Coe Booth is a graduate of The New School's Writing for Children MFA program, and a winner of the L.A. Times Book Prize for Young Adult Fiction. She is the author of TYRELL and KENDRA, and was born and still lives in the Bronx.
Kinda Like Brothers
by Coe Booth
eBook
-
ISBN-13:
9780545662888
- Publisher: Scholastic, Inc.
- Publication date: 08/26/2014
- Sold by: Scholastic, Inc.
- Format: eBook
- Pages: 256
- File size: 10 MB
- Age Range: 8 - 12 Years
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Jarrett doesn't trust Kevon. But he's got to share a room with him anyway.It was one thing when Jarrett's mom took care of foster babies who needed help. But this time it's different. This time the baby who needs help has an older brother -- a kid Jarrett's age named Kevon.Everyone thinks Jarrett and Kevon should be friends -- but that's not gonna happen. Not when Kevon's acting like he's better than Jarrett -- and not when Jarrett finds out Kevon's keeping some major secrets.Jarrett doesn't think it's fair that he has to share his room, his friends, and his life with some stranger. He's gotta do something about it -- but what?From award-winning author Coe Booth, KINDA LIKE BROTHERS is the story of two boys who really don't get along -- but have to find a way to figure it out.
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In her first novel for middle-grade readers, Booth (Bronxwood) introduces an African-American family in Newark who open their home to foster children. By the time Kevon, 12, and his two-year-old sister, Treasure, arrive in the middle of the night, 11-year-old Jarrett has had enough of his mother's charity. Jarrett is forced to share a room with Kevon, who acts distant and ungrateful, and he's also annoyed to be attending summer school, with the threat of having to repeat the sixth grade. Even his usual joys—crushing on his down-to-earth friend Caprice, taking step class at a neighborhood center, and making horror movie trailers with his best friend—are overshadowed by Kevon's presence. Jarrett snoops into Kevon's past in hopes of getting rid of him, but, predictably, the truth he uncovers evokes sympathy. Booth offers candid insight into racism, poverty, and the foster care system without becoming heavy-handed; she also sensitively depicts a character's coming-out moment. Jarrett's evolution from a position of resistance to an acceptance of circumstances beyond his control is believably subtle. Ages 8–12. Agent: Jodi Reamer, Writers House. (Aug.)
Praise for Coe Booth's Kinda Like Brothers:
"Excellent." --Booklist
"Realistic and engaging . . . A solid story about dealing with problems that threaten to overwhelm and the importance putting one’s own personal pain aside to understand the pain of another." --School Library Journal
Praise for Coe Booth's Bronxwood:
"Readers who have been with Tyrell from the beginning as well as those meeting him for the first time will be utterly invested in his future." --Kirkus Reviews
"Tyrell tells his own story in language that never misses in its gritty authenticity." --Bulletin of the Center for Children's Books
"A compelling tale of a teen still trying to make the right choices despite the painful consequences." --School Library Journal
"Booth paints a vivid picture of urban African American life." --VOYA
Praise for Coe Booth's Tyrell:
A 2007 LA Times Book Prize Winner for Young Adult Fiction
An ALA Best Book for Young Adults
"A gritty and gripping first novel." --The New York Times Book Review
* "Heartbreakingly realistic. . . . Unlike many books reflecting the contemporary street scene, this one is more than just a pat situation with a glib resolution; it's filled with surprising twists and turns that continue to the end." --Booklist, starred review
"The definitive tale of the modern African American urban youth." --VOYA
Gr 4–6—Life is a very complicated affair if you happen to be 11-year-old Jarrett of Newark, New Jersey. He is asthmatic and about to fail summer school. His mother takes in almost any foster child, including kids with special needs. The last straw is the arrival of two siblings, the developmentally challenged toddler, Treasure, and her tall, athletic 12-year-old brother, Kevon, who will be sharing Jarrett's room. Jarrett has had to share his mother's attention for as long as he can remember but never before had to give up his personal space. The friction between Jarrett and Kevon gains momentum when Kevon makes the basketball team and shows off for the girls, including Caprice, the girl Jarrett has a crush on. The protagonist is bound to get even at all costs. He spies on Kevon and his social worker, digging for any way to humiliate his foster brother without thought to the consequences. A pattern of mutual cruelties is set into motion which rapidly escalates on both sides. Plot and characters are realistic and engaging. References to farts, foot odor, and disgusting toenails abound. Gross-out humor aside, this is a solid story about dealing with problems that threaten to overwhelm and the importance putting one's own personal pain aside to understand the pain of another.—Kathy Cherniavsky, Ridgefield Library, CT
Booth offers a glimpse of gritty inner-city life for a middle-grade audience through the eyes of 11-year-old Jarrett. Jarrett's failing summer school, making an ignominious repetition of sixth grade seem all too likely. His mother, fine at nurturing a long series of foster babies, is surprisingly oblivious to his floundering attempts to manage the schoolwork and his resulting discouragement, an emotional distance she also maintains with strong male role model Terrence, her boyfriend. Then she takes in Kevon, mature beyond his 12 years, and his toddler sister, Treasure. Jarrett resentfully shares his room and life with Kevon, but he also spies on him, discovering much about his foster brother's mysterious, unhappy past. At the same time, he and best friend Ennis are cleverly crafting a horror film trailer at the community center that plays a major, positive role in local kids' lives. Ennis is exploring his growing realization that "I don't like girls, and I don't think I ever will," a revelation Jarrett sensitively accepts, in sharp, not fully explained contrast to his increasingly bitter, self-indulgent conflict with Kevon. The many plotlines keep the narrative brisk, enhanced by believable dialogue and nicely rounded characters, even though their motivations don't always feel fully justified.Jarrett's frank view of the inner-city perils he faces is optimistically balanced by the strengths offered by family, friends and his community. (Fiction. 8-12)