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    Middlemarch

    Middlemarch

    3.9 102

    by George Eliot, David Carroll (Editor), Felicia Bonaparte (Other)


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    David Carroll is Professor of English Literature at the University of Lancaster. He edited George Eliot: The Critical Heritage (1971), and the Clarendon edition of Middlemarch (1986). He is joint General Editor of the Longman Literature in English Series. Felicia Bonaparte is Professor of English at the City University of New York and has written extensively on George Eliot. Among her other publications is the experimental biography The Gypsy-Bachelor of Manchester: The Life of Mrs Gaskell's Demon (1992).

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    WHO that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa,' has not smiled with some gentleness at the thought of the little girl walking forth one morning hand - in - hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide - eyed and helpless - looking as two fawns, but with human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child - pilgrimage was a fit beginning. Theresa's passionate, ideal nature demanded an epic life: what were many - volumed romances of chivalry and the social conquests of a brilliant girl to her. Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self - despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order.
    (Continues…)



    Excerpted from "Middlemarch"
    by .
    Copyright © 2012 George Eliot.
    Excerpted by permission of Penguin Publishing Group.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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    "Kate Reading...lends the prose emphasis and expression.... Reading's well-paced, measured narration captures the novel's realism—-with its fresh rendering of a complex and often harsh social world." —-AudioFile

    Reading Group Guide

    1. Discuss the relationship between religious and secular, spiritual and worldly, in the novel. Is it conflicted or not? Why?

    2. What is Eliot's view of ambition in its different forms-social, intellectual, political? How is this evident in the novel?

    3. In her introduction, A. S. Byatt contends that Eliot was "the great English novelist of ideas." How do you interpret this? How do you think ideas-human thought-inform the plot of Middlemarch?

    4. George Eliot is a pseudonym for Mary Ann Evans. How does Eliot's femaleness-and her concealing of it-add resonance to the novel, if at all? Do you see Dorothea's character differently in this regard? Do you see Middlemarch as a "women's" novel?

    5. Middlemarch was originally published in serial form, a single book at a time. What kinds of concerns affected Eliot's narrative in this regard? How do these discrete segments differ from the whole?

    6. Discuss the convention of marriage in the novel. Do you feel it ultimately restricts the characters? Or is it the novel's provincial setting that proves more oppressive?

    7. Discuss the metaphor of Dorothea as St. Theresa. What is Eliot saying here?

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    Writing at the very moment when the foundations of Western thought were being challenged and undermined, George Eliot fashions in Middlemarch a concept of life and society free of the past's dogma yet able to confront the scepticism that was taking over the age. Felicia Bonaparte has provided a new Introduction for this updated edition, the text of which is taken from David Carroll's Clarendon Middlemarch (1986), the first critical edition.

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    "A novel without weaknesses, it renews itself for every generation." - Martin Amis
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