After enduring years of hunger, deprivation, and devastating loss at the hands of the Khmer Rouge, ten-year-old Loung Ung became the "lucky child," the sibling chosen to accompany her eldest brother to America while her one surviving sister and two brothers remained behind. In this poignant and elegiac memoir, Loung recalls her assimilation into an unfamiliar new culture while struggling to overcome dogged memories of violence and the deep scars of war. In alternating chapters, she gives voice to Chou, the beloved older sister whose life in war-torn Cambodia so easily could have been hers. Highlighting the harsh realities of chance and circumstance in times of war as well as in times of peace, Lucky Child is ultimately a testament to the resilience of the human spirit and to the salvaging strength of family bonds.
Eve Ensler
A tender, searing journey of two sisters, two worlds, two destinies.
Mary Pipher
Ung is a masterful storyteller whose fresh clear prose shimmers with light and sorrow.
Samantha Power
A unique glimpse into America’s “melting pot”--a melting pot born of indescribable suffering but brimming with irrepressible life.
Richard North Patterson
As piercing and poignant as its title.
Angelina Jolie
I encourage everyone to read this deeply moving and very important book.
Vogue
At once elegiac and clear-eyed, this moving volume is a tribute to the path not taken.
Chicago Tribune
[Ung] captured my heart...Lucky Child is captivating, deep and delightful.
Miami Herald
Deeply stirring...heart-breaking and not less than brilliant.
Minneapolis Star Tribune
Highly readable.
Newsweek
Heart-rending and eloquent . . . a moving reminder of human resiliency and the power of family bonds.
Amnesty International
A rich narrative that explores the ravages of war and the strength of family bonds...powerful and moving.
Washington Post Book World
Ung’s story is a compelling and inspirational one that touches universal chords. Americans would do well to read it.
Los Angeles Times
Written with an engaging vigor and directness, Lucky Child is an unforgettable portrait of resilience and largeness of spirit.
Cleveland Plain Dealer
Remarkable...Lucky Child is part adventure, part history and, in large part, a love story about family.
Seattle Times
[A] fiercely honest and affecting memoir.
Maria Elena Salinas
With all the innocence of a child, Ung speaks about the complexities of trying to understand American culture. She describes trying to be a kid in a place where she never quite felt she belonged. Ung reveals what it's like to go to school and have no friends, to be ridiculed for not understanding or speaking English and to live through it all while haunted by nightmares in which she relived the horrors of war … Ung's story is a compelling and inspirational one that touches universal chords. Americans would do well to read it, no matter where they were born.
The Washington Post
Publishers Weekly
In her second memoir, Ung picks up where her first, the National Book Award-winning First They Killed My Father, left off, with the author escaping a devastated Cambodia in 1980 at age 10 and flying to her new home in Vermont. Though she embraces her American life-which carries advantages ranging from having a closet of her own to getting a formal education and enjoying The Brady Bunch-she can never truly leave her Cambodian life behind. She and her eldest brother, with whom she escaped, left behind their three other siblings. This book is alternately heart-wrenching and heartwarming, as it follows the parallel lives of Loung Ung and her closest sister, Chou, during the 15 years it took for them to reunite. Loung effectively juxtaposes chapters about herself and her sister to show their different worlds: while the author's meals in America are initially paid for with food stamps, Chou worries about whether she'll be able to scrounge enough rice; Loung is haunted by flashbacks, but Chou is still dodging the Khmer Rouge; and while Loung's biggest concern is fitting in at school, Chou struggles daily to stay alive. Loung's first-person chapters are the strongest, replete with detailed memories as a child who knows she is the lucky one and can't shake the guilt or horror. "For no matter how seemingly great my life is in America... it will not be fulfilling if I live it alone.... [L]iving life to the fullest involves living it with your family." Agent, Gail Ross. (On sale Apr. 12) FYI: Publication coincides with the 30th anniversary of the Khmer Rouge takeover. Copyright 2005 Reed Business Information.
Kirkus Reviews
Activist Ung's memoir of life after Pol Pot, a worthy sequel to First They Killed My Daughter (2004). Both of the author's parents, and many other relatives, were killed in the Khmer Rouge genocide. In 1980, Ung's older brother-sponsored by a local church-was able to leave Cambodia and settle in Vermont. He could afford to take his wife and one sibling with him, but that was all, so he chose the youngest (Ung) and left her beloved sister Chou behind. The two girls didn't meet again for another 15 years. Here, Ung tells both sisters' stories, chronicling her own adjustment to living in Burlington and Chou's life in Cambodia. The juxtaposition generally works well. The story of the older girl's arranged marriage, for example, is told against the backdrop of her sister's very American schoolgirl crushes, and Chou's attempts to get an education contrast effectively with Ung's comparatively luxurious studies at secondary school and then at St. Michael's College. Not surprisingly, the chapters about the author's personal experiences are more vivid. The scenes set in Vermont snap with vivid prose, and Ung imparts freshness to a fairly familiar immigrant's tale. Many of her new acquaintances call her Luanne instead of Loung, so Ung tries calling herself Luanne: "The name comes out of my mouth tasting like a spoonful of vinegar." Using food stamps at the Burlington grocery store imprints "shame stamps" on her face, marks that won't come off no matter how hard she scrubs. In one very funny scene, the excited girl rushes outside, barely able to move thanks to all her layers of winter clothes, shouting, "Snow! Snow!" to a blase neighbor wearing a light coat and sneakers who replies calmly, "No.Frost." When Ung feels embarrassed, or stupid, or frustrated, the reader won't be able to help empathizing. Chou, however, is two-dimensional, and the secondhand stories of her girlhood, though clear and interesting, remain just that: secondhand. Still, overall, here's a moving story of transition, transformation, and reunion. Author tour
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