Eleanor Coerr was born in Kamsack, Saskatchewan, Canada, and grew up in Saskatoon. Two of her favorite childhood hobbies were reading and making up stories. Eleanor began her professional life as a newspaper reporter and editor of a column for children. Luckily, she traveled to Japan in 1949 as a writer for the Ottawa Journal, since none of the other staff wanted to go to a country that had been devastated by war. Coerr is the writer of numerous children's book and picture books.
Mieko and the Fifth Treasure
Paperback
(Reissue)
$5.99
- ISBN-13: 9780698119901
- Publisher: Penguin Young Readers Group
- Publication date: 04/14/2003
- Edition description: Reissue
- Pages: 80
- Product dimensions: 5.06(w) x 7.75(h) x 0.22(d)
- Lexile: 680L (what's this?)
- Age Range: 9 - 12 Years
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When the bomb was dropped on Nagasaki, Mieko's nearby village was turned into ruins, and her hand was badly injured. Mieko loves to do calligraphy more than anything, but now she can barely hold a paintbrush. And she feels as if she has lost something that she can't paint without-the legendary fifth treasure, beauty in the heart. Then she is sent to live with her grandparents and must go to a new school. But Mieko is brave and eventually learns that time and patience can help with many things, and may even help her find the fifth treasure.
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Publishers Weekly - Publisher's Weekly
The devastating effects of the bombing of Japan described in Coerr's Sadako and the Thousand Paper Cranes are evoked here in the stirring story of Mieko, a gifted calligrapher and artist. After her hand is badly injured in the bombing, the frightened and embittered girl is sent to stay with her grandparents in the country. Mieko fears she has lost the fifth treasure, the ``beauty in the heart'' which holds the key to her artwork. At her new school, she is taunted by some cruel classmates, and the anger she feels only deepens her sense of misery and loss. Eventually, she is lifted from her dark state by the patience and wisdom of her comforting grandparents and through the friendship of Yoshi, a gentle classmate. Mieko's recovery is further aided by Yoshi's Aunt Hisako, a stern but generous woman who goads Mieko into picking up her brushes once more. (Hisako's disappearance from the story proves mildly confusing, leaving her more of a device than a fleshed-out character.) Overall, this is a sensitively and beautifully crafted story that juxtaposes the strength of Japanese art and philosophy with the complex emotional wake of the bombing. Once again, this author has created a vivid portrait of courage, drawn from a time that deserves to be remembered. Ages 7-11. (Apr.)
Children's Literature - Susie Wilde
Mieko and the Fifth Treasure finds a heroine whose hand is crippled by the Nagasaki bomb. A skillful word-picture artist, Mieko, can work with brush, ink stick, ink stone and rice paper, but she struggles to find the fifth treasure "beauty in the heart." It is the friendship and loving support of those around her that allow Mieko to escape her bitterness and draw with her heart.
School Library Journal
Gr 3-5-- The four treasures of traditional East Asian calligraphy are brush, inkstick, inkstone, and paper. The ``fifth treasure,'' as Mieko's art teacher has told her, is beauty in the heart, which breathes life into writing word-pictures (characters). Mieko lived in a village outside Nagasaki when the atom bomb was dropped. Flying glass badly damaged her writing hand and now, a few months later, she has been sent to live with her grandparents. Ashamed of her scars and certain she has lost the fifth treasure, Mieko withdraws into herself, rejecting school and her grandparents' efforts to help her heal psychologically. It is the subtle, beneficial influence of her new friend, Yoshi, and her overbearing aunt that helps Mieko overcome her fears and start to face life again. The child's inner and outer conflicts are believably handled, and readers will identify with her struggle towards normalcy after trauma. Much of the plot is obvious, but satisfying. The meeting with Yoshi's aunt is especially heavy-handed. With the plot unfolding in the months immediately after surrender, with Tokyo in ashes, rationing for nearly a decade, the collapse of the economy, and U. S. occupation forces just settling in, the fact that she blithely orders (and receives) luxury writing paper is a strain on credibility. Otherwise, this is a warm, sensitive, and well-written story with wide appeal. --John Philbrook, San Francisco Public Library