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    Miles Davis And American Culture

    by Gerald Early (Editor)


    Paperback

    (1)

    $19.95
    $19.95

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    • ISBN-13: 9781883982386
    • Publisher: Missouri History Museum Press
    • Publication date: 06/01/2001
    • Edition description: 1
    • Pages: 240
    • Product dimensions: 9.00(w) x 9.00(h) x 0.60(d)
    • Age Range: 14Years

    Gerald Early is Merle Kling Professor of Modern Letters at Washington University. He is also the editor of Ain't But a Place: An Anthology of African American Writings about St. Louis.

    Table of Contents


    The art of the muscle: Miles Davis as American knave
    Gerald Early

    Just before Miles: jazz in St. Louis, 1926-1944
    William Howland Kenney

    "I just adored that man"
    An interview with Quincy Jones

    "So what"(?) ... it's "all blues" anyway: an anecdotal/jazzological tour of Milesville
    Eugene B. Redmond

    "He's Miles ahead"
    An interview with George Avakian

    Miles and the jazz critics
    John Gennari

    "Sensational pulse"
    An interview with Ahmad Jamal

    Miles, politics, and image
    Ingrid Monson

    "Any direction he chose"
    An interview with Ron Carter

    Miles Davis and the 1960s avant-garde
    Waldo E. Martin Jr.

    From Kind of blue to Bitches brew
    Quincy Troupe

    "It's about that time": the response to Miles Davis's electric turn
    Eric Porter

    Miles Davis and the double audience
    Martha Bayless

    "Here's God walking around"
    An interview with Joey DeFrancesco

    Ladies sing Miles
    Farah Jasmine Griffin

    Remembering Miles in St. Louis: a conclusion
    Benjamin Cawthra

    Appendix 1. Playboy interview with Alex Haley
    Appendix 2. Chronology.

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    Miles Davis and American Culture examines Davis in cultural context. In this new collection of a dozen essays, William Kenney explores the St. Louis jazz scene of Davis's youth; Eugene B. Redmond looks at East St. Louis's cultural history; Ingrid Monson examines Davis and civil rights; and Waldo Martin discusses Davis and his relation to the black avant-garde of the 1960s.Original interviews and classic photographs round out the volume, published to coincide with the 2001 Miles Davis Festival, celebrating what would have been Davis's seventy-fifth birthday.

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