Murder at the Falls by Stefanie Matteson | eBook

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Murder at the Falls

A Charlotte Graham Mystery

By Stefanie Matteson

OPEN ROAD INTEGRATED MEDIA

CHAPTER 1

"I've found it," said Tom Plummer as he gave their order — two mozzarella and sun-dried tomato sandwiches and two iced coffees — to the Italian waiter who hovered ingratiatingly over their table on the sidewalk outside the small Columbus Avenue trattoria.

Charlotte Graham hadn't seen Tom for a couple of weeks. They had arranged this lunch date to catch up. Tom was what their waiter might have called her cavaliere servènte, or serving cavalier. In Italy, many elegant older women enjoyed the special friendship of a younger man who danced attendance on them, and Tom was hers. For the last four years, ever since she had separated from her fourth husband, Jack Lundstrom, Tom had been filling the need for a man in Charlotte's life, serving as companion, escort, chauffeur, confidant — everything in fact but her lover. It was a synergistic relationship. They joked that it was like shark and pilot fish, though who was which they weren't sure. In exchange for being her escort, Tom got to partake of the perquisites that were hers as a veteran of fifty years (this year! it was now 1989, and she had made her first movie in 1939) in front of the cameras and on the stage. For being a star, as her second husband used to say, was like having a first-class ticket to life.

Charlotte didn't need to ask what it was. It was Tom's Holy Grail, the perfect diner. Though Tom made his living writing books on true crime, his hobby, or, better put, his passion, was diners. He spent his weekends cruising the gritty downtown areas and the rural highways of the Northeast for his model of perfection. This wasn't the first time that he had made such a pronouncement. Ruby's Diner in Schenectady, N.Y.; Rosie's Farmland in Little Ferry, New Jersey; and the Miss Portland in. Portland, Maine, were all among the diners that at one time or another been awarded this accolade. But each had been superseded by yet another more worthy.

With Tom, Charlotte had weighed the relative merits — in terms of the perfect diner, that is — of stainless steel versus baked enamel siding, of diners without booths versus diners with booths, of marble counters versus inlaid Formica counters. In the course of doing so, she had sampled house specialties from Atlantic City to Waldoboro, Maine (for it was axiomatic that good diners could only be found in the Northeast, the way good doughnuts could only be found in New England, or good barbecue south of the Mason-Dixon line). She did so somewhat reluctantly, for she didn't share Tom's enthusiasm for diner food, where specialties of the house tended toward the likes of cinnamon buns, macaroni and cheese, and onion rings. She shared the opinion of John Steinbeck, who observed that a diner was a place where you couldn't get a bad breakfast or a good dinner. But she did make an exception for lemon meringue pie, which she had developed as her own area of expertise (in contrast to Tom, whose field was tube steaks and french fries), and about which she had schooled herself in all the subtleties, from the stiffness of the meringue to the consistency and sweetness of the filling.

If the price Tom paid for their arrangement was carrying the bags once in a while, the cost to Charlotte was accompanying Tom on his culinary crusades. Or so she said. Actually, she enjoyed these trips to the hinterlands. More than that — she needed them. Ever since she had split up with Jack, she had felt a peculiar sense of restlessness, an urge to get in a car and go. She was sure that, had she given into her urge to drive west until she hit the Pacific, she would have turned right around and driven back again. That's how bad it was. Her old friend, Kitty Saunders, who was fond of doing readings from Tarot cards, the I Ching, the configurations of the stars, and whatever other tools of prognostication that happened to be in vogue at the moment, had defined Charlotte's basic character in terms of the traveler: a person whose creative energies demand the fuel of new experiences. Which was true, but lately she hadn't felt as much like a traveler — who presumably has a destination in mind — as someone who is floating freely through life. The trips with Tom helped satisfy her need to hit the road.

She also suspected that her fondness for these trips had something to do with reliving her youth, which in turn had something to do with her recent birthday, on which she had turned seventy. Sixty-nine hadn't seemed old to her, but the number seventy, with its sharply angled seven and implacable zero seemed to carry a sense of finality that fifty or sixty, or even eighty or ninety, with their sinuous curves, didn't have. Which had nothing to do with how she felt, which was just fine, thank you. Like a girl, in fact — a girl who's just been released from the stifling atmosphere of a New England girls' finishing school. The road trips with Tom gave her the same exhilarating sense of independence that she had felt at the beginning of her career, when, as a cast member in a road company, she had played in one city one night and another the next. The names of those cities reverberated in her memory like the destinations announced over the loudspeaker in a railway station: Waterbury, Allentown, Providence, Hartford, Syracuse. Just thinking about those days brought back that wonderful sense of expecting the unexpected that came from never being quite certain of where she would light next.

She shifted her attention back to the man who sat across the table, his clear, gray eyes dancing with excitement. He had a plain face: honest and straightforward, which was probably responsible, at least in part, for his success. He could talk his way into any milieu from boardroom to barrio and come away with the answers that he needed. She had met him eight years ago when he was writing an article for a New York magazine on her role in solving the murder of her co-star in a Broadway play. He had later expanded the article into a best-selling book entitled Murder at the Morosco, after the lovely old theatre at which the murder had taken place, and which had long since been torn down in the name of progress.

"Where?" she asked as the waiter delivered their iced coffees. Though it was mid-September, there wasn't a hint of fall in the air. The temperature over the last few days had climbed into the nineties and stayed there, which made her wonder if winter would make up for this glorious Indian summer.

"Paterson, New Jersey," Tom replied. "The Falls View Diner."

"Paterson, New Jersey," she repeated with a tone of nostalgia. I haven't been in Paterson since I sold war bonds there. At the Fabian Theatre, as I recall. With Lou Costello and Bud Abbott. It was Lou's hometown. I think there's even a park named after him there. Lou Costello ... and Linc Crawford."

Linc Crawford had been her third husband, and the only one among them who was a movie star. As a result, he was the husband who was best remembered by her public, but she had actually been married to him for the shortest period of time — six months, which had been about five-and-a-half months too long. He had been charming and handsome, but he had also been a womanizer and a drunkard, a fact that was forgotten not only by her public, but even sometimes, by her.

"Aha!" said Tom, his droopy mustache twitching with amusement. "Is that where your legendary romance with the screen hero began?"

"No. I was still happily married to Will then." But it had been the first time she had met Linc, and she remembered the surge of electricity she had felt when she shook his hand (like an electric eel, she now thought). Though she considered the marriage a mistake, it had served one purpose, which was to cure her of any weakness she might have harbored for the blandishments of male charm.

She watched Tom as he sipped his coffee, all the while subtly eyeing the women who passed by their table. He professed to like his bachelor life — though he was close to forty, he had never married — but Charlotte suspected that he would really have liked to settle down. She never discussed this with him — far be it for her to question a lifestyle that was so well-suited to her own needs — but she often wondered how long it would last.

"How did a diner in Paterson ever escape you?" she asked. Not only was New Jersey Tom's home turf — he had been brought up there and had worked for years at New Jersey newspapers — it was also the diner crusader's Holy Land. The diner hadn't been born in New Jersey (that distinction went to the state of Rhode Island), but it was in New Jersey that the diner had reached its artistic peak. New Jersey was to diners what Tuscany was to Renaissance art.

He turned back to face her. "I don't know," he said, shaking his head in amazement that this masterpiece of roadside architecture could have escaped his attention. "Why is it that some New Yorkers have never been to the Empire State Building or some Parisians to the Eiffel Tower? I've lived within a few miles of Paterson almost my entire life, but I've only been there a few times. I'd even heard about the Falls View, but I just never got out there."

New Jersey's ascendacy in the diner world had to do not only with the artistic quality of its diners, but also with their sheer numbers. According to Tom, whose authority on such matters Charlotte considered absolute, New Jersey was home to two thousand of the nation's estimated six thousand diners. At one time, most of the diners in America had been manufactured in New Jersey, which was the location of the Ford, GM, and Chrysler of diner manufacturers.

No one could have grown up in New Jersey, as Tom had, and not love diners, he claimed. It went with the territory, like calling an Italian sandwich a hoagie and body surfing at the Jersey shore. But it had taken a trip to the Museum of Modern Art to transform his native appreciation into an obsession. He spoke about the moment he fell in love with diners with the same kind of nostalgic warmth that is usually reserved for a first love.

The waiter brought their sandwiches. Leaves of fresh basil peeked out from between the edges of the roll. The smell was intoxicating: there was nothing like the aroma of fresh basil on a summer's day, even one in September.

As Charlotte ate her sandwich, enjoying the warmth of the sunshine and the buoyant mood of the city, she recalled Tom telling her about that moment. He had been browsing in the gift shop at the museum when he found himself face to face with an art poster, a photograph of Pal's, in Mahwah, N.J., the diner in which he had spent much of his misspent youth. His first reaction had been incredulity. "Pal's is art?" he asked himself. But then, looking again at the sign that proclaimed "Pal's" in flowing pink neon script and the stainless steel sheathing that gleamed like polished silver, he had realized that Pal's was art, part of the rapidly disappearing roadside architecture of the mid-twentieth century.

The framed poster of Pal's now hung in his living room. And Pal's became the first entry in a journal of diner encounters that now extended to four hundred and eleven entries, each described according to make and model, which Tom knew the way others know the makes and models of classic cars. He was now thinking about turning his journal, complete with his collection of photographs, into a book.

Tom set down his sandwich, and looked Charlotte in the eye. "Graham," he said, in an uncharacteristically serious tone, "I know I've said this before, but this time I really mean it. This is the one."

Maybe it wasn't a woman that Tom needed to settle down with, Charlotte thought. Maybe it was a diner. "What's the specialty?" she asked suspiciously, knowing that she would be required to pass judgment on the cuisine.

"Hot Texas wieners."

Charlotte raised a skeptical eyebrow, which was one of her screen trademarks, along with her forthright stride and her clipped Yankee accent. "Hot Texas wieners! In Paterson, New Jersey?"

"I know they sound terrible, but they're really surprisingly good. Take my word for it, Graham. You'll really like them. Local custom calls for them to be served 'all the way'," he added with a mischievous grin.

"Dare I ask what all the way is?"

"With mustard, chopped onions, and chili sauce. And" — he raised a finger for emphasis — "local custom also calls for them to be served with a mug of birch beer and french fries."

"As in 'two all the way with beer and fries?'" said Charlotte, who by now had acquired a certain knack for diner lingo.

"You've got it."

"When are we going?"

"How does Sunday sound? As it turns out, that's the day of the opening of an exhibit at the local museum that I'd like to go to, on the New Jersey diner. The opening reception starts at seven."

"Eat at the diner, then go to the show?"

Tom nodded. "There's an artist who's exhibiting in the show whom I'd like to meet. Maybe we can arrange to have dinner with him. He paints diners," he added. "I thought maybe he could do the cover for my book."

"Sounds fine to me. Remind me to take along the Alka-Seltzer."

CHAPTER 2

They left the city at about five in Tom's 1962 Buick Electra 225 convertible, which was named for its overall length in inches — in other words, a boat — and which was nicknamed by car buffs the "deuce and a quarter." The Buick wasn't Tom's only car. He also had a small Japanese car (Charlotte wasn't the kind who could name makes and models, her descriptions of cars tending to run more to "small red" or "large gray"), but this luxury liner of an automobile with real leather seats was Tom's car of choice for diner-hunting jaunts into the suburbs. Tom said it put him in the mood for a road trip, as it did Charlotte, especially when she was floating down the highway with the top down on a fine evening like this one, an old Beach Boys song on the radio. (Tom's generation, not hers; but the rock and roll oldies stations seemed to go with the experience of a diner jaunt). Tom kept the Buick garaged on the West Side, near the entrance to the Lincoln Tunnel, for quick getaways to prime diner-hunting territory on the other side of the Hudson.

"So what's so special about the Falls View that it qualifies for the august rank of the perfect diner?" asked Charlotte, raising her voice to be heard above the roar of the traffic. They had just emerged from the Lincoln Tunnel into the land 'o diners, a landscape that for Tom was delineated not by cities, rivers, and mountains, but by the locations of roadside eateries.

"Lots of things," he replied. "First, it's a pristine pre-war diner, circa 1939, which I know you'll recognize as a good year."

It was the year in which Charlotte had made her first movie. Ironically, she had played a diner waitress who falls in love with a hobo customer only to find out later that he is a philanthropic millionaire who has assumed the role of a hobo to find out what life on the road is really like. They live happily ever after. Such were the movies of Hollywood's Golden Age. She missed them.

Tom continued: "Stainless steel banding; porcelain enamel exterior; sunburst stainless steel backbars; original menu boards; vintage Seeburg 100 Wallomatic jukebox; original neon sign and exterior clock; curved glass block entryway; open twenty-four hours a day, seven days a week; breakfast at any hour, day or night; plenty of newspapers for the customers ..."

"Whoa. Slow down. As I understand it, what you've just listed are the basic qualifications for the rank of perfect dinner," Charlotte interrupted. Though it was rare to find a diner that had all the basics. Like Miss Americas, even the best had some flaw: an overbite, a regrettable accent, a bustline that hinted at the probability of falsies. "What makes this one extra special?"

"You're right. Those are just the basics. First among the features that makes this one special is the location." He looked over at Charlotte. "I don't think I've ever seen a diner in such a spectacular location. Falls View isn't entirely accurate. You have to walk up the street a little. But when you do, you are overlooking one of the most spectacular waterfalls in America."

"I remember them," she said. "The Great Falls."

"The second special feature is tradition," he continued. "The Falls View is still on its original site. Furthermore, it was built in Paterson. It's a Silk City," he said, naming the Paterson Vehicle Company's famous model. "It isn't often that you find a diner that hasn't been moved, much less one that's located only a few miles from the place where it was built."

Tom was right. Originally built on wheels, diners were designed to be moved from one place to another, and often were.

"And third ... I guess you'd have to call it local flavor. Lots of diners have a specialty, but it's usually something you could find anywhere, like cherry pie or sticky buns or corned beef hash. If it is a local specialty, it tends to be a regional one, like New England clam chowder. Hot Texas wieners are truly a local specialty, at least the way they're made here."

(Continues...)

Excerpted from Murder at the Falls by Stefanie Matteson. Copyright © 1993 Stefanie Matteson. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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Murder at the Falls

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A Charlotte Graham Mystery

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