This novel explores the idea of Fate as an actual character, a gamer, using people as pawns and Justin seems to be the only character that has cracked this secret. This is a powerful novel for contemporary teenagers. Meg Rosoff does not let down fans of her previous award-winning novel How I Live Now. She has written yet another blunt representation of young adults hovering between genius and disaster.
School Library Journal
Gr 9 Up-Fifteen-year-old David Case, scared out of his acceptance of dailiness by his baby brother's near calamity at an open window, changes his name to Justin and allows several new people into his life. He is befriended by a somewhat older-and definitely more worldly-girl when he enters a thrift shop to remake his sartorial presentation. Angela is easy to fall in love with, but frustrating for Justin and suspicious for readers. Peter Prince, on the other hand, a new friend who urges Justin to discover how very good he is as a distance runner, lives up to his surname. Justin's baby brother, Charlie, knowing and telepathic since birth, worries that Justin won't ever recover from the shock of having to haul him back from his experiment with flight. Justin's other companions on the journey through the six months between that momentous occasion and Christmas include an invisible dog, Peter's psychologically perceptive sisters, and their male rabbit, Alice. The crisis that flings Justin and Angela literally into bed together is a horrific plane crash at the local airport. As he runs from her gallery show of photos of him in shock in the disaster's aftermath, he collides with a woman from whom he contracts meningitis, nearly allowing Fate to talk him into dying. Only Charlie's visit to the hospital pulls Justin back from the existential abyss at which he has perched for six months. Rosoff writes of these characters and Justin's interior and exterior adventures with beautiful grace and wit. Even sensitive teens usually have more psychological armor than Justin, but Rosoff's made him a compelling hero, not a nerd.-Francisca Goldsmith, Berkeley Public Library, CA Copyright 2006 Reed Business Information.
Kirkus Reviews
Rosoff examines the idea of fate through minutely observed, concatenated catastrophes and the intersection of exquisitely drawn characters (including a delusional protagonist), in an England-set novel as powerful as her Printz-winning debut, How I Live Now (2004). After barely managing to save his toddler brother from "flying" off a windowsill, David Case, almost 16, already struggling with acute anxiety, concludes that only a complete self-reinvention will save him from the sure doom that Fate holds-for his former self. Browsing in a charity shop to outfit the new him, now-Justin meets Agnes, an older, outrageously adorned photographer/fashion designer. She takes on the smitten Justin as a project, capturing his edgy desperation in photos. She rescues him from both a hallucinatory stint at the local airport (where wackily, he temporarily loses his imaginary dog), and (after clicking away voyeuristically with her camera) the bloody aftermath of a plane crash. Justin drifts away-from his outrageously preoccupied parents, school's banality; reality-but also toward connections that keep him this side of sane. Agnes's several betrayals-including her brief sexual attention-rekindle Justin's self-affirming anger. There's Peter, a compassionate, confidently nerdy schoolmate, whose sage little sisters fairly command Justin's emergence from a coma induced by spinal meningitis and prolonged by Justin's urge to surrender to a cynical, beckoning Fate, who vituperates, personified, in bold type throughout. Little Charlie, the ostensible reason for Justin's crackup, telegraphs, like a small, joyful Buddha, an uncomplicated truth that Justin, too, can finally embrace. Funny, ironic, magically real;stunning. (Fiction. YA)
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