Dorothy Wickenden has been the executive editor of The New Yorker since January 1996. She also writes for the magazine and is the moderator of its weekly podcast “The Political Scene.” She is on the faculty of The Writers’ Institute at CUNY’s Graduate Center, where she teaches a course on narrative nonfiction. A former Nieman Fellow at Harvard, Wickenden was national affairs editor at Newsweek from 1993-1995 and before that was the longtime executive editor at The New Republic. She lives with her husband and her two daughters in Westchester, New York.
Nothing Daunted: The Unexpected Education of Two Society Girls in the West
This exhilarating saga about two intrepid young women who leave the affluence of their New York home to teach school on the Western frontier in 1916 is authentically created using actual letters home and interviews with descendants.
Dorothy Woodruff and Rosamond Underwood attended grade school and Smith College together, spent nine months on a grand tour of Europe in 1910, and then, bored with society luncheons and chaperoned balls and not yet ready for marriage, they went off to teach the children of homesteaders in a remote schoolhouse on the Western Slope of Colorado. They traveled on the new railroad over the Continental Divide and by wagon to Elkhead, a tiny settlement far from the nearest town. Their students came to school from miles away in tattered clothes and shoes tied together with string.
Dorothy Woodruff was the grandmother of New Yorker executive editor Dorothy Wickenden. Nearly one hundred years later, Wickenden found the buoyant, detailed, colorful letters the two women wrote to their families. Through them, she has chronicled their trials in the classroom, the cowboys and pioneering women they met, and the violent kidnapping of a close friend. Central to their narrative is Ferry Carpenter, the witty, idealistic, and occasionally outrageous young lawyer and cattle rancher who hired them, in part because he thought they would make attractive and cultivated brides. None of them imagined the transforming effect the year would have—on the children, the families, and the teachers.
Wickenden set out on her own journey to discover what two intrepid Eastern women found when they went West, and what America was like at that uncertain moment, with the country poised for the First World War, but going through its own period of self-discovery.
Drawing upon the letters, interviews with descendants, research about these vanished communities, and trips to the region, Wickenden creates a compelling, original saga about the two intrepid young women and the “settling up” of the West.
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“In Nothing Daunted, Dorothy Wickenden has beautifully captured a world in transition, a pivotal chapter not just in the life of her bold and spirited grandmother, but also in the life of the American west. Dorothy Woodruff and her friend Rosamond are like young women who walked out of a Henry James novel and headed west instead of east. Imagine Isabel Archer wrangling the ragged, half-wild children of homesteaders, whirling through dances with hopeful cowboys, and strapping on snowshoes in the middle of the night to urge a fallen horse onto an invisible trail in high snowdrifts, and you’ll have some idea of the intense charm and adventure of this remarkable book.”—Maile Meloy, author of Both Ways Is the Only Way I Want It
“A superb, stirring book. Through the eyes of two spirited and resourceful women from the civilized East, Wickenden makes the story of the American West engaging and personal. A delight to read.”Susan Orlean, author of The Orchid Thief
“The adventures of two well-bred Yankee ladies in the still wild West makes a remarkable, funny story. But evoked through Dorothy Wickenden's skillful use of letters, diaries, and memoirs, Nothing Daunted is also a slow parade through young America. Cowboys carefully-mannered before the ladies; the bare-legged, ragged children in their brand-new school; winter sleigh rides under the new moon—all these moments have been preserved, their colors fresh for modern wonderment: A haunting evocation of a vanished world.”—Caroline Alexander, author of The Bounty and The War that Killed Achilles
“Dorothy Wickenden was lucky to have such intriguing forebears...but the satisfying depth and vivacity of Nothing Daunted, the intimate, report-from the ground American saga the author has created with that correspondence as a foundation, have nothing to do with good fortune. Wickenden’s talents for research, observation, description, and narrative flow turn this unfaded snapshot of these early-20th-century women in the West into something even more resonant—a brightly painted mural of America under construction a century ago, personified by two ladies of true grit who were nothing daunted and everything enthusiastic about where the new century would take them.”—Entertainment Weekly
“Wickenden has painstakingly recreated the story of how that earlier Dorothy and her friend Rosamond Underwood embarked on a brief but life-changing adventure, teaching the children of struggling homesteaders... Wickenden lets their tale of personal transformation open out to reveal the larger changes in the rough-and-tumble society of the West...Fascinating...scenes emerge with a lovely clarity”—Maria Russo, New York Times Book Review
“A superb biography... Wickenden summons up the last moments of frontier life, where books were a luxury and, when blizzards hit, homesteader’s children would ski miles to school on curved barrel staves... Nothing Daunted also reminds us that different strains of courage can be found, not just on the battlefield, but on the home front, too.”—Maureen Corrigan, Fresh Air
“An enchanting family memoir…A brilliant gem of Americana.”—Washington Post Book World
“Wickenden brings to life two women who otherwise might be lost to history and who took part in creating the modern-day West.”—Publishers Weekly
“A compelling story...”—Pittsburgh Post-Gazette
“Wickenden is a very good storyteller, and bracingly unsentimental. The sweep of the land and the stoicism of the people move her to some beautiful writing.”—Joan Acocella, Newsweek
"Wickenden uses personal history to illuminate the larger story of manifest destiny."The New Yorker
"A great story, with a richly appealing character at the center...a tale of the triumph of determination over adversity...wonderfully American."Slate
“Dorothy Woodruff and Rosamond Underwood come alive in Nothing Daunted, Dorothy Wickenden’s fascinating slice of social history... Their story is blessed with a cast of supporting characters that novelists would envy.”—USA Today
“Wickenden is a lucky and talented writer... Both women spring to life in this wonderful book.”—Houston Chronicle
“Lovingly pieced together.”—Los Angeles Times
“Scrupulously researched... Both an entertaining and an edifying read, bringing early 20th-century Colorado to vivid life.”Bookpage
“Century-old letters composed in the wilds of Colorado by two young schoolteachers provide the backbone of this stirring narrative.”Newsweek
“Dorothy Wickenden’s recounting of her grandmother Dorothy Woodruff’s treacherous cross-country journey is as charming as it is rugged... This is Little House on the Praire in petticoats, and it is enchanting.”—Rachel Syme, NPR.org
“Dorothy Wickenden has crafted an exquisite book.”—Boston Globe
“A rich narrative... Nothing Daunted is an extraordinary book.”—Denver Post
“An intimate and joyful work that captures the best spirit of the 1910s—and today.”—Shelf Awareness
“Woodruff’s breezy letters could easily have stood on their own, but Wickenden chose to shape them into a narrative...Her instinct was right: Nothing Daunted is at once enjoyable and enlightening.”—American Way
A detailed study of two spirited and privileged young women who unexpectedly became a small part of the history of the American West.
Rosamund Underwood and Dorothy Woodruff, both Smith College graduates, spent their 20s traveling to Europe and Manhattan and pouring tea for suffragettes at home in Auburn, N.Y. Nearing 30, they were becoming restless and, longing to do useful and interesting work, applied to become teachers in the small community of Elkhead, Colo. New Yorker executive editor Wickenden, Woodruff's granddaughter, relates their experiences with a vivid, gossipy flair, and readers get an excellent sense of what everyday life was like, not only for the privileged and highly educated, but for the mine worker, the homesteader, the elementary-school teacher. However, readers expecting a straightforward, linear narrative will be baffled by the sinuous curve of the story as it makes switchbacks and loops, like the much-discussed Moffat Road Railroad. In fact, the momentous first day of school for the young teachers doesn't arrive until halfway through the book. The earlier material covers their journey to Elkhead, their childhood and college years and their extensive domestic and international travel. The author's frequent diversions into local and national history demand careful attention, and they might delight one reader but bore another. Wickenden defers the discussion of the women's marriages until two-thirds of the way through the book, which both prioritizes their accomplishments and entices the reader. We know at the outset that Dorothy has children, and this knowledge pulls us gently through the narrative's many turns.
An absorbing maze of a book—readers may well, like Woodruff and Underwood, find their hearts lost to the West.