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    Middlemarch

    Middlemarch

    3.9 102

    by George Eliot, Francine Prose


    eBook

    $4.99
    $4.99

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      ISBN-13: 9780062467379
    • Publisher: HarperCollins Publishers
    • Publication date: 11/17/2015
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 864
    • Sales rank: 297,587
    • File size: 2 MB

    George Eliot was the pseudonym for Mary Anne Evans, one of the leading writers of the Victorian era, who published seven major novels and several translations during her career. She started her career as a sub-editor for the left-wing journal The Westminster Review, contributing politically charged essays and reviews before turning her attention to novels. Among Eliot’s best-known works are Adam Bede, The Mill on the Floss, Silas Marner, Middlemarch and Daniel Deronda, in which she explores aspects of human psychology, focusing on the rural outsider and the politics of small-town life. Eliot died in 1880.


    Francine Prose is the author of twenty-one works of fiction, including Mister Monkey; the New York Times bestseller Lovers at the Chameleon Club, Paris 1932; A Changed Man, which won the Dayton Literary Peace Prize; and Blue Angel, a finalist for the National Book Award. Her works of nonfiction include Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer. The recipient of numerous grants and honors, including a Guggenheim, a Fulbright, and a Director’s Fellow at the Center for Scholars and Writers at the New York Public Library, she is a former president of PEN American Center and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She lives in New York City.

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    Read an Excerpt

    WHO that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa,' has not smiled with some gentleness at the thought of the little girl walking forth one morning hand - in - hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide - eyed and helpless - looking as two fawns, but with human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child - pilgrimage was a fit beginning. Theresa's passionate, ideal nature demanded an epic life: what were many - volumed romances of chivalry and the social conquests of a brilliant girl to her. Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self - despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order.
    (Continues…)



    Excerpted from "Middlemarch"
    by .
    Copyright © 2012 George Eliot.
    Excerpted by permission of Penguin Publishing Group.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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    From the Publisher

    "Kate Reading...lends the prose emphasis and expression.... Reading's well-paced, measured narration captures the novel's realism—-with its fresh rendering of a complex and often harsh social world." —-AudioFile

    Reading Group Guide

    1. Discuss the relationship between religious and secular, spiritual and worldly, in the novel. Is it conflicted or not? Why?

    2. What is Eliot's view of ambition in its different forms-social, intellectual, political? How is this evident in the novel?

    3. In her introduction, A. S. Byatt contends that Eliot was "the great English novelist of ideas." How do you interpret this? How do you think ideas-human thought-inform the plot of Middlemarch?

    4. George Eliot is a pseudonym for Mary Ann Evans. How does Eliot's femaleness-and her concealing of it-add resonance to the novel, if at all? Do you see Dorothea's character differently in this regard? Do you see Middlemarch as a "women's" novel?

    5. Middlemarch was originally published in serial form, a single book at a time. What kinds of concerns affected Eliot's narrative in this regard? How do these discrete segments differ from the whole?

    6. Discuss the convention of marriage in the novel. Do you feel it ultimately restricts the characters? Or is it the novel's provincial setting that proves more oppressive?

    7. Discuss the metaphor of Dorothea as St. Theresa. What is Eliot saying here?

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    A deluxe Harper Perennial Legacy Edition, with an introduction from Francine Prose, award-winning and New York Times best-selling author of Reading Like a Writer

    George Eliot’s beloved classic novel—hailed by Virginia Woolf as “masterful”—follows the life, loves, foibles, and politics of the residents of a fictional English town set amid the social unrest during the Industrial Revolution.

    A sprawling work set in a provincial English town, Middlemarch boasts a large cast of characters whose stories interweave against a backdrop of political upheaval.

    Instead of choosing to wed a wealthy landowner and settle for a comfortable life, Dorothea Brooke decides to marry Edward Casaubon—a dull scholar who is her senior by a few decades. Dorothea hopes the union will afford her with the opportunity to share in her husband’s intellectual pursuits, but even her best efforts can’t save the disastrous marriage. Meanwhile, idealistic doctor Tertius Lydgate has progressive ideas about the medical field, and he believes the village of Middlemarch is the place that will embrace his beliefs. But when he weds Rosamond Vincy, the mayor’s beautiful daughter, his ideals come into stark contrast with his new bride’s materialism and vanity, dooming their marriage from the start.

    Lastly, Rosamond's brother, Fred, is reluctantly destined for the Church. But his childhood sweetheart Mary Garth refuses to accept him until he settles into a more suitable career and one that interests him. But when circumstances lead to Fred losing a sizeable fortune that sets off a calamitous turn of events, he must reevaluate the choices he has made.

    As The Guardian notes, Middlemarch “looms above the mid-Victorian literary landscape like a cathedral of words,” offering readers a pivotal shaping of literary realism. Middlemarch is a masterwork of fiction that is as timely today as when it was first published.

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    "A novel without weaknesses, it renews itself for every generation." - Martin Amis
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