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    Lulu Walks the Dogs

    4.0 8

    by Judith Viorst, Lane Smith (Illustrator)


    Paperback

    $6.99
    $6.99

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    Customer Reviews

    Judith Viorst was born and brought up in New Jersey and has lived in Washington, D.C., since 1960, when she married Milton Viorst, a political writer. They have three sons and seven grandchildren. Viorst writes in many different areas: science books, children’s picture books, adult fiction and nonfiction, poetry for children and adults, and three musicals. She is best known for her beloved picture book, Alexander and the Terrible, Horrible, No Good, Very Bad Day.

    Lane Smith is the author-illustrator of Grandpa Green and the illustrator of The Stinky Cheese Man and Other Fairly Stupid Tales, both Caldecott Honor winners. Several of his books, including It’s a Book and John, Paul, George & Ben, have been New York Times bestsellers. He lives with book designer Molly Leach in rural Connecticut, and can be visited at LaneSmithBooks.com.

    Read an Excerpt

    Lulu—remember Lulu?—used to always be a big pain, till she met Mr. B, a lovely brontosaurus. Now she is just a sometimes pain, and not nearly as rude as before. But unless what she wants is utterly, totally, absolutely, and no-way-José impossible, she’s still a girl who wants what she wants when she wants it.

    So, what is it, exactly, that our Lulu wants? Right now I’m just saying it costs a lot of money. Furthermore, her mom and her dad, who give her almost everything she asks for, said to her—with many sighs and sorries—that they couldn’t afford to buy it for her and that she would HAVE TO EARN THE MONEY TO GET IT.

    Lulu thought about throwing one of her famous screeching, heel-kicking, arm-waving tantrums, except that—since her last birthday—she wasn’t doing that baby stuff anymore. So, instead, she tried some other ways—politer, quieter, sneakier, grown-upper ways—of changing their minds.

    First try: “Why are you being so cruel to me, to your only child, to your dearest, darlingest Lulu?”

    “We’re not being cruel,” her mom explained in an I’m-so-sorry voice. “You’re still our dearest and darlingest. But we don’t have the money to spend on things like that.”

    Second try: “I’ll eat only one meal a day and also never go to the dentist, and then you can use all that money you saved to buy it for me.”

    “Dentists and food are much more important,” Lulu’s dad explained, “than this thing that you want. Which means”—and here he sighed heavily—“that if you really still want it, you’re going to have to pay for it yourself.”

    Really still want it? Of course she really still wanted it! She was ALWAYS and FOREVER going to want it. But paying for it herself—that might be utterly and totally, plus absolutely and no-way-José, impossible. So she kept on trying to change their minds, making her saddest and maddest and baddest faces and giving her mom and her dad some unbeatable arguments. Like, “I’ll move down into the basement, and you’ll get the money by renting out my bedroom.” Or, “You could get money by selling our car and taking the bus instead, which would also be much better for the environment.” But, great as her arguments were, her mom and her dad kept saying no and sighing and sorrying. And after her sixteenth or seventeenth try, Lulu was starting to feel a little discouraged.

    Last try: “So, while all the other kids are playing and laughing and having fun, I’ll be the only kid my age earning money?”

    “Oh, I don’t know about that,” said Lulu’s mom. “That little Fleischman down the street is always earning money by doing helpful chores for folks in the neighborhood. So young and already such a hard-working boy!”

    (Well, what do you know, here’s Fleischman, and it’s only Chapter One. I told you he would be hanging around a lot.)

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    Feisty Lulu sets out to earn some cash in this illustrated chapter book from children’s book legends Judith Viorst and Lane Smith.

    The stubbornly hilarious Lulu has decided it’s time to buckle down and earn some cash. How else can she save up enough money to buy the very special thing that she is ALWAYS and FOREVER going to want? After some failed attempts at lucrative gigs (baking cookies, spying, reading to old people), dog walking seems like a sensible choice. But Brutus, Pookie, and Cordelia are not interested in making the job easy, and the infuriatingly helpful neighborhood goody-goody, Fleischman, has Lulu at the end of her rope. And with three wild dogs at the other end, Lulu’s patience is severely tested. Will she ever make a friend—or the money she needs?
    In this standalone sequel to Lulu and the Brontosaurus, industry legends Judith Viorst and Lane Smith once again prove that even the loudest, rudest, and most obstinate of girls can win us over.

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    September/October 2012 Horn Book Magazine
    Lulu still has a world-class case of self-absorption, but her arguing skills have matured a bit since Lulu and the Brontosaurus…. This extended comic fable is rife with authorial intrusion: Viorst ensures that readers are having fun, getting the point, and noticing her fictional ploys (“In actual life this almost never could happen. In the stories I write, things like this happen a lot. Deal with it”). Fortunately, these asides really are funny. Smith is in fine form with his pencil illustrations, especially the caricatures of Lola’s three canine charges—“bigheaded, bad-breathed brute” Brutus, “teeny-tiny white fuzzball” Pookie, and elusive German-comprehending dachshund Cordelia—and the owners they resemble.
    October 2012 School Library Journal
    In this sequel to Lulu and the Brontosaurus (S & S, 2010), the incorrigible Lulu, oft indulged by her parents, is desperate for ways to make money to pay for a mysterious something that they absolutely cannot afford…hilarious narration with much editorial wisecracking and frequent asides directed to readers. The story moves along quickly, variations in page layout and typeface add interest, and Smith’s stylized black-and-white drawings are a big part of the fun. A perfect choice for transitional readers.
    Children's Bookshelf, September 16, 2012 - New York Times Book Review
    "Viorst’s narrator-heroine, enjoying a fresh turn after “Lulu and the Brontosaurus,” is full of ‘tude and doesn’t care if you don’t like it. A child of entitlement, Lulu is nonetheless told she needs to earn money for her latest heart’s desire. Dog walking teaches her a lesson. Lulu feels like a cousin of, and a step up the chapter book ladder in difficulty from, Junie B. Jones. Smith’s sharp-eyed charcoals add kick."
    September/October 2012 - Horn Book Magazine
    Lulu still has a world-class case of self-absorption, but her arguing skills have matured a bit since Lulu and the Brontosaurus…. This extended comic fable is rife with authorial intrusion: Viorst ensures that readers are having fun, getting the point, and noticing her fictional ploys (“In actual life this almost never could happen. In the stories I write, things like this happen a lot. Deal with it”). Fortunately, these asides really are funny. Smith is in fine form with his pencil illustrations, especially the caricatures of Lola’s three canine charges—“bigheaded, bad-breathed brute” Brutus, “teeny-tiny white fuzzball” Pookie, and elusive German-comprehending dachshund Cordelia—and the owners they resemble.
    New York Times Book ReviewChildren's Bookshelf
    "Viorst’s narrator-heroine, enjoying a fresh turn after “Lulu and the Brontosaurus,” is full of ‘tude and doesn’t care if you don’t like it. A child of entitlement, Lulu is nonetheless told she needs to earn money for her latest heart’s desire. Dog walking teaches her a lesson. Lulu feels like a cousin of, and a step up the chapter book ladder in difficulty from, Junie B. Jones. Smith’s sharp-eyed charcoals add kick.
    New York Times Book Review Children's Bookshelf
    "Viorst’s narrator-heroine, enjoying a fresh turn after “Lulu and the Brontosaurus,” is full of ‘tude and doesn’t care if you don’t like it. A child of entitlement, Lulu is nonetheless told she needs to earn money for her latest heart’s desire. Dog walking teaches her a lesson. Lulu feels like a cousin of, and a step up the chapter book ladder in difficulty from, Junie B. Jones. Smith’s sharp-eyed charcoals add kick."
    From the Publisher
    The second hilarious episode to feature feisty Lulu (Lulu and the Brontosaurus, 2010), who almost always gets what she wants…. Smith’s droll illustrations interspersed throughout the text add to the humor and developing conflict…the short, funny chapters, over-the-top characters and engaging artwork will give this one plenty of appeal, especially to kids just venturing into chapter-book territory.”

    —Kirkus Reviews, July 15, 2012

    “Lulu still has a world-class case of self-absorption, but her arguing skills have matured a bit since Lulu and the Brontosaurus…. This extended comic fable is rife with authorial intrusion: Viorst ensures that readers are having fun, getting the point, and noticing her fictional ploys (“In actual life this almost never could happen. In the stories I write, things like this happen a lot. Deal with it”). Fortunately, these asides really are funny. Smith is in fine form with his pencil illustrations, especially the caricatures of Lola’s three canine charges—“bigheaded, bad-breathed brute” Brutus, “teeny-tiny white fuzzball” Pookie, and elusive German-comprehending dachshund Cordelia—and the owners they resemble.”

    Horn Book Magazine, September/October 2012

    Children's Literature - Barbara L. Talcroft
    Kids who loved Viorst’s Lulu And the Brontosaurus will rejoice that Lulu’s back (with her lacquered bob and prison-striped dress), a bit politer than before—but not much. Now she is determined to make money for something mysterious that she really wants, but her beleaguered parents cannot afford. When she advertises as a dog walker (knowing nothing about dogs), she is offered some advice by a neighbor, Fleischman, who is so sweet-natured, efficient, and helpful that everyone loves him—he even gets the best grades in school. Naturally, Lulu hates him, warns him off dog walking, and scorns his help. Acquiring three unmanageable charges—Brutus, an enormous snarling bulldog; Pookie, a tiny white puffball; and a disappearing dachshund named Cordelia—Lulu quickly finds herself in trouble. Guess who shows up? Fleischman, of course—eager to help and very clever with dogs. Though Fleischman gets Lulu out of trouble more than once, bad-tempered Lulu snarls and growls at him till finally, Fleischman has had enough. How Lulu learns a useful lesson and, in the end, comes to terms with herself and Fleischman makes an appealing story full of outrageous dogs, eccentric owners, and two kids who could not be more different. The twenty-three chapters are short, some only one line, while the author frequently (perhaps too frequently) speaks directly to the reader, asserting herself as the one in charge of the story. Smith’s exaggerated, ebullient illustrations are done in pencil on heavily textured paper, creating shadings, smudges, and sharp lines as well. He has outdone himself with a spread depicting a dilapidated Victorian house with a yard full of junk and a half-page portrait of Fleischman playing his flute like Orpheus charming birds and beasts. Oh, yes, readers do find out what amazing project Lulu is saving for. Reviewer: Barbara L. Talcroft; Ages 6 to 10.
    School Library Journal
    Gr 3–5—In this sequel to Lulu and the Brontosaurus (S & S, 2010), the incorrigible Lulu, oft indulged by her parents, is desperate for ways to make money to pay for a mysterious something that they absolutely cannot afford. Rejecting their suggestions to do helpful chores for people as their annoyingly well-behaved neighbor Fleischman does, Lulu settles on dog walking and quickly gathers three customers. But she hasn't anticipated that walking Brutus, Pookie, and Cordelia together is not the cinch she thought it would be, and she reluctantly accepts help from Fleischman. As these polar opposites devise strategies to bring the canines under control, they also take steps to overcome their mutual animosity, and a sort-of friendship develops. When Lulu's secret desire is revealed in a Q & A at story's end, it's clear they'll need to work together for a long time to come. The predictable plot takes a backseat to the hilarious narration with much editorial wisecracking and frequent asides directed to readers. The story moves along quickly, variations in page layout and typeface add interest, and Smith's stylized black-and-white drawings are a big part of the fun. A perfect choice for transitional readers.—Marie Orlando, fomerly at Suffolk Cooperative Library System, Bellport, NY
    Kirkus Reviews
    The second hilarious episode to feature feisty Lulu (Lulu and the Brontosaurus, 2010), who almost always gets what she wants. This time, what Lulu wants is so outrageous that her mother and father tell her she is going to have to earn the money for it herself, so Lulu hatches a business plan to earn the money by walking dogs. It turns out, however, that Lulu is a dismal failure at dog walking. Enter Fleischman, Lulu's goody-goody, smarty-pants, neat-as-a-button, uber-helpful and incredibly annoying neighbor. He can certainly help Lulu with her dog-walking scheme. The question is whether spoiled, prideful Lulu can stand him long enough to let him. Smith's droll illustrations interspersed throughout the text add to the humor and developing conflict by playfully emphasizing the differences between Lulu and Fleischman and creatively dramatizing their most interesting moments. Unfortunately, Viorst's numerous authorial asides--in which the narrator insists on control of the storyline and stops for brief question-and-answer sessions with readers--come across as more confusing than clever because the voice and personality of the narrator are almost indistinguishable from Lulu's. Nonetheless, the short, funny chapters, over-the-top characters and engaging artwork will give this one plenty of appeal, especially to kids just venturing into chapter-book territory. (Fiction. 6-10)

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